Theater Review: "A Doll's House, Part 2" " A Not So Subtle Sequel
The action is set in an incongruous and ahistorical no-man's land, adrift between realistic drama and farce.
The action is set in an incongruous and ahistorical no-man's land, adrift between realistic drama and farce.
Who knew that there were dozens of first-rate female American, Scandinavian, German, Swiss, French and Russian painters in Paris in the second half of the 19th century?
The Closet is funny, brash, entertaining, and utterly forgettable.
The Cake is a smart, stinging, and eerily timely comedy that feels timeless.
Having a father in prison meant radical changes in our everyday lives.
This tautly-directed, well-cast production is filled with contemporary medical, political, and social resonances.
Hunting the Truth is a handbook on how to become an effective activist and an exciting, often awe-inspiring read.
Top Girls' conflicts and political themes seem more relevant than ever in this excellent production.
It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
Then They Came for Me is an invaluable exhibition that packs a considerable  (and necessary) wallop.
Polling classmates from her all-girls high school, Helen Epstein hears them remember their experiences facing sexual predators on the subway.Â
De Stefano tracks the evolution of a cabinet-maker's daughter into a famously bombastic, chain-smoking political reporter and author.
Veteran Shakespeare & Company members Corinna May, Diane Prusha, and David Joseph contribute satisfyingly polished performances.
To see a production of this quality in a small theater was a privilege.
Director Julianne Boyd is faced with a difficult challenge -- dramatizing an outdated psychological travelogue.
Berkshire theater has now entered a less than sparkling mode with a group of offerings that left me wondering why they were chosen for production.
This is a masterful production of Sarah Ruhl's sparkling update of Commedia dell'arte.
Dominique Morisseau's monologues and dialogues draw you into the details of American working class life.
The Model American is a powerful reminder of how deep theatrical pockets can be used to develop deeply significant new work.
Ragtime, Book by Terrence McNally, Lyrics by Lynn Ahrens and Music by Stephen Flaherty. Directed by Joe Calarco. Based on the novel Ragtime by E.L. Doctorow. Staged by the Barrington Stage a…
4000 Miles is charming, insightful, and moving, an enjoyable anthropological study of contemporary American life across the generations.
Barrington Stage has kicked off its summer season with a smart, funny, and very timely show about radical defense attorney William Kunstler.
Was this trip really necessary?
Roxane Gay is a bold writer of impressive range who experiments with magic realism, dystopia, and fantasy.
Mr. Gaga is a sensitive and engaging documentary of an Israeli artist.