The Scottsboro Boys
As we began to write The Scottsboro Boys, it was immediately apparent why it was so important to tell their story. Behind the headlines, the spectacle, the ongoing trials, the histrionics …
As we began to write The Scottsboro Boys, it was immediately apparent why it was so important to tell their story. Behind the headlines, the spectacle, the ongoing trials, the histrionics …
A good comedy, as described by A Masterpiece of Comic…Timing’s Broadway agent protagonist Jerry Cobb (Art DeConciliis), is one hundred jokes sprinkled throughout two acts. He argues that…
This third post covers the Pittsburgh New Works Festival (PNWF) Programs C & D! Six new one-act plays will be produced during this portion of the festival, all performed at the …
Pittsburgh Shakespeare in the Parks marks its thirteenth year running with a production of Henry V, directed by Alan Irvine. It is the last in a cycle of plays that mostly focuses on the y…
The Pittsburgh New Works Festival kicked off this past weekend with a trio of original one acts: CCAC South Campus Theater’s Roosevelt’s Ghosts, The Summer Company’s The Pivot and The …
A Letter from the Editor, Our dear readers, we’ve made it through another summer season! After 40 reviews and 14 features this summer, we’re ready to dig out our sweaters, put on the ke…
The dog days of summer are behind us and it’s time to look forward to a fall full of refreshing musicals. Our 2017 Top Five Fall Musical Theatre Preview shows feature two Tony Award winnin…
It’s only Tom Stoppard and the question of the root of human consciousness, but rising American director Rachel M. Stevens eagerly takes on The Hard Problem for Quantum Theater. The W…
At the end of June, actor Mark Rylance shared how he caught the Pittsburgh bug on his first visit more than a decade ago, fueling new projects steeped in our region’s labor history. Fresh …
“I’m kind of crazy about this season,” says Ted Pappas of his 2017-18 programming for Pittsburgh Public Theater. The company’s 43rd season is also his last as artistic director. Papp…
Pittsburgh Opera has chosen for its 79th season an interesting combination of works – a 50/50 split between the old, tried and true, and the new, including a second world premiere in as ma…
For their 11th year of performances, Lincoln Park Performing Arts Center is introducing their 2017-2018 season – “Dream Bigger,” beginning on October 6, 2017, through June 24, 2018. Th…
This second post covers the Pittsburgh New Works Festival (PNWF) Programs A & B! Six new one-act plays will be produced during this portion of the festival, all performed at the Carnegie…
Multidimensional, quasi-interactive plays are gradually becoming a phenomenon in theatre, in which evocative themes and transgressive or incredibly sensitive subject matter can be portrayed …
When I was given this assignment, I was greatly confused at being told that the theatre I was going to was in Greenfield. I lived on the Squirrel Hill/Greenfield edge for eleven years and ha…
There is a reason we tell each other stories that go beyond a recollection of the facts. We like to think we’re our own historians, and sometimes we are, but we don’t make myths as a mat…
There is a sort of unintentional impracticality to presenting a dramaturgical narrative that focuses on the heavily romanticized (and even fetishized, to some extent) monarchical dynasty of …
It’s THAT time of year again ladies and gentleman! Time to settle back into your daily routine of books and classes for some of you, which means, rehearsals are starting soon! If you’ve …
Pittsburgh’s oldest amateur theatre company, The Duquesne Red Masquers has quite the ambitious upcoming 105th season. Orphie and the Book of Heroes, The Busy Body, Macbeth and Equus would …
If you are a regular reader of Pittsburgh in the Round I’m sure you have realized that the Pittsburgh area has quite the active theatre scene. From productions at the Cultural District the…
Cloud 9 is a peculiar, challenging play. Its title brings to mind feelings of euphoria and images of paradise. On the other hand, Throughline Theatre Company’s production of Caryl Churchil…
Horror and comedy mix well. Laughter and terror are base emotions, but both require a degree of nuance to actually work. A comedy with stilted rhythm is unsettling; horror without subtlety i…
There are two kinds of jukebox musicals in the world. In one type, the songs originally performed by an established musical act are incorporated into that person or group’s biography. Exam…
Any fairly seasoned or routine theatre-goer has a certain expectation for crowd makeup at certain shows. The niche, hyper-baroque, perhaps one person piece—the crowd is replete with art ma…
12 Peers’ production of Mr. Burns reminds me how theatre is actually a sickness: an uncontrollable urge for group chemistry to elucidate collaboration, values and to define social archetyp…