Review: Til We Meet In England at Safehouse, Peckham
Hannah Greenstreet on the "unforced relevance" of an immersive reimagining of Elizabeth Inchbald's 1792 play. The post Review: Til We Meet In England at Safehouse, Peckham appeared first on …
Hannah Greenstreet on the "unforced relevance" of an immersive reimagining of Elizabeth Inchbald's 1792 play. The post Review: Til We Meet In England at Safehouse, Peckham appeared first on …
Playing games: Hannah Greenstreet on a beguiling, political piece about group psychology by Barcelona-based company ATRESBANDES. The post Review: All In at New Diorama Theatre appeared first…
Both hypervisible but invisible: Hannah Greenstreet reviews a set of nine monologues by Muslim women from across the world. The post Review: Hijabi Monologues at the Bush Theatre appeared f…
Beyond bullshit stereotypes: Hannah Greenstreet on Milk Presents' gender fluid reimagining of the Minotaur myth. The post Review: Bullish at Camden People’s Theatre appeared first on E…
Hannah Greenstreet reviews What if the plane falls out of the sky?, The Soft Subject, and A Super Happy Story (About Feeling Super Sad) at the Edinburgh Fringe 2017. The post Edinburgh Fring…
Wonderfully offbeat and political: Hannah Greenstreet on Sisters Grimm's queer-feminist satire of nationalism and colonialism. The post Edinburgh Fringe Review: Lilith: The Jungle Girl at Tr…
A mainstream crossover hit - or is it? Hannah Greenstreet on Sh!t Theatre's Dolly Parton-inspired show. The post Edinburgh Fringe Review: DollyWould at Summerhall appeared first on Exeunt Ma…
Hannah Greenstreet reviews Futures Theatre's passionate celebration of women's football. The post Edinburgh Fringe Review: Offside at Pleasance Courtyard appeared first on Exeunt Magazine.
How do you mourn someone you have never met? - Hannah Greenstreet reviews Selina Thompson's powerful interrogation of the legacy of slavery. The post Edinburgh Fringe Review: salt. at Summer…
Puzzling but enjoyable: Hannah Greenstreet on Antler's bouncing tragi-comedy. The post Edinburgh Fringe Review: LANDS at Summerhall appeared first on Exeunt Magazine.
Watching through my fingers - Hannah Greenstreet on Milly Thomas's new plays and theatre's duty of care. The post Edinburgh Fringe Review: Brutal Cessation + Dust appeared first on Exeunt Ma…
"A surprisingly tender theatrical experiment": Hannah Greenstreet reviews YESYESNONO's exploration of intimacy. The post Edinburgh Fringe Review: Five Encounters on a Site Called Craigslist …
Lyrical, joyous and vital - Hannah Greenstreet on the National Theatre of Scotland's two stories about trans experience. The post Edinburgh Fringe Review: Adam and Eve at Traverse Theatre ap…
Forces you to slow down: Hannah Greenstreet reviews Zinnie Harris's new work inspired by the myth of Orpheus and Eurydice. The post EIF Review: Meet Me at Dawn at Traverse Theatre appeared …
Monica Dolan's one woman show is a deliberately un-sensationalised exploration of how children are sexualised. The post Edinburgh Fringe Review: The B*easts at Underbelly appeared first on E…
Dissonance and vocal fry " Hannah Greenstreet on a performance that explores gendered speech. The post Edinburgh Fringe Review: Mouthpiece at Summerhall appeared first on Exeunt Magazine.
Patties of human flesh: Hannah Greenstreet can't get the smell of cooking meat out of her nostrils after Sarah Kosar's "visceral, disgust-provoking" two-hander. The post Review: Mumburger at…
How did you get your scar? Hannah Greenstreet reviews a new play about Yarlswood Immigration Removal Centre. The post Review: The Scar Test at the Soho Theatre appeared first on Exeunt Maga…
Add a cupboardful of theatrical tropes: Hannah Greenstreet writes a recipe review of Steve Rogers' play, which is set in a takeaway. The post Review: Food at the Finborough Theatre appeared…