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175 stories by "George B Parous"

Richard the Lionheart (“Riccardo primo, re d’Inghilterra”) by George B Parous

Pittsburgh Opera’s Resident Artist Program unveiled its first production of the season last night at the CAPA Theater – Georg Frideric Händel’s largely neglected Richard the Lionheart…

SOURCE: onstagepittsburgh.com at 9:57am on January 23, 2017

Salome by George B Parous

Richard Strauss’ colossal Salome was the second of Pittsburgh Opera’s offerings last night, and an immense audience rose in a roar when the curtain dropped at the conclusion of the one-a…

SOURCE: onstagepittsburgh.com at 8:14pm on November 6, 2016

La Traviata by George B Parous

Pittsburgh Opera’s 78th season opened Saturday night with the first of four performances of Giuseppe Verdi’s perennial La Traviata. First performed in Venice in 1853, the opera today hol…

SOURCE: onstagepittsburgh.com at 9:15am on October 10, 2016

The Silent Woman by George B Parous

Richard Strauss’ rarely heard Die schweigsame Frau (“The Silent Woman”), received the first of two performances at the Falk Auditorium of Winchester Thurston last night, as Opera Theat…

SOURCE: onstagepittsburgh.com at 5:12pm on July 23, 2016

Night Caps by George B Parous

As Opera Theater of Pittsburgh’s “SummerFest” performances draw to a close, Night Caps, a series of five mini-operas that – combined – run for but an hour or so, received the first…

SOURCE: onstagepittsburgh.com at 12:07pm on July 22, 2016

Julius Caesar by George B Parous

Last night Opera Theater of Pittsburgh’s “SummerFest” gave the first of three performances of Georg Friedrich Händel’s Giulio Cesare, presented in English, as is customary with the …

SOURCE: onstagepittsburgh.com at 11:20am on July 16, 2016

Kiss Me, Kate by George B Parous

[the_ad id=”2996″] There was much that was “new” in the air last night, when Opera Theater of Pittsburgh’s “SummerFest” presented Cole Porter’s 1949 Broadway hit, Kiss Me, Ka…

SOURCE: onstagepittsburgh.com at 3:38pm on July 9, 2016

SummerFest’s Tour of “Carmen the Gypsy” is On! by George B Parous

And it’s “on” in more ways than one. The reworking of Bizet’s classic (a success during the “SummerFest” of 2012, but new to the writer) had its first performance Wednesday night…

SOURCE: onstagepittsburgh.com at 10:55pm on June 23, 2016

Undercroft Opera Sinks Its Teeth into Mozart’s “Don Giovanni.” by George B Parous

Last night Undercroft Opera presented the first of this weekend’s productions of its unique twist on Mozart’s classic opera, Don Giovanni. Fortunately, Mozart’s music remains – but L…

SOURCE: onstagepittsburgh.com at 5:51pm on May 27, 2016

The Rake’s Progress by George B Parous

Pittsburgh Opera gave the first of four performances of Igor Stravinsky’s The Rake’s Progress last night – the magnificently colorful and brilliantly effective David Hockney production…

SOURCE: onstagepittsburgh.com at 9:00pm on May 1, 2016

The Barber of Seville by George B Parous

Pittsburgh Opera gave the first of four performances of Gioachino Rossini’s perennial The Barber of Seville Saturday night. The work is probably the most enduring of the composer’s 39 op…

SOURCE: onstagepittsburgh.com at 1:06pm on April 4, 2016

“27” (“Twenty-Seven”) by George B Parous

27 or Twenty-Seven (as in 27 rue de Fleurus, Paris, the address at which Gertrude Stein and Alice B. Toklas presided over their famous salon for many years in the earlier decades of the last…

SOURCE: onstagepittsburgh.com at 7:47pm on February 21, 2016

Little Women by George B Parous

Judging from the full-dress rehearsal of Mark Adamo’s Little Women, at the CAPA Theater on Thursday night, there is every reason to believe that Pittsburgh Opera’s presentation of the wo…

SOURCE: onstagepittsburgh.com at 5:24pm on January 22, 2016

Così fan tutte by George B Parous

For its second production of the current season, Pittsburgh Opera brought out Mozart’s Così fan tutte last night before a fair-sized, appreciative gathering at the Benedum. The full title…

SOURCE: onstagepittsburgh.com at 3:37pm on November 9, 2015

Nabucco by George B Parous

Pittsburgh Opera gave the first performance of its first production of the 2015-2016 season last night – Giuseppe Verdi’s Nabucco. The work had not been heard locally in a number of deca…

SOURCE: onstagepittsburgh.com at 9:43am on October 11, 2015

The Winter’s Tale by George B Parous

Last night Quantum Theatre presented the first performance of its The Winter’s Tale, a world premiere commissioned by The Benter Foundation. This Baroque opera, based on Shakespeare’s pl…

SOURCE: onstagepittsburgh.com at 1:50pm on September 17, 2015

Capriccio by George B Parous

Saturday night’s performance of the rarely heard Capriccio was the best work the Opera Theater of Pittsburgh has done this year, which is saying much, since “SummerFest†has…

SOURCE: onstagepittsburgh.com at 1:44pm on July 26, 2015

“New Kind of Fallout” – World Premiere by George B Parous

Dating as far back as the 17th century, women have composed many operas – but today, virtually all are unknown and underperformed – if not lost altogether. Even at the Met, only Ethel Sm…

SOURCE: onstagepittsburgh.com at 5:32pm on July 19, 2015

Damn Yankees by George B Parous

Adler and Ross’ Damn Yankees, which ran over 1,000 performances and won seven Tony Awards during its original Broadway success of nearly six decades ago, was brought out of the local bull-…

SOURCE: onstagepittsburgh.com at 12:02pm on July 12, 2015

The Marriage of Figaro by George B Parous

Even Albert Einstein was awed by Mozart’s compositions. “Beethoven created his music,” he once wrote, “but the music of Mozart is of such purity and beauty that one feels he merely f…

SOURCE: onstagepittsburgh.com at 11:15am on July 11, 2015

“Daughter of the Regiment” (La fille du régiment) by George B Parous

Gaetano Donizetti’s opera-comique, La fille du régiment (offered up in English as “The Daughter of the Regiment”), received the first of four performances on Saturday evening, May 2. …

SOURCE: onstagepittsburgh.com at 1:41pm on May 3, 2015

Carmen by George B Parous

Carmen, an opera in four acts, with music by the French composer Georges Bizet, is set to a libretto written by Henri Meilhac and Ludovic Halévy, who used a novella by Prosper Mérimée …

SOURCE: onstagepittsburgh.com at 10:26am on March 21, 2015

Rodelinda by George B Parous

Handel’s Rodelinda, another opera not heard in Pittsburgh for over twenty years, received the first performance of its current run at the intimate CAPA Theater on Saturday evening, January…

SOURCE: onstagepittsburgh.com at 8:35am on January 24, 2015

Otello by George B Parous

Giuseppe Verdi’s Otello, not heard in Pittsburgh in over two decades, accomplished the rare feat of bringing a local audience to its feet for a very long and thunderous ovation, when it be…

SOURCE: onstagepittsburgh.com at 3:10pm on November 9, 2014

“Ariadne on Naxos” (“Ariadne auf Naxos”) by George B Parous

Pittsburgh music-lovers were out in full force at the Twentieth Century Club on Friday evening, July 18, when “SummerFest” gave them a taste of grand opera by a German composer – a tre…

SOURCE: onstagepittsburgh.com at 12:05pm on July 19, 2014
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