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427 stories by "George Hall"

La donna del lago, Royal Opera House, London by George Hall

Royal Opera House, London: The original plan was for the Royal Opera to share Luis Pasqual's production of Rossini's opera based on Sir Walter Scott's poem The Lady of the Lak…

SOURCE: The Stage Registration at 5:55am on May 20, 2013

Wozzeck, Coliseum, London by George Hall

Coliseum, London: English National Opera's new production of Berg's modernist masterpiece was originally due to be directed by Rupert Goold, whose previous staging at the London Co…

SOURCE: The Stage Registration at 9:34am on May 13, 2013

Joshua, Grand, Leeds by George Hall

Grand, Leeds: Handel's 1748 oratorio is rarely performed, so Opera North's staging - imaginatively directed, designed and lit by Charles Edwards - is an all the more welcome additi…

SOURCE: The Stage Registration at 7:00am on May 1, 2013

Die Gezeichneten, Palladium, Cologne by George Hall

Palladium, Cologne: During his lifetime - he died in 1933, aged 55 - the Austrian composer Franz Schreker rose to a position rivalling that of Richard Strauss in the German operatic world; b…

SOURCE: The Stage Registration at 6:08am on April 22, 2013

Sunken Garden, Barbican, London by George Hall

Barbican, London: English National Opera moves to the Barbican Theatre for this world premiere of a work by the multi-prize-winning Dutch composer Michel van der Aa, whose self-styled '…

SOURCE: The Stage Registration at 6:09am on April 15, 2013

The Flying Dutchman, Theatre Royal, Glasgow by George Hall

Theatre Royal, Glasgow: Designed by Tom Scutt, Harry Fehr's production of the first of Wagner's standard repertory operas presents it in the original Scottish setting the composer …

SOURCE: The Stage Registration at 10:54am on April 8, 2013

The Firework-Maker's Daughter, Linbury Studio, Royal Opera House, London by George Hall

Linbury Studio, Royal Opera House, London: David Bruce's family opera is based on Philip Pullman's fairy tale novel via Glyn Maxwell's libretto. One of the co-commissioners of…

SOURCE: The Stage Registration at 6:25am on April 4, 2013

Simon Boccanegra, Churchill, Bromley by George Hall

Churchill, Bromley: In theory, at least, the sheer scale of Verdi's opera should put it beyond <a href="http://englishtouringopera.org.uk/">English Touring Opera's&…

SOURCE: The Stage Registration at 6:28am on March 18, 2013

Written on Skin, Royal Opera House, London by George Hall

Royal Opera House, London: Premiered at the Aix-en-Provence Festival in July 2012, George Benjamin's first full-scale opera arrives at Covent Garden in the same production - staged by K…

SOURCE: The Stage Registration at 8:23am on March 11, 2013

The Barber of Seville " review by George Hall

Coliseum, LondonJonathan Miller's classic staging, first seen in 1987, is back for another run. This time, there's a soprano Rosina, instead of the lower mezzo the part was written for. What…

SOURCE: The Guardian at 12:53pm on February 27, 2013

Medea, Coliseum, London by George Hall

Coliseum, London: Adventurous programming continues at the Coliseum with the UK stage premiere of a neglected 1693 masterpiece by the comparatively little known French Baroque composer Marc-…

SOURCE: The Stage Registration at 6:39am on February 21, 2013

The Flying Dutchman, Grand Opera House, Belfast by George Hall

Grand Opera House, Belfast: Founded as recently as 2010, NI Opera is amply fulfilling its aims of producing high quality opera and developing young Northern Irish talent with this ambitious …

SOURCE: The Stage Registration at 6:02am on February 18, 2013

Werther, Theatre Royal, Glasgow by George Hall

Theatre Royal, Glasgow: Massenet's romantic tragedy joins Scottish Opera repertoire in a new staging by up-and-coming director Pia Furtado. Designer Helen Goddard's costumes sugges…

SOURCE: The Stage Registration at 5:46am on February 18, 2013

Eugene Onegin, Royal Opera House, London by George Hall

Royal Opera House, London: The Royal Opera's new Onegin marks the first production at Covent Garden by the company's recently appointed director of opera, Kasper Holten, whose arri…

SOURCE: The Stage Registration at 5:27am on February 5, 2013

La Traviata, Coliseum, London by George Hall

Coliseum, London: An ongoing problem for the current ENO administration has been an ability to provide new productions of standard repertory pieces that are keepers - able to be revived year…

SOURCE: The Stage Registration at 6:15am on February 4, 2013

La Clemenza di Tito, Grand Theatre, Leeds by George Hall

Grand Theatre, Leeds: John Fulljames' new production of Mozart's late opera The Clemency of Titus makes a strong case for a work still relatively sidelined among his mature output.…

SOURCE: The Stage Registration at 6:08am on February 1, 2013

The Minotaur, Royal Opera House, London by George Hall

Royal Opera House, London: First seen in 2008, Harrison Birtwistle's inescapably dark opera about the mythical half-man, half-beast that inhabits the legendary labyrinth on the Minoan i…

SOURCE: The Stage Registration at 6:14am on January 18, 2013

Analysis & Opinion: Looking back on opera by George Hall

George Hall looks back on the year's opera highlights

SOURCE: The Stage Registration at 2:00am on December 28, 2012

La Boheme, Royal Opera House, London by George Hall

Royal Opera House, London: John Copley's traditional 1974 staging of Puccini's Parisian romance is back for yet another revival whose main point of interest is the return of Roland…

SOURCE: The Stage Registration at 5:10am on December 18, 2012

Robert le Diable, Royal Opera House, London by George Hall

Royal Opera House, London: It was back in 1890 that Covent Garden last staged Meyerbeer's grand opera - once a repertory mainstay that subsequently fell out of fashion with the rest of …

SOURCE: The Stage Registration at 6:10am on December 7, 2012

Carmen, Coliseum, London by George Hall

Coliseum, London: English National Opera has been without a production of the most popular of all titles since Sally Potter's incoherent staging flopped disastrously back in 2007. By br…

SOURCE: The Stage Registration at 6:21am on November 22, 2012

L'elisir d'amore, Royal Opera House, London by George Hall

Royal Opera House, London: New in 2007, Laurent Pelly's staging of Donizetti's love potion comedy is revived for the second time. More roughly hewn and bordering on the vulgar this…

SOURCE: The Stage Registration at 5:22am on November 14, 2012

The Pilgrim's Progress, Coliseum, London by George Hall

Coliseum, London: First performed at Covent Garden in 1951, Vaughan Williams' 'morality' is a full-scale operatic treatment of John Bunyan's Christian allegory, published…

SOURCE: The Stage Registration at 5:48am on November 6, 2012

Where the Wild Things Are/Higglety Pigglety Pop!, Barbican, London by George Hall

Barbican, London: Oliver Knussen's 60th birthday is celebrated with a two-day focus on his work at the Barbican, beginning with this staging of his double bill based on books by Maurice…

SOURCE: The Stage Registration at 4:54am on November 5, 2012

A Village Romeo and Juliet, Opera House, Wexford by George Hall

Opera House, Wexford: This year's Delius anniversary - he was born in Bradford in 1862 - has been widely celebrated in the UK, although his operas have largely been left out of the pict…

SOURCE: The Stage Registration at 6:36am on October 29, 2012
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