BWW Review: CHILDREN OF EDEN, Union Theatre, 16 August 2016
Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.
Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.
Gary Naylor sees Zola's tale of lust and murder brilliantly staged and performed.
Gary Naylor sees a show that had been forgotten, but is thrillingly brought to the London stage for the first time
Gary Naylor sees an adaptation of the classic tale that never quite finds its tone, but provides thrills and spills in its outdoor setting.
Gary Naylor sees young people perform an adaptation of the Tony Award show that's aimed at young people but can be enjoyed by all.
Gary Naylor sees an unblinking, fearless adaptation of Leo Tolstoy's often censored story, delivered with panache and menace by Greg Hicks.
Gary Naylor sees an adaptation of a classic play that packs plenty of punch despite some less than satisfactory casting.
Gary Naylor sees a powerful, important play that speaks to a 2016 audience explicitly about the defining issue of our times.
Gary Naylor sees a production that has much to commend it, bringing a little of Athens wooded peace to the hurly-burly of London.
Gary Naylor sees a big, bold production deliver a tremendous evening's entertainment as a 2013 smash hit is revived to great acclaim.
Gary Naylor sees a play that promised much and delivered for 90 minutes before falling away in a poorly constructed last half-hour.
Gary Naylor previews an exciting selection of September's new openings as London gears up for what should be its most successful Autumn since the credit crunch claimed its first victims seve…
Gary Naylor sees a slice of London's Victorian underbelly brought back to life in a play that packs less punch than it might do despite some committed performances and a fascinating set-up.
Gary Naylor looks forward to the coming month in London's theatres, both West End and Fringe.
Gary Naylor sees an ambitious new play carried off with aplomb.