MELT. DOWN.
By Luis Alfaro. Playwright Luis Alfaro on mental health, his playwriting process, and Vicodin.
By Luis Alfaro. Playwright Luis Alfaro on mental health, his playwriting process, and Vicodin.
By Thom Dunn. Thom Dunn makes a case for union protection for the marketers and fundraisers and other theatre administrators who all play important roles, working long hours for little pay o…
By Brett Aresco. Brett Aresco on Eliza Bent's ode to poop, Toilet Fire , in New York City.
By Ash Nichols. Ash Nichols writes about stage managing Cornerstone Theater Company's California: The Tempest and the connections made on the road.
By Trevor Boffone. Trevor Boffone interviews playwright Josefina López about CASA 0101, the theatre company she founded fifteen years ago, and how she's become a leader in her community.
By Ben Gassman. Ben Gassman discusses the LIT Fund's grant lottery system and the concept of radical transparency.
By Fabiana Cabral. Critic Fabiana Cabral advocates the need for more accessible training for writing theatre criticism.
By Wier Harman. Wier Harman writes about being part of the National Arts Strategies Chief Executive Program, and the "Organization as Citizen" project.
By Virginia Grise, Jennifer Ponce de León. Jennifer S. Ponce de León interviews playwright Virginia Grise about her plays, her process, and her vision for the future of Latino/a theatr…
By Matthew Gray. Matthew Gray interviews performer Kristolyn Lloyd about choosing ethics and principles over panic when building your career, the importance of shaping your own education, an…
By Sylvan Oswald, Basil Kreimendahl, Mashuq Deen. Three transmasculine playwrights discuss working in the theatre.
By Jonathan Mastro. Jonathan Mastro responds Don Aucoin's recent Boston Globe article about audible audience responses.
By Damon Krometis. In the third installment of his series, Damon Krometis explores how much agency to give audiences during an interactive performance.
By Jess Pillmore. In the third installment of her Sustainable Artistry series, Jess Pillmore discusses the importance of having a clear sense of identity, and how to make that happen.
By Natalie Gershtein. Independent producer Natalie Gershtein considers the playwright-producer relationship. Where she once thought that playwrights were waiting and hoping for a first produ…
By David Dudley. David Dudley interviews Joan Schirle, Founding Artistic Director of Dell'Arte International, about their unique School of Physical Theatre.
By HowlRound TV. Double Nickels Theatre Company in Washington, DC hosts a Fierce Angels Feast livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on…
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, November 16 at 2pm PST (Vancouver) / 4pm CST (Austin) / 5pm EST (Toronto) / 22…
By Andrew Bailes. Andrew Bailes encourages theatre artists to embrace sincerity in their work, rather than cynicism or irony.
By Piper Anderson. Piper Anderson discusses the dual roles of diversity officers and advocates the need for leadership training.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Fassbinder and the Stage livestreaming on the global, commons-based peer produced HowlRound TV network at howlro…
By Michael Dixon. Michael Bigelow Dixon introduces the Monsters on Stage Project from Translyvania University.
By Robert Moskowitz. Robert Moskowitz discusses the needs for and advantages of creating a local theatre cooperative.
By HowlRound TV. Temps d'Images Festival / Independent Performing Arts Platform in Cluj, Romania presents She's a Good Boy by Compania 28, Cunthate [ură] by BÉZNÄ‚ Theatre, and Dom…
By Ira Gamerman. Ira Gameraman, writer for podcasts Dangerously Unqualified and Radiotopia's The Truth addresses the possibilities for playwrights in podcasting.