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590 stories by "Gary Naylor"

BWW Review: AN HONOURABLE MAN, White Bear Theatre by Gary Naylor

An Honourable Man is bold in its ambition and gets a lot of details right, but its excellent first half gives way to a theatrically disappointing conclusion.

SOURCE: BroadwayWorld at 5:17am on November 24, 2018

BWW Interview: Jasmine Pearce Talks RIFF Productions by Gary Naylor

BWW talks to Jasmine Pearce, the founder of Riff Productions, about her plans for the future.

SOURCE: BroadwayWorld at 10:16am on November 22, 2018

BWW Review: A HERO OF OUR TIME, Arcola Theatre by Gary Naylor

This action packed adaptation brings Lermontov's 1840 novel into the 21st century with wit and no little elan.

SOURCE: BroadwayWorld at 7:34am on November 22, 2018

BWW Review: DIETRICH: NATURAL DUTY, Wilton's Music Hall by Gary Naylor

Peter Groom brings a legendary figure of 20th century culture to life in this affectionate and beautifully observed show.

SOURCE: BroadwayWorld at 4:40am on November 20, 2018

BWW Review: SIMON BOCCANEGRA, The Royal Opera House by Gary Naylor

A traditional production of Verdi's classic opera is beautiful and terrifying in equal measures.

SOURCE: BroadwayWorld at 4:52pm on November 16, 2018

BWW Review: BRASS, Union Theatre by Gary Naylor

Brass brings the Great War's generation to life in a way that educates and entertains - real people emerging from the seemingly endless roll call of The Fallen.

SOURCE: BroadwayWorld at 3:02am on November 11, 2018

BWW Review: THE PIT AND THE PENDULUM, Omnibus Theatre by Gary Naylor

Creation Theatre update Poe's classic tale adding ballsy, badass attitude, but losing the fear and dread en route.

SOURCE: BroadwayWorld at 4:38am on November 10, 2018

BWW Review: YERMA, Cervantes Theatre by Gary Naylor

When you can see Lorca, you should - as this brilliantly realised production proves.

SOURCE: BroadwayWorld at 3:23am on November 10, 2018

BWW Review: SWEET LIKE CHOCOLATE BOY, Jack Studio Theatre by Gary Naylor

Sweet Like Chocolate Boy tells the tales of Bounty and Mars, growing up black in different generations with different issues to address, the play grounded in the language and music of contem…

SOURCE: BroadwayWorld at 12:49pm on November 8, 2018

BWW Review: SEXY LAUNDRY, Tabard Theatre by Gary Naylor

Sexy Laundry looks at middle class hopes and fears in a two handed comedy that must have felt a little old-fashioned when first staged in Canada in 2002.

SOURCE: BroadwayWorld at 12:57pm on November 7, 2018

BWW Review: LUCIA DI LAMMERMOOR, London Coliseum by Gary Naylor

Tragedy raw in tooth and claw in this revival of the ENO's 2008 production of Lucia di Lammermoor.

SOURCE: BroadwayWorld at 7:36am on October 26, 2018

BWW Review: MANON, Milton Keynes Theatre by Gary Naylor

This revival of Kenneth MacMillan's Manon is a visual and aural delight that should melt the heart of even the most reluctant ballet sceptic.

SOURCE: BroadwayWorld at 8:31am on October 25, 2018

BWW Review: THE WILD DUCK, Almeida Theatre by Gary Naylor

Robert Icke's updating of The Wild Duck gains in contemporary relevance, but loses a little of its heart en route.

SOURCE: BroadwayWorld at 9:36am on October 24, 2018

BWW Review: QUIETLY, Omnibus Theatre by Gary Naylor

Quietly gives us two men, deep in middle age, looking back to the irreversible actions they took as 16 year-olds during The Troubles in an electrifying conversation.

SOURCE: BroadwayWorld at 6:33am on October 19, 2018

BWW Review: DRACULA, Jack Studio Theatre by Gary Naylor

Ross MacGregor's Dracula needs a transfusion of narrative pace if it is to achieve its considerable and laudable ambition.

SOURCE: BroadwayWorld at 2:05pm on October 18, 2018

BWW Review: THE TRENCH, Southwark Playhouse by Gary Naylor

The Trench, in trying to do so much, forgets to let us into the lives of the soldiers whose ordeal lies at the heart of the story it tells.

SOURCE: BroadwayWorld at 10:42am on October 17, 2018

BWW Review: SOLOMON, Royal Opera House by Gary Naylor

Solomon provides a transcendent sensory experience and more than a few lessons for todays rulers.

SOURCE: BroadwayWorld at 7:06am on October 12, 2018

BWW Review: WAR WITH THE NEWTS, The Bunker Theatre by Gary Naylor

A tremendous re-imagining of a novel that has not been more relevant at any point in the 82 years since its writing - a wonderfully realised piece of theatre.

SOURCE: BroadwayWorld at 11:33am on October 11, 2018

BWW Review: LOVE GENIUS AND A WALK, Drayton Arms Theatre by Gary Naylor

There's much promise in this play that speculates on what Sigmund Freud and Gustav Mahler may have spoken about on a walk they shared, but pedestrian writing and underdeveloped characters sc…

SOURCE: BroadwayWorld at 2:42pm on October 9, 2018

BWW Review: TO HAVE TO SHOOT IRISHMEN, Omnibus Theatre by Gary Naylor

To Have To Shoot Irishmen brings the tragic story of Francis Sheehy Skeffington to the stage, with music and lyricism, a reminder of Ireland's fractured past and a warning about its fragile …

SOURCE: BroadwayWorld at 8:32am on October 5, 2018

Simon Stephens On THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Schools Tour by Gary Naylor

BWW visits the National Theatre's schools tour of The Curious Incident of the Dog in the Night-Time and speaks to the NT's Paula Hamilton and its writer, Simon Stephens

SOURCE: BroadwayWorld at 7:21am on October 5, 2018

BWW Review: NOT TODAY'S YESTERDAY, The Place by Gary Naylor

Dance telling the story of how only some stories are told.

SOURCE: BroadwayWorld at 8:18am on October 4, 2018

BWW Review: VERDI'S LA TRAVIATA, King's Head Theatre by Gary Naylor

Another scaled down opera, retaining full force singing and emotional clout, from the King's Head, Violetta now a pole dancer in a sleazy Bristol nightclub.

SOURCE: BroadwayWorld at 12:24pm on October 3, 2018

BWW Review: ALICE OSWALD'S MEMORIAL, Barbican Theatre by Gary Naylor

Alice Oswald's epic re-imagining of The Iliad developed into an extraordinary theatrical event that provides intellectual nourishment, but makes great demands on its audience.

SOURCE: BroadwayWorld at 7:24am on September 28, 2018

BWW Review: LIFEBOAT, Jack Studio Theatre by Gary Naylor

Lifeboat tells the story of two survivors of the wartime sinking of the SS City of Benares, torpedoed en route to Canada, evacuating children from the UK.

SOURCE: BroadwayWorld at 9:39am on September 27, 2018
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