2,710 stories by "HowlRound"
By HowlRound TV. Company One Theatre presents the panel conversation: Theatre & Education on the Front Lines of Boston Communities"Race & Representation: From Performance, to Classro…
By Donald Sanborn III. A conversation between Donald H. Sanborn and James Morgan, producing artistic director of the York Theatre Company, New York City.
By Alexander Charles Adams. Dramaturg Alexander Charles Adams writes a response to Tim Miller and David Román's 1995 essay "Preaching to the Converted."
By Andrew Bailes. Andrew Bailes reviews Theater Oobleck's production of There Is a Happiness That Morning Is by Mickle Maher.
By HowlRound TV. The VORTEX in Austin, Texas presents Terminus by Gabriel Jason Dean"livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on at Frida…
By Mya Kagan. Mya Kagan continues her Submitting Like a Man series with this discussion of the logistics and emotional implications of creating a differently-gendered alter-ego.
By Damon Krometis. In this installment, Damon Krometis discusses Natasha, Pierre, and the Great Comet of 1812 and the relationship between watching and being watched for theatregoers.
By Polly Carl. On the five-year anniversary of HowlRound , Polly Carl looks back with a grateful eye to the future.
By HowlRound TV. Thinking about applying for a fellowship or internship in theatre? Hear from previous fellows and fellowship/internship directors from regional theatre companies around the …
By verity healey. verity healey reviews Belarus Free Theatre's Being Harold Pinter at the Young Vic in London, England.
By Daniel Penilla. Daniel Penilla, Assistant Director for Cornerstone's California: The Tempest tour, describes the process of bringing the show to life in different communities every few we…
By HowlRound TV. Join community members for Ashland, Oregon's 27th annual Martin Luther King Jr., Holiday Celebration featuring music, spoken word, and dance. Keynote speakers: Mildred Ruiz-…
By HowlRound TV. Livestreaming The Gathering 2016: Advocating for Black Female Choreographers in the Contemporary Dance World "from New York City on the global, commons-based peer produced H…
By HowlRound TV. The Public Theater in New York City presents the Under the Radar Festival Professional Symposium and the Culturebot: Scanning the Landscape Roundtable Conversations livestre…
By Ben Ferber, Todd Brian Backus. The development and origin of Hot Pepper Theatre, spicy hot and succinct theatre reviews.
By HowlRound TV. As a culmination of the Art of Change initiative , the Ford Foundation is hosting The Artists of Change: Conversations with the Ford Fellows livestreaming on the global, com…
By Patrick Gaughan, Meiyin Wang. Patrick Gaughan interviews Under the Radar Festival Co-Director, Meiyin Wang.
By HowlRound TV. Huntington Theatre Company in Boston presents Dancing is a Sin: Two One-Woman Plays from Egypt " a workshop performance and conversation"livestreaming on the global, commons…
By Mya Kagan. Playwright Mya Kagan introduces her new blog series about her project Submitting Like a Man, in which she submits her plays to calls under a male pseudonym.
By HowlRound TV. The Association of Performing Arts Presenters (APAP) presents the 2016 APAP|NYC Conference livestreaming from New York City on the global, commons-based peer produced HowlRo…
By Teresa Simone. Teresa Simone wraps up her Why I Hate Children's Theatre series by explaining why she seeks to interrupt children's theatre in her work.
By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents a discussion of the Lincoln Center Theater Review livestreaming on the global, commons-based peer produced HowlR…
By HowlRound TV. BECAUSE IT'S 2016: An Open Invitation from the Latino Theatre Community to Discuss Representation " a conversation with members of the Latina/o theatre community about fair …
By Isabel Dieppa. Actor Isabel Dieppa writes about her experiences as an actor of color being cast in a variety of roles.
By Jonathan Mandell. Jonathan Mandell, unable to understand several recent plays, goes to the source to explain them, and then humorously debates how important it is for theatre to be cohere…