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427 stories by "George Hall"

Cavalleria Rusticana/Pagliacci review at Royal Opera House, London " 'an exceptional evening' by George Hall

Premiered two years apart in the early 1890s, Cavalleria Rusticana and Pagliacci soon became conjoined as a perennially successful double bill. Rodula

SOURCE: The Stage Registration at 7:25am on December 4, 2017

Semiramide review at Royal Opera House, London " 'an intermittent sense of inertia' by George Hall

The Royal Opera's new production of Rossini's melodramma tragico Semiramide " its first full staging at the venue since 1887 " was

SOURCE: The Stage Registration at 6:26am on November 20, 2017

Marnie review at the London Coliseum " 'an outstanding acievement' by George Hall

Back in June 2011 English National Opera staged the world premiere of Nico Muhly's first opera, Two Boys " a co-production with

SOURCE: The Stage Registration at 2:46am on November 19, 2017

Belongings review at Glyndebourne " 'good intentions but lacks narrative strength' by George Hall

Glyndebourne has more experience in staging new youth operas than any other UK company. The work of composer Lewis Murphy and librettist

SOURCE: The Stage Registration at 12:00pm on November 13, 2017

Margherita review at Wexford Opera House " 'smile-raising' by George Hall

Back in 2013 the Wexford Festival had a hit on its hands with Cristina, regina di Svezia " a rediscovery from the

SOURCE: The Stage Registration at 12:04pm on October 24, 2017

Risurrezione review at Wexford Opera House " 'dramatic conviction' by George Hall

Franco Alfano has gone down to history as the minor master who accepted the ungrateful task of completing Puccini's Turandot after the

SOURCE: The Stage Registration at 12:31pm on October 23, 2017

Medea review at Wexford Opera House " 'beset by problems' by George Hall

The Wexford Festival made no secret of the fact that owing to the severe effects of hurricane Ophelia, the company lost the

SOURCE: The Stage Registration at 8:10am on October 20, 2017

Les Vepres Siciliennes review at Royal Opera House, London " 'an exceptional cast' by George Hall

Norwegian director Stefan Herheim's international career took off in 2009 with an acclaimed Parsifal at Bayreuth, which employed Wagner's opera as a

SOURCE: The Stage Registration at 6:48am on October 13, 2017

Osud/Trouble in Tahiti review at Grand Theatre, Leeds " 'a strong cast' by George Hall

Opera North's Little Greats season is unusual in that one can pick and choose from different pairings of six short operas in

SOURCE: The Stage Registration at 11:39am on October 12, 2017

Dardanus review at Hackney Empire, London " 'stylishly conducted' by George Hall

English Touring Opera has never been shy of repertoire challenges. In this autumn's jaunt around a total of 21 venues, it presents

SOURCE: The Stage Registration at 8:54am on October 10, 2017

English Touring Opera's Giulio Cesare Part II: Cleopatra's Needle review " 'much to admire' by George Hall

It is English Touring Opera’s experienced general director, James Conway, who devised and stages this version of Handel’s opera seria, split over

SOURCE: The Stage Registration at 8:23am on October 6, 2017

English Touring Opera's Giulio Cesare: The Death of Pompey review " 'astute and detailed' by George Hall

English Touring Opera's autumn tour launches with what is effectively half an opera: artistic director James Conway, wishing to play the entirety

SOURCE: The Stage Registration at 5:39am on October 5, 2017

Opera North's Pagliacci/Cavalleria Rusticana review " 'visceral interpretations' by George Hall

This pairing of Pagliacci and Cavalleria Rusticana in Opera North's Little Greats season is traditional " though not in this order. Deemed

SOURCE: The Stage Registration at 6:59am on October 2, 2017

Opera North's Trial by Jury/L'Enfant Et Les Sortileges review " 'two winning entertainments' by George Hall

Back in 2004, Opera North enjoyed artistic success with Eight Little Greats, a season made up of one-act pieces played in various

SOURCE: The Stage Registration at 6:13am on October 2, 2017

Senza Sangue/Bluebeard's Castle at Hackney Empire, London " 'dramatically enigmatic' by George Hall

Hackney Empire is clearly strengthening its opera programming. For this flying visit by a European company that is an offshoot of the

SOURCE: The Stage Registration at 8:21am on September 22, 2017

Opera: Passion Power and Politics " singing up a storm in the V&A's huge new exhibition space by George Hall

Highlighting seven landmark works in seven cities, the museum is presenting a wealth of artefacts and embracing technology to bring opera to

SOURCE: The Stage Registration at 2:00am on September 20, 2017

Mansfield Park review at the Grange, Hampshire " 'solidly sung' by George Hall

It's good to see the Grange Festival extending its work beyond the summer season with the premiere of a new chamber orchestral

SOURCE: The Stage Registration at 10:28am on September 18, 2017

Die Zauberflote review at Royal Opera House, London " 'extraordinary dramatic diversity' by George Hall

Reappearing for the sixth time and carefully revived by Thomas Guthrie, David McVicar's production of The Magic Flute has turned out to

SOURCE: The Stage Registration at 7:25am on September 13, 2017

La Boheme review at Royal Opera House, London " 'Richard Jones' successful new staging' by George Hall

It is 43 years since the Royal Opera last launched a new La Boheme " the most frequently played opera at this

SOURCE: The Stage Registration at 6:57pm on September 11, 2017

The Vanishing Bridegroom review at Peacock Theatre, London " 'valiantly performed' by George Hall

British Youth Opera opens its 30th anniversary season with a revival of Judith Weir's The Vanishing Bridegroom, first performed by Scottish Opera

SOURCE: The Stage Registration at 8:27am on September 4, 2017

The Queen's Lace Handkerchief review at Wilton's Music Hall, London " 'theatrical brilliance' by George Hall

Opera della Luna is unique in specialising in comic opera and operetta, and though it often has stronger material to work with

SOURCE: The Stage Registration at 9:14am on August 30, 2017

Proms 2017 Oklahoma! review " all-dancing all-singing cowboys, a preposterous peddler and a convincing baddie by George Hall

Royal Albert Hall, London The John Wilson Orchestra on their annual Proms visit did not disappoint with an impeccable performance of every last quaver of the Rodgers and Hammerstein musical …

SOURCE: The Guardian at 9:06am on August 14, 2017

Even You, Lights, Cannot Hear Me/Nero Monologues review at Bridewell Theatre " 'mixed-quality new works' by George Hall

Opera in the City Festival's inaugural programme includes this double bill of recent works, both from the avant-garde end of the spectrum.

SOURCE: The Stage Registration at 5:38am on August 9, 2017

Silver Birch review at Garsington Opera " 'remarkable event with vast community cast' by George Hall

Garsington's final offering this season is the festival's second community opera " a work specially written for a combination of professional and

SOURCE: The Stage Registration at 5:39am on July 31, 2017

La Clemenza di Tito review at Glyndebourne, Lewes " 'magnificently dramatic' by George Hall

Claus Guth's Glyndebourne debut production saw three cast changes in the weeks leading up to the first night, with the title role

SOURCE: The Stage Registration at 8:27am on July 27, 2017
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