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1,115 stories by "FRANK SCHECK"

It's a very Gouda choice for the kids by Frank Scheck

You may want to think twice before tak ing your children to see "The Tragical Life of Cheeseboy": This exquisitely performed piece is so enchanting, they may never be content with your simpl…

SOURCE: The New York Post Subscription at 11:08pm on May 4, 2011

Review: The School for Lies by Frank Scheck

Playwright David Ives has clearly had a ball adapting Moliere for his screwball verse comedy The School for Lies, and his enjoyment is infectious. Retaining the basic characters, situations …

SOURCE: Scheck on the Arts at 5:51am on May 4, 2011

'Future' apocalyptic satire now by Frank Scheck

The stock market's crashed. The Chinese have taken over. And "the world is falling apart." No, it's not Donald Trump's latest rant -- it's "Future Anxiety," an apocalyptic satire at the F…

SOURCE: The New York Post Subscription at 10:30pm on May 2, 2011

Review: The People in the Picture by Frank Scheck

A musical whose themes encompass the Holocaust and Alzheimer’s disease doesn’t exactly qualify as a feel good experience. That’s perfectly fine—there’s plenty o…

SOURCE: Scheck on the Arts at 4:14am on April 29, 2011

Review: The Normal Heart by Frank Scheck

It may be a time capsule of a play, but the sterling new Broadway revival of Larry Kramer’s The Normal Heart reveals that it has lost none of its urgency or power. A semi-fictionalized…

SOURCE: Scheck on the Arts at 6:12am on April 28, 2011

Review: Baby It's You! by Frank Scheck

You can’t say that the new musical Baby It’s You! is shy about its intentions. In the opening moments of this show about the mega-selling ‘60s girl group The Shirelles, an …

SOURCE: Scheck on the Arts at 6:10am on April 28, 2011

Review: The House of Blue Leaves by Frank Scheck

In his revelatory production of Thornton Wilder’s Our Town, director David Cromer unearthed the darkness underlying a play that is usually presented as a paean to a more innocent Ameri…

SOURCE: Scheck on the Arts at 5:55am on April 26, 2011

Review: Born Yesterday by Frank Scheck

The title of Garson Kanin’s play proves all too accurate with the new Broadway revival of Born Yesterday. This comedy about a crooked businessman in cahoots with corrupt politicians ma…

SOURCE: Scheck on the Arts at 5:23am on April 25, 2011

Broadway Expands its Stage With Movie Theater Shows by Frank Scheck

If you can't come to Broadway, Broadway is going to come to you.That's the philosophy behind the upcoming nationwide movie theater showings of two current Broadway shows.

SOURCE: Backstage at 1:27am on April 25, 2011

Review: Jerusalem by Frank Scheck

Considering his brilliant comic turn earlier this season in the revival of La Bete and now his titanic performance in Jez Butterworth's new play Jerusalem at the same theater, we might as we…

SOURCE: Scheck on the Arts at 7:45am on April 22, 2011

Review: Sister Act by Frank Scheck

There’s fun, if not musical comedy heaven, to be found in Sister Act, the new Broadway musical adaptation of the hit 1992 movie starring Whoopi Goldberg. Featuring plenty of talent bot…

SOURCE: Scheck on the Arts at 10:32am on April 21, 2011

Review: Clint Holmes by Frank Scheck

The charismatic performer delivers a wonderfully entertaining show at Feinstein's at Loews Regency.

SOURCE: TheaterMania at 9:58am on April 20, 2011

Review: High by Frank Scheck

That former sexpot Kathleen Turner, who so memorably raised temperatures in such films as Body Heat and Crimes of Passion, has become a formidable presence in middle age. Her body thickened …

SOURCE: Scheck on the Arts at 6:33am on April 20, 2011

Review: Sleep No More by Frank Scheck

Attention, theatergoers. Sitting in a seat and watching a show is so yesterday.   The truth of that statement is well demonstrated by Sleep No More, the wonderfully immersive theatrica…

SOURCE: Scheck on the Arts at 5:53am on April 19, 2011

Nothing novel in this comedy by Frank Scheck

Heavy drinking, vicious cat fights and some hot girl-on- girl action would seem the perfect ingredients for a reality TV show. That all that and more are perpetrated by a women's book clu…

SOURCE: The New York Post Subscription at 12:41am on April 19, 2011

Review: Wonderland by Frank Scheck

Down the rabbit hole indeed.   Wonderland is the sort of horrifically bad Broadway musical that doesn’t come along too often these days. Based on-- you guessed it—AliceR…

SOURCE: Scheck on the Arts at 6:26am on April 18, 2011

'Western' circus a gold mine by Frank Scheck

The Wild West gets even wilder in "Boom Town," the new children's show by the clever Cirque Mechanics troupe. It's set in an 1860s mining town that's literally a springboard for circus ac…

SOURCE: The New York Post Subscription at 10:54pm on April 15, 2011

Review: War Horse by Frank Scheck

Stage wonders of the most magisterial sort are delivered in War Horse, the hit London production that has been remounted by the Lincoln Center Theater. This epic drama about the bond between…

SOURCE: Scheck on the Arts at 5:45am on April 15, 2011

A puppetry team Equus to the task by Frank Scheck

There are puppets, and then there's Joey -- the tail-flicking, snorting, galloping star of "War Horse." It's almost impossible to believe he's just cane and cloth and metal. "It's up-t…

SOURCE: The New York Post Subscription at 11:14pm on April 14, 2011

Review: The Motherf**ker With the Hat by Frank Scheck

The Motherf**ker With the Hat has at least two things going for it right off the bat. The first is that marvelously profane--albeit generally unprintable--title. The second is the coup of ha…

SOURCE: Scheck on the Arts at 5:21am on April 12, 2011

Drama's not all the rage by Frank Scheck

You'll never hear "What a Friend We Have in Jesus" the same way again after seeing "Born Bad." The traditional gospel hymn takes on ominous overtones in this frustratingly abstract drama abo…

SOURCE: The New York Post Subscription at 11:07pm on April 10, 2011

Take advantage of rich 'Benefactors' by Frank Scheck

Basuto Road. That South London address is con stantly invoked like a mystical chant in Michael Frayn's "Benefactors," now receiving a sterling revival by the Keen Company. This bleak 1984 co…

SOURCE: The New York Post Subscription at 10:05pm on April 8, 2011

Review: Can't Help Lovin' by Frank Scheck

Tony Award winner Lonette McKee's new cabaret show at the Oak Room offers both lustrous singing and awkward patter.

SOURCE: TheaterMania at 10:00pm on April 6, 2011

Promising performance a keeper by Frank Scheck

'I made her a promise, I will not speak," the central character repeatedly vows in Douglas Maxwell's play "The Promise." But speak she does -- and for 90 engrossing minutes, Joanna Tope d…

SOURCE: The New York Post Subscription at 1:15am on April 5, 2011

'Tomorrow' is only day-to-day by Frank Scheck

With all the relationship dramas and mu sicals playing out on city stages, it's a wonder couples' therapists have anything left to do. New case in point: the York Theatre Company's "Tomor…

SOURCE: The New York Post Subscription at 10:45pm on March 30, 2011
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