Untranslatable: Henry Gleaden writes on Jaha Koo's melancholy performance about the personal impact of South Korea's financial crisis. The post Review: Cuckoo at Attenborough Centre for the …
'A fast-paced tour of fake news, guided by an otherworldly ensemble of mischievous shapeshifters': Henry Gleaden reviews Rhum and Clay's adaptation of Orson Welles's radio play The post Revi…
Panto pedagogy: Hester Chillingworth's pantomime ditches dodgy gags and tired tropes for a transpositive alternative. The post Review: A Pair of Pantos at The Marlborough, Brighton appeared …
Revolutionary acts: Henry Gleaden on Nadia Fall's alarmingly current-feeling first show as AD at Theatre Royal Stratford East. The post Review: The Village at Theatre Royal Stratford East ap…
Flank, thigh and back: Henry Gleaden reviews Milly Thomas's one-woman play about the aftermath of a suicide The post Review: Dust at the Soho Theatre appeared first on Exeunt Magazine.
An attempt to articulate: Henry Gleaden reviews Rachel Bagshaw and Chris Thorpe's show about Complex Regional Pain Syndrome. The post Review: The Shape of the Pain at Battersea Arts Centre a…
I've met these blokes before. Each of them a different type of man: Henry Gleaden responds to Boys at Vaults. The post Review: Boys at Vault Festival 2018 appeared first on Exeunt Magazine.
The pull of blood: Maud Dromgoole's play explores the lives shaped by a very prolific sperm donor. The post Review: Mary’s Babies at Vault Festival appeared first on Exeunt Magazine.