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1,755 stories by "Ghoover"

A Cache of Visceral Feeling in “Hoard” by Ghoover

By Eva Phillips Obsession and compulsion are curious things. Often, there is an ascetic sterility that’s assumed—fastidiously organizing all the marginalia of one’s existence so nothin…

SOURCE: onstagepittsburgh.com at 9:54am on March 10, 2020

Necessary Battles in Theatre Factory’s “She Kills Monsters” by Ghoover

By Eva Phillips Dungeons and Dragons (D&D, colloquially) has achieved and maintained a level of popularity, notoriety and infamy since its creation in 1974 that is just as grandiose as t…

SOURCE: onstagepittsburgh.com at 11:05pm on March 3, 2020

Ultimate Girl Power at Point Park’s “The Wolves” by Ghoover

By Cayleigh Boniger With the resounding success of the U.S. Women’s soccer team and their dramatic win of the World Cup, Megan Rapinoe and Alex Morgan have become household names.  But wh…

SOURCE: onstagepittsburgh.com at 11:18am on February 25, 2020

“Appropriate” by Ghoover

By Brian Pope Stop me if you’ve heard this one before. The patriarch of a white (usually Southern) family dies. This tragic inevitability sets his family (primarily his adult children) on …

SOURCE: onstagepittsburgh.com at 10:03am on February 24, 2020

On the Field with “The Wolves” Director Rachel M. Stevens by Ghoover

  I don’t believe there was a more viscerally tempestuous and discombobulated time in my young life than when I was fully immersed in team sports. Questionably coordinated and ravaged by …

SOURCE: onstagepittsburgh.com at 11:29am on February 18, 2020

Conductor Glenn Lewis on Pittsburgh Opera’s “The Last American Hammer” by Ghoover

Pittsburgh Opera’s “Second Stage Production,” always a sure sign that spring is around the corner, and this year Peter Hilliard and Matt Boresi’s The Last American Hammer, will have …

SOURCE: onstagepittsburgh.com at 10:22am on February 17, 2020

Shammen McCune: On a Roll with Shakespeare Roles by Ghoover

Once more, Shammen McCune is immersed in an iconic Shakespearean role. In 2017, McCune portrayed Lady Capulet in PICT Classic Theater’s Romeo and Juliet. In 2019, she inhabited Caliba…

SOURCE: onstagepittsburgh.com at 7:39pm on February 12, 2020

Stellar Performances Abound in Split Stage’s “Next to Normal” by Ghoover

By Eva Phillips Selling audiences on a musical that delves into the excruciating morass a woman traverses as she faces grief, mental illness, a stymied marriage, and a romance, of sort, with…

SOURCE: onstagepittsburgh.com at 4:53pm on February 12, 2020

Pittsburgh Opera Announces Next Season’s Productions by Ghoover

As is customary once its current season is at the midway point, Pittsburgh Opera has made public details on the works to be presented during the next season – the company’s 82nd.  The l…

SOURCE: onstagepittsburgh.com at 9:15am on February 6, 2020

English Language Premiere of “The Mother of Fishes” to Benefit Pittsburgh Community Food Bank by Ghoover

  On exceptionally rare occasions Pittsburgh hears the premiere of an opera. Operas in English translations are more common. But it’s a safe bet that the English language premiere of The …

SOURCE: onstagepittsburgh.com at 10:41am on February 4, 2020

Pittsburgh Musical Theater Flaunts Their Long, Beautiful “HAIR” by Ghoover

By Eva Phillips Let’s not beat around the bush here (yes, that’s a hair pun right off the bat, but I think it’s the apropos mood for the show)—HAIR is fundamentally chaotic. Which is…

SOURCE: onstagepittsburgh.com at 4:20pm on January 28, 2020

Antony Walker to Conduct Pittsburgh Opera’s “Alcina” by Ghoover

Next up at Pittsburgh Opera is George Frideric Handel’s Alcina – a baroque work that, while centuries old, is anything but “time honored.” The opera (“Alcheenah” to American spea…

SOURCE: onstagepittsburgh.com at 9:58am on January 19, 2020

2019 Round-Up!! by Ghoover

2019 was a preponderance of things: chaotic, joyous, concerning, impeaching, meteorologically unpredictable, mournful, hilarious, and so on. But in the sea of adjectives, expletives, and oth…

SOURCE: onstagepittsburgh.com at 3:35pm on January 10, 2020

The Hilariously Dark Side of Christmas in “Santaland Diaries” by Ghoover

By Eva Phillips There’s an inescapable dread and ennui that comes with the holiday season. If the despotic demands to buy the best gifts, prepare the best meals, and have the best life-cha…

SOURCE: onstagepittsburgh.com at 12:29pm on December 3, 2019

Storm the Barricades for “Les Miserables” by Ghoover

By Eva Phill;ipsWe exist in a remarkable sort of renaissance for musical theater. Indeed, the past 10 to 15 years has been characterized by an abundance of shows that successfully marry the …

SOURCE: onstagepittsburgh.com at 9:06pm on November 29, 2019

Pittsburgh CLO’s “Forever Plaid” by Ghoover

By Eva Phillips It is surprising how a horrific accident or cruel twist of fate can catapult a career. Just ask Buddy Holly, or Lynyrd Skynyrd, or Otis Redding. Or ask the strapping young la…

SOURCE: onstagepittsburgh.com at 12:22pm on November 29, 2019

“Endeavor Mind” by Ghoover

By Eva Phillips Transcendentalism undergoes many changes as humans evolve. Whether this transcendentalism manifests the thirst to conquer the elements by mastering a flying apparatus, or dev…

SOURCE: onstagepittsburgh.com at 3:20pm on November 24, 2019

“A Bronx Tale” by Ghoover

By Brian Pope The timeless compositions of Alan Menken have been the heartbeat of many memorable musical tales dealing with the themes of duty, love, and morality. Should Ariel abandon her f…

SOURCE: onstagepittsburgh.com at 10:46am on November 22, 2019

Pittsburgh Public Theatre Produces a Hilarious, Powerful “School Girls; Or, the African Mean Girls Play” by Ghoover

By Eva Phillips The ways girls behave and the things they do to one another within the overwhelming hives of school, their social structures, and their own minds is the source of great, and …

SOURCE: onstagepittsburgh.com at 10:14am on November 18, 2019

Cross-Stitch Theatre Company Brings Claudia Rankine’s “The White Card” to Life by Ghoover

By Eva Phillips In remarks discussing the nature of violent and racist language, Claudia Rankine cited the post-structural linguistic semiotics of fellow intellectual Judith Butler, stating,…

SOURCE: onstagepittsburgh.com at 10:02am on November 13, 2019

Punk, Audacious, Powerful: Pittsburgh Classic Players’ “Romeo & Juliet” by Ghoover

By Eva Phillips Harper York, not unlike two infamously fabled star cross’d lovers, had a feverish, impassioned vision that she was driven to bring to life. Thankfully, unlike those two lov…

SOURCE: onstagepittsburgh.com at 8:48pm on November 11, 2019

Comtra Theatre’s Devilishly Charming “Sweeney Todd” by Ghoover

By Eva Phillips Maybe Sweeney Todd isn’t being egregiously hyperbolic when he says there is a place in the world full of shit called London. The plague looms heavy; perfidious law-makers a…

SOURCE: onstagepittsburgh.com at 12:57pm on November 9, 2019

Bard’s Spouse Survives a Sea of Troubles and Legends in “Shakespeare’s Will” at Quantum by Ghoover

Shakespeare’s Will. Perhaps the two-word title of Quantum Theatre’s autumn 2019 production sums up what many people think they know about the playwright’s wife. That very document and …

SOURCE: onstagepittsburgh.com at 2:35pm on November 4, 2019

Pittsburgh Opera’s Christopher Hahn on “Florencia en el Amazonas” by Ghoover

  Saturday evening, November 9, will mark an important milestone in the long history of Pittsburgh Opera, when the curtain goes up on Florencia en el Amazonas, the first-ever Spanish-langua…

SOURCE: onstagepittsburgh.com at 9:18am on November 4, 2019

Excavating Grief in Duquesne Red Masquer’s “2.5 Minute Ride” by Ghoover

By Eva Phillips I first encountered Lisa Kron’s remarkable, one-person “show,” 2.5 Minute Ride, as a referential framework characteristically unconventional mechanisms through which qu…

SOURCE: onstagepittsburgh.com at 1:45pm on November 3, 2019
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