DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
178 stories by "Heather Neill"

Proof, Menier Chocolate Factory by Heather Neill

Mathematicians are a breed apart, bandying numbers about in a way that few outside their magic circle can fully understand. David Auburn's Pulitzer Prize-winning play uses this exclusiveness…

SOURCE: The Arts Desk at 9:38pm on March 20, 2013[SHARE]

The Living Room, Jermyn Street Theatre, London by Heather Neill

Jermyn Street Theatre, London: The living room is a room in which no one has died. Helen and Teresa Browne, with the concurrence of their priest-brother James (symbolically cut off at the kn…

SOURCE: The Stage Registration at 8:11am on March 11, 2013[SHARE]

Longing, Hampstead Theatre by Heather Neill

If only there were more Chekhov! Theatregoers in England, for whom Anton Pavlovich is little short of a god, must have wished this often enough. The handful of great plays come round almost …

SOURCE: The Arts Desk at 4:15am on March 8, 2013[SHARE]

Purple Heart, Gate Theatre by Heather Neill

Clybourne Park won Bruce Norris a slew of awards on both sides of the Atlantic a couple of years ago. His fearless, shocking, very funny response to Lorraine Hansbury's classic A Raisin in t…

SOURCE: The Arts Desk at 4:24am on March 6, 2013[SHARE]

The Captain of Köpenick, National Theatre by Heather Neill

A little man takes on Authority and fails. A little man dons a colourful uniform, complete with boots and spiked helmet, and he becomes Authority. Carl Zuckmayer wrote Der Hauptmann von Köp…

SOURCE: The Arts Desk at 5:01am on February 6, 2013[SHARE]

Metamorphosis, Lyric Hammersmith by Heather Neill

While Kafka specifically declined to indicate exactly what kind of creature Gregor Samsa becomes in his horrific overnight transformation, translators of the novella have gone for a variety …

SOURCE: The Arts Desk at 4:21am on January 22, 2013[SHARE]

Cinderella: Based on Grimm's Fairytale, St James, London by Heather Neill

St James, London: Warning - this is Cinderella without a Fairy Godmother or a magical coach but with some quite impressive amputations instead. Read the full review

SOURCE: The Stage Registration at 5:40am on December 19, 2012[SHARE]

Hansel and Gretel, National Theatre by Heather Neill

'Tis the season to be jolly. 'Tis also the season to dust off the stories of the Grimms and Perrault and present them as drama, sometimes transmogrified into panto. There are sometimes attem…

SOURCE: The Arts Desk at 5:46am on December 14, 2012[SHARE]

Everyday Maps for Everyday Use, Finborough Theatre by Heather Neill

Woking and Mars both provide subject matter for cartographers. John, who reckons he's an achiever, is updating the local A to Z, while Behrooz, once a colleague of John's, is exhibiting his …

SOURCE: The Arts Desk at 6:34pm on December 6, 2012[SHARE]

Old Money, Hampstead Theatre, London by Heather Neill

Hampstead Theatre, London: It is a delicious premise - a woman, no longer young, finds the courage to be herself after years spent fulfilling the requirements of others. Jenny Joseph's …

SOURCE: The Stage Registration at 6:14am on December 6, 2012[SHARE]

The Dark Earth and the Light Sky, Almeida Theatre, London by Heather Neill

Almeida Theatre, London: Lyric poetry - unlike the performance kind - is private, internal. It is the opposite of drama. A poet's life, can, of course, be dramatic, but telling a writer…

SOURCE: The Stage Registration at 6:04am on November 16, 2012[SHARE]

Where the Mangrove Grows, Theatre503 by Heather Neill

This is a short play, but not a sweet one. Nevertheless, the ban on under-16s and the warning that it "contains themes that some audience members may find distressing" seems unnecessary for …

SOURCE: The Arts Desk at 7:05pm on November 10, 2012[SHARE]

Desire Under the Elms, Lyric Hammersmith, London by Heather Neill

Lyric Hammersmith, London: "Purdy" - the idiomatic word glints repeatedly through O'Neill's 1924 play, which takes its central idea - an adulterous affair between a beaut…

SOURCE: The Stage Registration at 7:13am on October 9, 2012[SHARE]

Berenice, Donmar Warehouse, London by Heather Neill

Donmar Warehouse, London: Racine's 17th century rhyming couplets are often pronounced untranslatable. Our ears are more tuned to the five-stress pentameters of blank verse than 12-sylla…

SOURCE: The Stage Registration at 7:12am on October 3, 2012[SHARE]

Much Ado About Nothing, September 24-October 27 by Heather Neill

September 24-October 27: There is much ado indeed in this energetic production with its vivid colours, music, dance and teeming communal hubbub. Iqbal Khan has set the action in present-day …

SOURCE: The Stage Registration at 7:07am on September 28, 2012[SHARE]

Forests, Old Rep, Birmingham by Heather Neill

Old Rep, Birmingham: It is tempting but pointless to adopt a trainspotter's approach to Calixto Bieito's Catalan-English Shakespearian collage. Here are gobbets of As You Like It, …

SOURCE: The Stage Registration at 6:30am on September 5, 2012[SHARE]

Troilus and Cressida, Swan Theatre, Stratford-upon-Avon by Heather Neill

Swan Theatre, Stratford-upon-Avon: Placed between the comedies and tragedies in the First Folio, Troilus and Cressida has always defied categorisation beyond the unhelpful 'problem play…

SOURCE: The Stage Registration at 7:11am on August 9, 2012[SHARE]

The Prophet, Gate Theatre Notting Hill, London by Heather Neill

Gate Theatre Notting Hill, London: The text-programme for The Prophet helpfully lists bloggers and tweeters as a means of keeping up with swiftly changing Egyptian politics. Despite being se…

SOURCE: The Stage Registration at 7:29am on June 21, 2012[SHARE]

Meat, Theatre 503, London by Heather Neill

Theatre 503, London: Vincent works in an abattoir. A young man in his community is killed. By the end of Jimmy Osborne's play, the interconnectedness of these two facts has been rammed …

SOURCE: The Stage Registration at 5:41am on June 8, 2012[SHARE]

Antigone, Olivier, National Theatre, London by Heather Neill

Olivier, National Theatre, London: The head of state and assorted generals and apparatchiks cluster round a screen much as Obama and his staff did to watch the death of Osama bin Laden. But …

SOURCE: The Stage Registration at 6:42am on May 31, 2012[SHARE]

Brighton Festival: A World I Loved: The Story of an Arab Woman, Theatre Royal, Brighton by Heather Neill

Theatre Royal, Brighton: This was an exemplary festival event. First, it provided an enjoyable mix of star glamour (Vanessa Redgrave, its guest director) and local talent (the young Brighton…

SOURCE: The Stage Registration at 5:58am on May 14, 2012[SHARE]

Mother Adam, Jermyn Street, London by Heather Neill

Jermyn Street, London: Adam is both son and mother to Mammles whom he tends - as he has for 15 years - in the cluttered attic of their home. She is bed-ridden, crippled with arthritis. He is…

SOURCE: The Stage Registration at 6:52am on May 11, 2012[SHARE]

Birds of a Feather, New Victoria Theatre, Woking by Heather Neill

New Victoria Theatre, Woking: Meeting Sharon, Tracey and Dorien again is a bit like encountering distant relatives after a gap of more than a decade. Will they have changed much? Will they b…

SOURCE: The Stage Registration at 5:38am on March 27, 2012[SHARE]

Moon on a Rainbow Shawl, Cottesloe, National, London by Heather Neill

Cottesloe, National, London: This beautiful play set in post-war Trinidad won Errol John the newly-inaugurated Observer award for an undiscovered playwright in 1957. It was produced the foll…

SOURCE: The Stage Registration at 7:09am on March 15, 2012[SHARE]

Farewell to the Theatre, Hampstead Theatre, London by Heather Neill

Hampstead Theatre, London: Richard Nelson has set himself quite a task in writing a play about Harley Granville-Barker. Not only is his subject revered by modern directors and theatre histor…

SOURCE: The Stage Registration at 6:34am on March 8, 2012[SHARE]
« Previous 25   Page 7 of 8   Next 25 »