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427 stories by "George Hall"

L'Ange de Nisida review at Royal Opera House, London " 'a long-lost opera by Donizetti' by George Hall

This concert performance is of interest because it represents the belated world premiere of a mature score by a major opera composer.

SOURCE: The Stage Registration at 6:08am on July 19, 2018

The Daughter of the Regiment review at Opera House, Buxton " 'style and panache' by George Hall

In its original version, Donizetti's The Daughter of the Regiment is a light comedy with a military background: Marie, abandoned on the

SOURCE: The Stage Registration at 7:27am on July 10, 2018

Idomeneo review at Opera House, Buxton " 'an uneven staging' by George Hall

Despite being a relatively familiar title, Mozart's Idomeneo is a challenging assignment for Buxton, with a clutch of demanding central roles and

SOURCE: The Stage Registration at 9:10am on July 9, 2018

The Skating Rink review at Garsington Opera, Wormsley " 'finely observed' by George Hall

Towards the end of a strong season, Garsington unveils a new opera " other than community works the first at this venue.

SOURCE: The Stage Registration at 6:57am on July 6, 2018

Pelleas et Melisande review at Glyndebourne, Lewes " 'a confusing production' by George Hall

Last month the Grange Festival opened a production of Handel's Agrippina in sets that repeatedly referenced the venue itself and its recent

SOURCE: The Stage Registration at 11:42am on July 2, 2018

Powder Her Face review at Nevill Holt Opera " 'rises to brilliance' by George Hall

For the second production of its first season in its new opera house, Nevill Holt takes on a modern classic and presents

SOURCE: The Stage Registration at 12:30pm on June 29, 2018

La Boheme review at Royal Opera House, London " 'an unforgettable portrayal of Musetta' by George Hall

Puccini's most popular work " indeed the most popular piece in the entire operatic repertoire these days " La Boheme returns in

SOURCE: The Stage Registration at 10:24am on June 27, 2018

The Abduction from the Seraglio review at the Grange, Hampshire " 'an evening of nostalgia' by George Hall

At the age of 85, John Copley " Britain's most experienced opera director " stages Mozart's Turkish comedy The Abduction from the

SOURCE: The Stage Registration at 7:27am on June 25, 2018

Romeo et Juliette review at Grange Park Opera, Surrey " 'a lack of chemistry' by George Hall

Charles Gounod's second most popular opera (after Faust), Romeo et Juliette suffers from the composer falling in love with the sheer loveliness

SOURCE: The Stage Registration at 6:15am on June 25, 2018

Cave review at Printworks, London " 'an impassioned plea for environmental responsibility' by George Hall

The second operatic collaboration between composer Tansy Davies and poet Nick Drake focuses on climate change. In a 'near-future' world decimated by

SOURCE: The Stage Registration at 8:18am on June 21, 2018

Falstaff review at Garsington Opera, Buckinghamshire " 'warmth and humanity' by George Hall

Bruno Ravella's staging of Verdi's final opera Falstaff — based on The Merry Wives of Windsor — is set around the time

SOURCE: The Stage Registration at 5:35am on June 19, 2018

Oklahoma! review at Grange Park Opera, Surrey " 'performed with unstoppable aplomb' by George Hall

Opera companies sometimes use musicals as a way of replenishing the coffers. Others " such as Grange Park Opera " have developed

SOURCE: The Stage Registration at 6:25am on June 18, 2018

Le Nozze di Figaro at Nevill Holt Opera " 'a successful launch' by George Hall

The headline news is that Nevill Holt Opera has created and opened an outstanding new purpose-built theatre, seating 400, possessing a superb

SOURCE: The Stage Registration at 8:48am on June 15, 2018

To See the Invisible review at Britten Studio, Snape " 'a musical patchwork' by George Hall

New at this year's Aldeburgh Festival, Emily Howard's chamber opera To See The Invisible has been freely adapted by playwright Selma Dimitrijevic

SOURCE: The Stage Registration at 12:37pm on June 12, 2018

Giulio Cesare review at Glyndebourne, Lewes " 'a memorable revival' by George Hall

David McVicar's Glyndebourne staging of Julius Caesar in Egypt was an overwhelming success back in 2005, helping to consolidate the position of

SOURCE: The Stage Registration at 11:35am on June 11, 2018

Lohengrin review at Royal Opera House, London " 'strong performances in a sombre new staging' by George Hall

The last new Royal Opera Lohengrin was in 1977, when Elijah Moshinsky's finest staging for the company had its premiere; but following

SOURCE: The Stage Registration at 5:49am on June 8, 2018

Cosi Fan Tutte review at Opera Holland Park, London " 'nuanced intelligence' by George Hall

Just as Shakespeare has his problem plays, Mozart has Cosi Fan Tutte " one might translate the title as That's What Women

SOURCE: The Stage Registration at 9:29am on June 4, 2018

Capriccio review at Garsington Opera, Wormsley " 'makes a profound impression' by George Hall

Garsington has a long track record with Richard Strauss, and in their 30th season, they return to his operatic will and testament,

SOURCE: The Stage Registration at 6:00am on June 4, 2018

Die Zauberflote review at Garsington Opera, Wormsley " 'an enigmatic staging' by George Hall

Mozart's Magic Flute is many things: a pantomime, a philosophical drama, a lowbrow comedy, a spiritual quest, a fairy-tale. Reconciling all of

SOURCE: The Stage Registration at 11:12am on June 1, 2018

Candide review at Iford Manor, Wiltshire " 'marvellous material' by George Hall

Just what exactly is Candide? There's no neat answer. Jeff Clarke " who stages Iford's production " admits that, like The Tales

SOURCE: The Stage Registration at 8:27am on June 1, 2018

La Traviata review at Opera Holland Park, London " 'intimacy and emotional depth' by George Hall

Opera Holland Park's season opener is Verdi's popular classic, played in Cordelia Chisholm's elegant period designs evoking the sophistication and sexual ambiguity

SOURCE: The Stage Registration at 12:41pm on May 30, 2018

Welsh National Opera managing director Leonora Thomson: 'My goal is to make sure we are fit for the future' by George Hall

WNO is in rude health on many fronts, but its boss tells George Hall of her mission not just to secure the

SOURCE: The Stage Registration at 12:12pm on May 30, 2018

Nevill Holt Opera's Nicholas Chalmers: 'Intimacy is our selling point. I never want to lose that' by George Hall

After performing for 13 years in a temporary structure in a stable yard, Nevill Holt Opera is to open a purpose-built theatre.

SOURCE: The Stage Registration at 6:23am on May 30, 2018

English National Opera: 50 years at the Coliseum in pictures by George Hall

As the English language opera company marks five decades of performing in residence at the London Coliseum, George Hall toasts some of

SOURCE: The Stage Registration at 12:37pm on May 29, 2018

Dorset Opera Festival: Small-scale venture with big ideas for producing world-class opera by George Hall

Credited with introducing several operas to this country, the annual festival returns with a UK stage premiere of Massenet's Le Cid as

SOURCE: The Stage Registration at 12:00pm on May 25, 2018
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