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65 stories by "Franciska Éry"

Review: Getting Better Slowly, New Diorama by Franciska Éry

Getting Better Slowly (which, cleverly, is GBS for short) is a piece created by Adam Pownall, who was affected by Guillain-Barré Syndrome. This is his story, adapted by Nick Wood into an ev…

SOURCE: A Younger Theatre at 12:02pm on October 6, 2016

Review: The Roundabout, Park Theatre by Franciska Éry

JB Priestley’s little known play The Roundabout is a light comedy about the class system in 1930s England. Richard Kettlewell (Brian Protheroe), a wealthy businessman is losing all his…

SOURCE: A Younger Theatre at 11:58am on August 29, 2016

Review: Thlides, Lion and Unicorn Theatre by Franciska Éry

Spawny John (Lydia Lakemoore) and his friend, Duck (Rosie Grundy-Orchison), an inflatable duck, are sitting halfway down a Butlins water slide, eating and chatting away. They are frequently …

SOURCE: A Younger Theatre at 11:56am on August 27, 2016

Review: Air play, Southbank Centre by Franciska Éry

The curtains open and we see a man holding on to a huge piece of light fabric, dancing in the air, moved by a circle of fans. The wonder begins and I suddenly feel like a child again, recept…

SOURCE: A Younger Theatre at 2:18pm on August 11, 2016

Review: Ron Arad's Curtain Call, Roundhouse by Franciska Éry

Virtual Reality is in vogue: we are constantly presented with numerous opportunities to be surrounded by artificial atmospheres and immersed in the experience. But if wearing goggles isnR…

SOURCE: A Younger Theatre at 1:39pm on August 10, 2016

Review: Ron Arad's Curtain Call, Roundhouse by Franciska Éry

Virtual Reality is in vogue: we are presented with numerous opportunities to be surrounded by artificial atmospheres. But if wearing goggles isn’t your thing, Ron Arad’s Curtain …

SOURCE: A Younger Theatre at 5:07pm on August 9, 2016

Review: Escape, Blue Elephant Theatre by Franciska Éry

LCP Dance Theatre’s piece, Escape, explores the journey of a refugee through aerial dance and physical theatre, responding to a very current topic. Using aerial slings, projection a…

SOURCE: A Younger Theatre at 4:12pm on August 8, 2016

Review: At the Heart of Everything, Upstairs at the Gatehouse by Franciska Éry

Nigel (Gareth Cooper) arrives at a failing further education college to replace the Deputy Head of Faculty. He join board members, a group of peculiar and dysfunctional principals and …

SOURCE: A Younger Theatre at 4:46pm on August 3, 2016

Review: Pop-Up Opera's Il Barbiere di Siviglia, Thames Tunnel Shaft by Franciska Éry

Can opera be funny, performed in a tunnel shaft, and be accessible to opera newbies? The answer to all of these is yes, and Pop-up Opera’s production of Rossini’s The Barber of S…

SOURCE: A Younger Theatre at 11:45am on June 12, 2016

Review: Show Boat, New London Theatre by Franciska Éry

Show Boat was not the first musical ever made, but it was definitely the first to introduce the form and structure of what we now know as the musical. Based on Edna Ferber’s hit novel,…

SOURCE: A Younger Theatre at 1:13pm on April 30, 2016

Review: The Flick, National Theatre by Franciska Éry

Annie Baker’s Pulitzer Prize-winning play The Flick comes to London’s National from New York, and it has a lot to say, but perhaps it is taking a bit too long to say it. Avery (J…

SOURCE: A Younger Theatre at 5:28pm on April 20, 2016

Review: Boy, Almeida Theatre by Franciska Éry

As we enter the space, Boy has already started; the actors circle around the stage on a moving travelator, sitting on invisible chairs. Following their collaboration on Game, this is directo…

SOURCE: A Younger Theatre at 6:26pm on April 13, 2016

Review: Our Brother Hamlet, Jack Studio Theatre by Franciska Éry

As they often say, in Shakespeare’s time people went to hear plays, not to see them. This is quite fitting for Julia Stubbs Hughes’ adaptation of Hamlet; a one-man show encapsula…

SOURCE: A Younger Theatre at 2:34pm on April 7, 2016

Review: Samba and Tears/Bridging the Void, RichMix by Franciska Éry

Samba and Tears and Bridging the Void is an experimental double bill interested in fusing movement and dance with multimedia. Directed and choreographed by Sivan Rubinstein, Samba and Tears …

SOURCE: A Younger Theatre at 2:24pm on April 5, 2016

Review: Princess Caraboo, Finborough Theatre by Franciska Éry

Circa 1820 a British aristocratic couple took in a poor shipwrecked girl because they thought she was a lost exotic princess from a distant kingdom. They introduced her to the high society a…

SOURCE: A Younger Theatre at 1:27pm on April 3, 2016

Review: Boxman, Vault Festival by Franciska Éry

Divorced and abandoned, ‘Boxman’ sleeps in a box in his living room. His battles with OCD and alcoholism prevent him from living a full life, until he meets Mandy, the checkout g…

SOURCE: A Younger Theatre at 12:52pm on February 28, 2016

Review: Loren O'Brien: Who?, The Vault by Franciska Éry

Who is Loren O’Brien? Is she famous? Should we just pretend to know her while we clap excitedly, waiting for her entrance? These questions are asked and answered by Loren O’Brien…

SOURCE: A Younger Theatre at 5:33pm on February 21, 2016

Review: Enveloped in Velvet, Maverick Projects Peckham by Franciska Éry

We enter the old, disused Victorian house and our photos are taken by the door while Always Look on the Bright Side of Life is playing in the background, juxtaposing with the almost depressi…

SOURCE: A Younger Theatre at 3:42pm on February 18, 2016

Review: Mirando the Gay Tempest, Jermyn Street Theatre by Franciska Éry

The award-winning Theatre North company brings a daring one-person adaptation of Shakespeare's play The Tempest to the Jermyn Street Theatre after performing around the UK and Europe. The pe…

SOURCE: A Younger Theatre at 4:48pm on February 16, 2016

Review: Lulu, Silk Street Theatre by Franciska Éry

Frank Wedekind’s Earth Spirit and Pandora’s Box, also known as the ‘Lulu plays’ explore the power of sexuality and seduction while truly pushing the envelope in terms…

SOURCE: A Younger Theatre at 3:21pm on November 28, 2015

Review: The Body, Barbican by Franciska Éry

I have a heart monitor stuck onto my chest and an incredibly realistic baby doll in my arms. This is The Body, Nigel Barrett and Louise Mari’s innovative production, featuring live-fee…

SOURCE: A Younger Theatre at 9:44am on November 22, 2015

Review: Baddies: The Musical, Unicorn Theatre by Franciska Éry

Baddies: The Musical is Nancy Harris and Marc Teitler’s passion project that not only shows a different side to classical fairytale villains, but also challenges the definitions of goo…

SOURCE: A Younger Theatre at 7:45pm on November 12, 2015

Review: Zone of Silence, Belarus Free Theatre (Secret Location) by Franciska Éry

What do we know about Belarus? I personally did not know enough, apart from its geographical position, some scattered pieces of information from the media and a couple of Eurovision songs. C…

SOURCE: A Younger Theatre at 6:51pm on November 9, 2015

Review: Immaculate, Tea House Theatre by Franciska Éry

Mia (Laura Dean) is pregnant, and she has no idea how or why. Ever since she broke up with Michael (Colin James), she hasn’t had sex, yet here she is, heavily pregnant. When the angel …

SOURCE: A Younger Theatre at 4:38pm on October 10, 2015

Review: Genesis, Sadler's Wells by Franciska Éry

Sidi Larbi Cherkaoui’s and Yabin Wang’s Genesis a piece on creation, nature and humanity. It aims to tackle several themes at once, investigating the DNA, observing the human bod…

SOURCE: A Younger Theatre at 9:02am on September 30, 2015
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