Brian James Polak Reverses Roles
This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.
This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.
The TCG executive letter in the Fall 2025 issue explores urgencies of past and present.
Grand openings for 2 theatres in 1900, milestones for 'Black Nativity' and Jane Chambers, and more.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called 'too dramatic,' and what home or belonging means in their art.
In the latest AT Education Monthly, International Thespian Society updates, post-show Denny's, fall productions, the HBCU edge, and more.
The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.
Stories of resistance from perseverant 20th century theatremakers around the world, and how they walk with us today.
A notable 1800s female playwright is born, a late 1700s actor's skull plays Yorick, and more.
You've seen heist movies, but what about a heist play? A U.S. premiere at Arizona Theatre Company turns the challenge into an advantage.
Honolulu Theatre for Youth icon 'Junior' talks about his upcoming collection of tales from the Philippines, awe and honesty in TYA, and how theatre is like surfing.
In the latest Education Monthly, a new MFA program amid a sea of closures, inspiring op-eds, fall, and more.
A former copywriter for the D.C. organization reflects on the tenuous position of arts workers under the Trump administration.
A life-changing course with Paula Vogel, San Francisco, post-grad revelations, The Kilroys, joy, and loss on this episode of "The Subtext."
Trans, nonbinary, and gender nonconforming artists weren't welcome at the stage door. They found their own way in"and they're holding the door open.
Checking in with Luis Alfaro about the end of USC's MFA in Dramatic Writing, plus other fall education updates.
By Yura Sapi, Gabriela Sanchez , Erlina Ortiz. Co-founders Gabi Sanchez and Erlina Ortiz share their journeys of co-founding Power Street Theatre; being lifelong business partners; and crea…
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
In this poem, Antu Yacob explores where she's from.
An excerpt from the script of a new work involving puppetry and projections.
A poem by our digital editor, a Brazilian artist, is this summer's editor's letter within our Immigrant Imaginations issue.
The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.
Lessons from the Global South on fugitivity and world-making in the face of empire.
After spending a week studying Tectonic Theater Project's Moment Work, a theatre teacher emerges with new tools to empower young storytellers.
This year's iteration of the innovative Psychogeographies project guides audiences through D.C. through a lens of protest.
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.