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590 stories by "Gary Naylor"

BWW Review: QUEEN OF THE MIST, Brockley Jack Studio Theatre by Gary Naylor

Queen of the Mist is a curious musical about the nearly forgotten woman who was first to go over Niagara Falls in a barrel and who lived to tell her story - the problem was that few wanted t…

SOURCE: BroadwayWorld at 5:26am on April 12, 2019

BWW Review: THE NOISES, The Old Red Lion Theatre by Gary Naylor

The Noises traps us in a room with Luna, as she tells us her story from puppy to dog bodyguard while the world disintegrates outside. Her journey is one faced by many neglected kids - a key …

SOURCE: BroadwayWorld at 8:51am on April 10, 2019

BWW Review: SCARY BIKERS, Trafalgar Studios by Gary Naylor

John Godber's Brexity flavoured two-hander examines loneliness in late middle-age with warmth, humour and no little insight - a gem.

SOURCE: BroadwayWorld at 8:40am on April 9, 2019

BWW Review: BED PEACE: THE BATTLE OF YOHN & JOKO, Cockpit Theatre by Gary Naylor

Recreating the political tensions that swirled around John and Yoko's Bed-In protest of 50 years ago, this play with music strives for a radical approach to its material, but forgets some th…

SOURCE: BroadwayWorld at 7:46am on April 6, 2019

BWW Review: BERENICE, Linbury Theatre, Royal Opera House by Gary Naylor

Berenice is something of a forgotten delight, its tortuous plotting more than offset by its splendid arias and delightful characters, with plenty of contemporary resonance on hand if you nee…

SOURCE: BroadwayWorld at 4:17pm on March 28, 2019

BWW Review: THE WHITE CROW by Gary Naylor

The White Crow focuses on Rudolf Nureyev's life from birth until his sensational defection at the age of 23.

SOURCE: BroadwayWorld at 8:36pm on March 26, 2019

BWW Review: WOLFIE, Theatre503 by Gary Naylor

Wolfie glows with the energy and hope of youth, even as it paints a grim picture of a world stacked against it by the alienating forces of a society retreating from its obligations to its ch…

SOURCE: BroadwayWorld at 8:03am on March 26, 2019

BWW Interview: John Godber Talks SCARY BIKERS at Trafalgar Studios by Gary Naylor

John Godber talks about his life in theatre and about his Brexit flavoured play, Scary Bikers, running at Trafalgar Studios in April.

SOURCE: BroadwayWorld at 8:32pm on March 24, 2019

BWW Review: I IS A STRANGE LOOP, Barbican Pit by Gary Naylor

I Is A Strange Loop pits X against Y as the world described mathematically butts up against the world described theatrically - and they discover that each needs the other to be whole.

SOURCE: BroadwayWorld at 8:21am on March 22, 2019

BWW Review: OTHELLO, Union Theatre by Gary Naylor

Othello remains as relevant today as ever it were, Phil Willmott's adaptation setting it in the Raj of 1919, but it's as much in the White House and Palace of Westminster of 2019.

SOURCE: BroadwayWorld at 9:26am on March 21, 2019

BWW Review: THE TAMING OF THE SHREW, The Royal Shakespeare Theatre by Gary Naylor

A bold and often beautifully staged production that makes women men and men women to throw light on the often brutal text. What emerges is plenty of new insight, but the nagging doubt persis…

SOURCE: BroadwayWorld at 11:02am on March 20, 2019

BWW Review: THE CROWN DUAL, King's Head Theatre by Gary Naylor

The Crown Dual piles laughs upon laughs in a madcap parody of the Netflix show that you don't even need to have seen in order to enjoy this hilarious two-hander.

SOURCE: BroadwayWorld at 10:17am on March 15, 2019

BWW Review: THE TALENTED MR RIPLEY, The Vaults by Gary Naylor

The Faction's adaptation of Patricia Highsmith's dazzling novel, The Talented Mr Ripley, goes back its roots to find a man as complicated, seductive and relevant as ever.

SOURCE: BroadwayWorld at 7:06am on March 14, 2019

BWW Review: STRIKE UP THE BAND, Upstairs at the Gatehouse by Gary Naylor

The Gershwins' sublime music and lyrics rescue a show hamstrung by a confused and clumsy book and some very familiar characters.

SOURCE: BroadwayWorld at 7:04pm on March 13, 2019

BWW Interview: Philip Bretherton Talks TONY'S LAST TAPE at the Omnibus Theatre by Gary Naylor

Philip Bretherton talks about his role as Tony Benn in TONY'S LAST TAPE, revived at the Clapham Omnibus Theatre in April.

SOURCE: BroadwayWorld at 10:11am on March 12, 2019

BWW Review: THE PROJECT, White Bear Theatre by Gary Naylor

The Project is set in an in-between space in history, not freedom, but not yet the death camps, but its fails to explore the possibilities that environment suggests, lost in too many words a…

SOURCE: BroadwayWorld at 6:43am on March 8, 2019

BWW Review: A LESSON FROM ALOES, Finborough Theatre by Gary Naylor

Seen for the first time in 35 years, Athol Fugard's play loses none of its relevance as two men and one woman fall apart under the strain of living under the Apartheid regime.

SOURCE: BroadwayWorld at 6:16am on March 7, 2019

Let's Dance International Frontiers 2019 Launches by Gary Naylor

Let's Dance International Frontiers - LDIF19 - launches on April 29th - International Dance Day - and focuses on diversity in dance by showcasing new work from emerging local talent and inte…

SOURCE: BroadwayWorld at 5:05am on March 6, 2019

BWW Review: TESSERACT, Barbican Theatre by Gary Naylor

An often beautiful, sometimes confusing, work that uses dance and technology to move from the rigid certainties of three dimensions into the threats and opportunities of the fourth.

SOURCE: BroadwayWorld at 5:44am on March 1, 2019

BWW Review: JESUS HOPPED THE 'A' TRAIN, Young Vic by Gary Naylor

Stephen Adly Guirgis's play is as relevant today as ever, its coruscating examination of the nature of American justice and religious redemption losing none of its power a generation on from…

SOURCE: BroadwayWorld at 8:02am on February 28, 2019

BWW Review: CHEATING DEATH, Cockpit Theatre by Gary Naylor

Cheating Death fails to solve the considerable problems of writing and staging farce in an ambitious show that falls well short of expectations.

SOURCE: BroadwayWorld at 6:25am on February 27, 2019

BWW Review: THE PAPER MAN, Soho Theatre by Gary Naylor

The Paper Man starts off with the story of Austria's 1930s football hero Matthias Sindelar but swiftly dummies the Nazis and nutmegs for a narrative about the construction of narratives - an…

SOURCE: BroadwayWorld at 7:14am on February 19, 2019

BWW Review: CAN-CAN!, Union Theatre by Gary Naylor

Phil Willmott tries to rescue two shows with the plot of a third, but his show also never quite coheres, for all the energy expended by the hard-working cast.

SOURCE: BroadwayWorld at 8:05am on February 15, 2019

BWW Review: CARMEN, King's Head Theatre by Gary Naylor

The King's Head pulls off another re-imagining of a classic opera that packs plenty of punch and is a joy for newbies and old hands alike.

SOURCE: BroadwayWorld at 6:41am on February 14, 2019

BWW Review: RIP IT UP THE 60s, Garrick Theatre by Gary Naylor

Rip It Up The 60s is unabashed entertainment full of great songs, plenty of dancing and a handful of stars from Strictly.

SOURCE: BroadwayWorld at 6:51am on February 13, 2019
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