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1,741 stories by "Ghoover"

Storm the Barricades for “Les Miserables” by Ghoover

By Eva Phill;ipsWe exist in a remarkable sort of renaissance for musical theater. Indeed, the past 10 to 15 years has been characterized by an abundance of shows that successfully marry the …

SOURCE: onstagepittsburgh.com at 9:06pm on November 29, 2019

Pittsburgh CLO’s “Forever Plaid” by Ghoover

By Eva Phillips It is surprising how a horrific accident or cruel twist of fate can catapult a career. Just ask Buddy Holly, or Lynyrd Skynyrd, or Otis Redding. Or ask the strapping young la…

SOURCE: onstagepittsburgh.com at 12:22pm on November 29, 2019

“Endeavor Mind” by Ghoover

By Eva Phillips Transcendentalism undergoes many changes as humans evolve. Whether this transcendentalism manifests the thirst to conquer the elements by mastering a flying apparatus, or dev…

SOURCE: onstagepittsburgh.com at 3:20pm on November 24, 2019

“A Bronx Tale” by Ghoover

By Brian Pope The timeless compositions of Alan Menken have been the heartbeat of many memorable musical tales dealing with the themes of duty, love, and morality. Should Ariel abandon her f…

SOURCE: onstagepittsburgh.com at 10:46am on November 22, 2019

Pittsburgh Public Theatre Produces a Hilarious, Powerful “School Girls; Or, the African Mean Girls Play” by Ghoover

By Eva Phillips The ways girls behave and the things they do to one another within the overwhelming hives of school, their social structures, and their own minds is the source of great, and …

SOURCE: onstagepittsburgh.com at 10:14am on November 18, 2019

Cross-Stitch Theatre Company Brings Claudia Rankine’s “The White Card” to Life by Ghoover

By Eva Phillips In remarks discussing the nature of violent and racist language, Claudia Rankine cited the post-structural linguistic semiotics of fellow intellectual Judith Butler, stating,…

SOURCE: onstagepittsburgh.com at 10:02am on November 13, 2019

Punk, Audacious, Powerful: Pittsburgh Classic Players’ “Romeo & Juliet” by Ghoover

By Eva Phillips Harper York, not unlike two infamously fabled star cross’d lovers, had a feverish, impassioned vision that she was driven to bring to life. Thankfully, unlike those two lov…

SOURCE: onstagepittsburgh.com at 8:48pm on November 11, 2019

Comtra Theatre’s Devilishly Charming “Sweeney Todd” by Ghoover

By Eva Phillips Maybe Sweeney Todd isn’t being egregiously hyperbolic when he says there is a place in the world full of shit called London. The plague looms heavy; perfidious law-makers a…

SOURCE: onstagepittsburgh.com at 12:57pm on November 9, 2019

Bard’s Spouse Survives a Sea of Troubles and Legends in “Shakespeare’s Will” at Quantum by Ghoover

Shakespeare’s Will. Perhaps the two-word title of Quantum Theatre’s autumn 2019 production sums up what many people think they know about the playwright’s wife. That very document and …

SOURCE: onstagepittsburgh.com at 2:35pm on November 4, 2019

Pittsburgh Opera’s Christopher Hahn on “Florencia en el Amazonas” by Ghoover

  Saturday evening, November 9, will mark an important milestone in the long history of Pittsburgh Opera, when the curtain goes up on Florencia en el Amazonas, the first-ever Spanish-langua…

SOURCE: onstagepittsburgh.com at 9:18am on November 4, 2019

Excavating Grief in Duquesne Red Masquer’s “2.5 Minute Ride” by Ghoover

By Eva Phillips I first encountered Lisa Kron’s remarkable, one-person “show,” 2.5 Minute Ride, as a referential framework characteristically unconventional mechanisms through which qu…

SOURCE: onstagepittsburgh.com at 1:45pm on November 3, 2019

“Mean Girls” by Ghoover

By Brian Pope It’s not hyperbole, nor am I ashamed to tell you that, since first watching the film in 2004, I have fantasized about seeing the musical adaptation of Mean Girls. Everything …

SOURCE: onstagepittsburgh.com at 9:44am on October 31, 2019

Vital Explorations in CorningWorks “The World As We Know It” by Ghoover

By Eva Phillips So much of the history women are forced to learn, accept, and retell is conceived in terms of what is done to our bodies and what our bodies can handle. How fertile are we? H…

SOURCE: onstagepittsburgh.com at 6:26pm on October 26, 2019

Fanciful Fun in Theatre Factory’s “The Fantasticks” by Ghoover

By Eva Phillips Good fences make good neighbors, and sturdy walls can make the most combustible of romances—just don’t expect those romances to be as sturdy or reliable. Theatre Factory�…

SOURCE: onstagepittsburgh.com at 10:27am on October 21, 2019

Fraught Families in UP Stages’ “next to normal” by Ghoover

By Brian Pope They don’t call it the nuclear family for nothing. Just ask the Goodmans. Dan, Diana, Natalie, Gabe. “Father, mother, sister, brother cheek to cheek.†Or so Diana s…

SOURCE: onstagepittsburgh.com at 7:46pm on October 9, 2019

The Morals of Choice and Empathy in off the WALL’s Sensational “Not Medea” by Ghoover

By Casey Cunningham Warning: The following review contains spoilers for the play Medea but, not, Not Medea. (That is likely the last bad joke I will make.) This is not a show about Medea, de…

SOURCE: onstagepittsburgh.com at 7:35pm on October 9, 2019

Pittsburgh Classic Players Redefine Canon Again with “Romeo and Juliet” by Ghoover

This November, Pittsburgh Classic Players will tackle William Shakespeare’s Romeo and Juliet as the final show of their season of “Bad Romance.” This show will prove to be Pittsburgh C…

SOURCE: onstagepittsburgh.com at 12:04pm on October 8, 2019

PNWF: Program D by Ghoover

By Eva Phillips The range of emotions and sentiments in the final program of Pittsburgh New Works Festival on display throughout the categorically eclectic array of three plays are profoundl…

SOURCE: onstagepittsburgh.com at 11:35am on October 8, 2019

A Discussion on Zoe Sorrell’s “My Own Route,” and Glimpse of off the WALL’s Thirteenth Season by Ghoover

By Eva Phillips Poetry and myth are predicated on violence enacted upon women. Brutal possession, hostile silencing or neglect, hateful shame, and outright destruction of femininity drive so…

SOURCE: onstagepittsburgh.com at 2:15pm on October 7, 2019

Director Kristine McIntyre’s “Film Noir” Take on a Mozart Classic to Open Pittsburgh Opera’s 81st Season by Ghoover

  The curtain goes up on Pittsburgh Opera’s 81st season beginning next Saturday evening, October 12, with the first of four performances of Wolfgang Amadeus Mozart’s Don Giovanni. The p…

SOURCE: onstagepittsburgh.com at 12:34pm on October 6, 2019

Apple Hill Playhouse has Ethereal Fun with a “Blithe Spirit” by Ghoover

By Eva Phillips You know what they say: it’s all fun and games until someone summons your dead spouse from the beyond. When novelist Charles Condomine and his wife Ruth (his second wife, n…

SOURCE: onstagepittsburgh.com at 12:55pm on October 4, 2019

PNWF Program C: 2019 by Ghoover

By Brian Pope Even with their short run times, the plays that make up Program C of the 2019 Pittsburgh New Works Festival don’t pull any dramatic punches. Whether they’re revealing close…

SOURCE: onstagepittsburgh.com at 5:43pm on October 2, 2019

Pittsburgh Musical Theater’s “Evil Dead” is Hemorrhaging Fun by Ghoover

By Eva Phillips The 70s and 80s were a macabre-surrealist paradise when it came to horror films. Even the Sparknote versions of these films are preposterously devious: A town ravaged by an u…

SOURCE: onstagepittsburgh.com at 10:40am on October 2, 2019

Directorial Excellence and All-Star Cast Lead the Charge in “A Few Good Men” by Ghoover

By Eva Phillips There’s a ferocious coding that comes with being a marine. It transcends the coding that comes with any military regimentation. A marine will be the first to tell you that.…

SOURCE: onstagepittsburgh.com at 2:09pm on September 24, 2019

MOMIX Returns to the Byham Stage by Ghoover

On Saturday, Spetember 21, MOMIX will return to the Byham Theater at 8pm with Viva MOMIX, a compilation of works. “They’re relatively short, each piece has a beginning a middle and an en…

SOURCE: onstagepittsburgh.com at 6:34pm on September 20, 2019
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