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1,741 stories by "Ghoover"

Collaborative Creativity in Attack Theatre’s “Some Assembly Required” by Ghoover

By Chloe Kinnahan Attack Theatre’s latest performance, Some Assembly Required, an evening that journeyed through the Warhol Museum, allowed audience members a wide window into the process …

SOURCE: onstagepittsburgh.com at 10:26am on September 20, 2019

PNWF Program A: 2019 by Ghoover

By Eva Phillips An embittered villain bent on vindication and clearing his literary reputation. A purgatorial lesson in the subtleties of the bard. A blind date that perhaps is not so oblivi…

SOURCE: onstagepittsburgh.com at 1:05pm on September 18, 2019

Iron Horse Theater Delivers Compelling, Provocative “Whipping Man” by Ghoover

  By Eva Phillips There are fractious intersections in America’s fraught, tenuous, and often violent history, that defy readily accessible logic or confound the basic limitations of ethic…

SOURCE: onstagepittsburgh.com at 2:15pm on September 17, 2019

Techno-Futurism, The Dramatics of AI, and The New Self in “Project Amelia: Take Control” by Ghoover

  As technology advances, it’s undeniably woven more and more tightly into our everyday existence. We’re never without trusty virtual assistance in our every moment of need—though, as…

SOURCE: onstagepittsburgh.com at 1:17pm on September 13, 2019

Sentiment and Wit in “Outside Mullingar” by Ghoover

By Eva Phillips The tides of change are cruel in the sleepy town of Mullingar. Anthony and Rosemary neighbors nestled in the bucolic Irish farmlands, have worked tirelessly to keep their far…

SOURCE: onstagepittsburgh.com at 7:37pm on September 12, 2019

PNWF Program B: 2019 by Ghoover

By Brian Pope What’s better than one opening night? Four opening nights! For the last 29 years, the Pittsburgh New Works Festival has been a champion of the one act play. Each festival see…

SOURCE: onstagepittsburgh.com at 4:30pm on September 10, 2019

“Julius Caesar” Slays Expectations in PSIP’s All-Female Adaptation by Ghoover

By Eva Phillips The balance of power is erratic and volatile. Can those who thirst for power and reign over others ever do so without corruption, or without the megrims of self-interest over…

SOURCE: onstagepittsburgh.com at 12:29pm on September 10, 2019

Arcade Comedy Theater Mines Comedy Gold in “Bubble Boy: The Musical” by Ghoover

By Brian Pope In her ever increasingly maniacal efforts to cloister her son safely in the nest (or bubble, as it were), the conservatively hardwired Mrs. Livingston carefully curates (or rat…

SOURCE: onstagepittsburgh.com at 5:49pm on September 9, 2019

“The Lion King” Roars Majestically at the Benedum by Ghoover

By Eva Phillips At this point, writing a review of the astronomically popular and enormously profitable onstage adaptation of The Lion King feels a bit superfluous. 25 years after the world …

SOURCE: onstagepittsburgh.com at 5:29pm on September 9, 2019

Inside Marya Sea Kaminski’s Striking, Eclectic Vision for Pittsburgh Public’s New Season by Ghoover

  Artistic Director Marya Sea Kaminski’s lineup of plays for her second season at the Pittsburgh Public Theater seems at first glance to ramble all over the theatrical landscape. She rang…

SOURCE: onstagepittsburgh.com at 7:10pm on September 6, 2019

Fierce Female Voices Drive “Julius Caesar” at Pittsburgh Shakespeare in the Parks by Ghoover

  “Friends, Romans, countrymen, lend me your ears!” Iconic. Evocative. Declarative. Historic. But even the canon, once considered untouchable, needs a little revamping and re-imagining.…

SOURCE: onstagepittsburgh.com at 1:26pm on September 6, 2019

All the Fun, Straight, No Chaser in “Savannah Sipping Society” by Ghoover

By Eva Phillips Randa is an unstoppable career woman whose prosperous career as an architect has just been, well, stopped after an unfortunate (but justifiable) at-work eruption. Dot is a vi…

SOURCE: onstagepittsburgh.com at 1:12pm on August 21, 2019

Leave Your Troubles at the Door? Haunting Splendor in Little Lake’s “Cabaret” by Ghoover

By Eva Phillips The first time I ever encountered Cabaret, I was a severely depressed 19-year-old, being moved to tears in a Dunkin Donuts at 2 AM as I watched Bob Fosse-directed, spectacula…

SOURCE: onstagepittsburgh.com at 8:35pm on August 19, 2019

“Queer, Jewish” Births Inclusive Rituals by Ghoover

By Miriah Auth On Saturday, August 10th, performing artists took the stage at Off The Wall Productions in sweats and warm-up clothes only to walk out the theater exit. They led the audience …

SOURCE: onstagepittsburgh.com at 2:37am on August 17, 2019

“Hello, Dolly!” Delights from Start to Finish by Ghoover

By Eva Phillips The unpleasantries and discomforts of growing old, being financially disenfranchised, being a woman in a patriarchal world (and so on, and so forth) really go down much smoot…

SOURCE: onstagepittsburgh.com at 1:39pm on August 8, 2019

“Queer, Jewish”: A Discussion by Ghoover

We limit the rich potentiality of our identities when we adhere to constructs or conceive of the self as static. Whether we render the components of our identity as parallel structures that …

SOURCE: onstagepittsburgh.com at 8:32pm on August 5, 2019

Comtra Theatre Exposes All That’s Known in “Spring Awakening” by Ghoover

By Eva Phillips It is unsurprising that Goethe makes an appearance, in the beautiful yet eviscerating coming-of-age musical Spring Awakening. After all, the inimitable musical, with music by…

SOURCE: onstagepittsburgh.com at 3:57pm on August 5, 2019

Foot-Stomping and Heartbreaking: “Once” by Ghoover

By Eva Phillips Overly melancholy Irish folk music really does something to me. Rousing, but also melancholy, Eastern European folk music REALLY does something to me. The two musical cosmose…

SOURCE: onstagepittsburgh.com at 2:20pm on August 4, 2019

Finding the Self in Nicole Gallagher’s “Mija: One Bitch’s Tale” by Ghoover

By Eva Phillips There is a particularly arresting moment in folkLAB’s newest production, Nicole Gallagher’s mija: one bitch’s tale, that for the sake of the integrity of the story, and…

SOURCE: onstagepittsburgh.com at 1:10pm on August 1, 2019

Alumni Theater Company Triumphs with “Passing Strange” by Ghoover

By Brian Pope They say that youth is wasted on the young. Well, I don’t know much about the “They” who coined that cliche, but I am sure that They have not yet seen Alumni Theatre Comp…

SOURCE: onstagepittsburgh.com at 11:05am on July 31, 2019

Uncommon Women Lead Quantum’s Season with “Looking for Violeta” by Ghoover

  A season of uncommon women and others take Quantum Theatre audiences from a Chilean peña, to Shakespeare’s hometown, to Beijing’s Tiananmen Square. The journey during Quantum’s 29t…

SOURCE: onstagepittsburgh.com at 9:05am on July 31, 2019

Hijinks Galore at Apple Hill Playhouse’s “A Funny Thing Happened on the Way to the Forum” by Ghoover

By Eva Phillips A Funny Thing Happened on the Way to the Forum is one of those shows that vividly proves that the Greco-Romans of the B.C. era really knew how to live with drama nerd flair. …

SOURCE: onstagepittsburgh.com at 1:16pm on July 30, 2019

Confronting Life’s Agonies in Throughline’s “‘Night Mother” by Ghoover

By Casey Cunningham How do you save a person who doesn’t want to be saved? How do you convince a person that life is worth living when life has never once been kind? Is it nobler, (to para…

SOURCE: onstagepittsburgh.com at 8:04pm on July 24, 2019

Pittsburgh Classic Player’s “A Streetcar Named Desire”: A Study in Meaningful Theatre by Ghoover

By Eva Phillips Pittsburgh Classic Player’s A Streetcar Named Desire is not an easy thing to sit through. This is in no way a reflection on the quality of the show as a whole—which is ex…

SOURCE: onstagepittsburgh.com at 11:43am on July 24, 2019

Seeing the Wonder in Stage 62’s Mamma Mia! by Ghoover

By Eva Phillips There is an embarrassing truth that should be addressed before I embark on a review of Stage 62’s Mamma Mia! I could write about Mamma Mia! in my sleep—not just because o…

SOURCE: onstagepittsburgh.com at 12:31pm on July 23, 2019
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