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14 stories by "George Washbourn"

Review: The Oil and The Shard, Camden People's Theatre by George Washbourn

In an ideal world, we all want to do something in the face of injustice. We all want to tackle social inequity, feed the homeless and save the polar ice caps. And yet, we can't quite channel…

SOURCE: A Younger Theatre at 5:44pm on October 5, 2015

Review: Eight, White Bear Theatre by George Washbourn

Monologues are a risky business in theatre. Not least of all for the performer who, without the cushioned padding of their fellow entourage, bear their naked soul to potential rejection from…

SOURCE: A Younger Theatre at 1:53pm on August 17, 2015

Review: Lava Lamps, RADA Festival by George Washbourn

Part of the ongoing RADA Festival, the curiously titled Lava Lamps, written and performed by Imogen Hudson-Clayton, is a dissection of modern womanhood in all its chaotic glory. Working her …

SOURCE: A Younger Theatre at 4:57pm on July 2, 2015

Review: Othello, The Pack and Carriage by George Washbourn

The hipster hub of The Pack and Carriage plays host to an entertaining and impassioned production of Shakespeare's Othello, directed by Vince A. Gill and Sasha Stamp, collectively VG Product…

SOURCE: A Younger Theatre at 4:39pm on April 17, 2015

Review: The Red Chair, Soho Theatre by George Washbourn

Adapted from her own book of the same title, Soho Theatre welcomes Sarah Cameron's The Red Chair into the throng, in all its linguistic richness. A delectable, albeit overlong, flowing monol…

SOURCE: A Younger Theatre at 4:49pm on March 3, 2015

Review: Mr Sole Abode, Shoreditch Town Hall by George Washbourn

Taking inference from Ben Okri's novel The Famished Road, Benji Ried brings his 2007 show Mr Sole Abode to Shoreditch Town Hall. Constituting a brief insight into the solipsistic and fabrica…

SOURCE: A Younger Theatre at 4:41pm on March 3, 2015

Review: FIRST 2015: Scratch Nights, Tristan Bates Theatre by George Washbourn

The FIRST Festival of Solo Performances returns to the Tristan Bates Theatre with a flurry of monologues from up and coming playwrights. Three works-in-progress make up the evening's proceed…

SOURCE: A Younger Theatre at 3:05pm on February 24, 2015

Review: Happy Days, Young Vic by George Washbourn

"Another heavenly day," Winnie says spritely, as she is awoken by a booming claxon to her quotidian nightmare, laid out before us in this Young Vic production of Beckett's Happy Days. Her li…

SOURCE: A Younger Theatre at 6:27pm on February 20, 2015

Review: Bacchae, Bloomsbury Theatre by George Washbourn

UCL's Classical Drama Society takes on Euripides's final tragedy in this brilliant and lurid rendering of Bacchae. The Bloomsbury Theatre, with its intense low lighting and hanging drapes cl…

SOURCE: A Younger Theatre at 6:12pm on February 11, 2015

Review: Grimm Tales, Oxo Bargehouse South Bank by George Washbourn

Once upon a time there was a grand tower, which stood on the banks of a great gushing river. Though it stood tall, gazing down over the people of the city, it was left to fall into disrepair…

SOURCE: A Younger Theatre at 3:39pm on December 4, 2014

Review: Henry IV Part 1, Bloomsbury Theatre by George Washbourn

"Why not Hamlet or Richard III or A Midsummer Night's Dream or Much Ado About Nothing?" Salient questions, all posed to Sophia Chetin-Leuner, director of UCLU Drama Society's rendering of Sh…

SOURCE: A Younger Theatre at 12:54pm on November 16, 2014

Review: Beached, Soho Theatre by George Washbourn

Old habits die hard, and some harder than others. These are certainly resounding words for Arty, the central character of Beached. Plagued by an addiction for food, he is the world's fattest…

SOURCE: A Younger Theatre at 4:56pm on November 11, 2014

Review: The Wall, Hope Theatre by George Washbourn

While watching D.C. Jackson's play, I was hit by my own wall of nostalgia for my lost childhood. Summer days spent running through the local Kentish fields, bike rides, football games in the…

SOURCE: A Younger Theatre at 10:27am on November 1, 2014

Review: Wet House, Soho Theatre by George Washbourn

It is often said that the best writing comes from one's own life experiences. Whilst to follow this maxim seems frightfully limiting and, in my case, would almost certainly churn out some un…

SOURCE: A Younger Theatre at 4:55pm on October 28, 2014
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