A Christmas Story
The Theatre Factory’s holiday offering of A Christmas Story opened Thursday, December 7, 2017 to a small, but enthusiastic audience. Adapted for the stage by Philip Grecian, and directed f…
The Theatre Factory’s holiday offering of A Christmas Story opened Thursday, December 7, 2017 to a small, but enthusiastic audience. Adapted for the stage by Philip Grecian, and directed f…
I often commit the unfortunate preconception-based error of relegating certain plays, musicals particularly, to a realm of untouchably fey. Annie—originally adapted from Thomas Meechan’s…
Grief is one of our most extraordinary creative motivators. The band Mount Eerie, a solo project by the musician Phil Elverum, released a song this year called “Real Death” that opens wi…
Playwright Mike Bartlett’s Love, Love, Love is damn fine theater, performed with great style, humor, pathos, bravery, and yes, love, by a damn fine ensemble, assembled and directed with in…
A letter from the Editor: Our dearest readers, Winter is only 24 days away and we’re already dashing through Christmas decorations and Cyber Monday sales as 2108 creeps up on us. 2017 has …
Fortitude of spirit; endurance in spite of all financial limitations and burdens put on resources; a nearly virtuous steadfastness to the art you are committed to producing and the community…
Welcome to our annual pick of five of must-see musicals this winter. We have a diverse mix that includes two community theatre productions; Annie at Comtra and The Last Five Years by Split S…
PigPen Theatre Company’s The Old Man and the Old Moon radiates joy at such a rate that you can practically feel its glow before you even get the chance to take your seat. I mean that somew…
Joseph Kesselring’s Arsenic and Old Lace is a play about how we interpret spaces. When our protagonist Mortimer Brewster (Ron Clawson) returns to his family’s home, he’s pleased to onc…
It is an interesting phenomenon when the storytelling trends currently dominating the television and film landscapes creep up in the theatre world. Every new project announced nowadays, whet…
People, in a singular sense, can change. According to centuries of written narrative, however, people collectively tend not to. No matter the time or place in human history, we have our trop…
A tale that has enchanted old and young alike opened at the Byham Theater to the tones of a live orchestra tuning. A slightly blurry projection of the traditional Disney’s Beauty and …
Clue: The Musical, like the board game which is its source material, is full of little surprises. Just as the show seems to settle on being one thing – the goofy send up of murder mysterie…
For the second production of its current season, Pittsburgh Opera is offering an excellent cast in Mozart’s perennial favorite, The Marriage of Figaro. That this 18th century comic story o…
The burning question at the heart of Xanadu is simple. What is Xanadu? Merriam-Webster defines it as “an idyllic, exotic, or luxurious placeâ€. According to Wikipedia, Xanadu is bot…
There is no introduction to the colloquially titled I Won’t be in on Monday. There is no perfunctory schpiel prefacing the performance concerning donors or future shows or money that …
A mysterious adventure, Bricolage Production Company’s latest immersive experience, DODO, challenges the idea of traditional theater by taking the audience member by on an individualized, …
The leaves are starting to turn, the wind is getting a little cooler (in theory… most of the time…), and candy prices are going up. That’s right, it’s Halloween season! And while the…
It’s been three days since I saw Pittsburgh Savoyards’ production of H.M.S. Pinafore, and I’m still singing “I Am the Monarch of the Sea” to myself, which tells you just how catchy…
When a door opens to create new productions in a historic spaces, creative opportunities are revealed. Now, PICT Classic Theatere brings classic stories to two of Pittsburgh’s most storie…
For all that’s been said about the appeal of the heroic epic, one of the genre’s least appreciated aspects is that its protagonists are malleable. Joseph Campbell’s infinitely referenc…
Thornton Wilder’s 1938 Pulitzer Prize-winning play, Our Town, marks the opening of the mainstage season for University of Pittsburgh Stages in the newly renovated Richard E. Rauh Studio Th…
Whodunnit? This question has been posed to audiences for centuries of storytelling. Whether it’s a murder mystery or a comedic caper, there’s nothing better than finding out the truth by…
Provocation. Undaunting steadfastness. Ruthless, feckless talent. Unwaveringly, emboldened authenticity. These are descriptors which cling to one’s thoughts when one considers the works an…
Before the sensational sensuousness of Boundless even begins, a sort of breathless anticipation imbued the spacious yet cloistered theatre at New Hazlett Theatre. The dancers, pacing about w…