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1,115 stories by "FRANK SCHECK"

Review: Through a Glass Darkly by Frank Scheck

Through a Glass Darkly, the theatrical adaptation of Ingmar Bergman’s 1961 film being presented by the Atlantic Theater Company, demonstrates how much his work depended on the brillian…

SOURCE: Scheck on the Arts at 4:29am on June 7, 2011

Review: Lysistrata Jones by Frank Scheck

The award-winning Transport Group has lately been living up to its name, presenting site-specific revival of such works as The Boys in the Band and Hello Again in lofts in Chelsea and Soho r…

SOURCE: Scheck on the Arts at 6:16am on June 6, 2011

Optimal 'Illusion' is well worth seeing by Frank Scheck

A wide-eyed wonder at the magic of the ater and a jaundiced view of romance form one of the intriguing contradictions at the heart of "The Illusion." Written by Tony Kushner in the late '…

SOURCE: The New York Post Subscription at 11:12pm on June 5, 2011

Review: The Best Is Yet to Come: The Music of Cy Coleman by Frank Scheck

The Best is Yet to Come: The Music of Cy Coleman, the new musical revue inspired by the famed composer of such Broadway hits as Sweet Charity, Barnum, City of Angels and many others, raises …

SOURCE: Scheck on the Arts at 5:52am on June 3, 2011

Norbert Leo Butz, starring in Broadway's 'Catch Me If You Can,' may win a Tony - NYPOST.com by Frank Scheck

For much of "Catch Me If You Can," Norbert Leo Butz plays a paunchy, arthritic FBI agent -- until he morphs into a singing, dancing dynamo. That showstopper, "Don't Break the Rules," may we…

SOURCE: The New York Post Subscription at 10:21pm on June 2, 2011

He catches hold of something good by Frank Scheck

For much of "Catch Me If You Can," Norbert Leo Butz plays a paunchy, arthritic FBI agent -- until he morphs into a singing, dancing dynamo. That showstopper, "Don't Break the Rules," may …

SOURCE: The New York Post Subscription at 11:24pm on June 1, 2011

Wild West musical is a barely OK chorale by Frank Scheck

The legendary gunfight at the O.K. Corral reportedly lasted 30 seconds. "I Married Wyatt Earp" goes on 2½ hours longer. Thomas Edward West and Sheilah Rae's new musical has an intrigui…

SOURCE: The New York Post Subscription at 12:45am on June 1, 2011

Reviews: Knickerbocker & Cradle and All by Frank Scheck

Two new Off-Broadway comedies demonstrate that the current crop of playwrights is clearly grappling with parenthood issues. Both Jonathan Marc Sherman’s Knickerbocker and Daniel Goldfa…

SOURCE: Scheck on the Arts at 12:07am on May 26, 2011

Review: It's Maye In May! by Frank Scheck

Marilyn Maye's not-to-be-missed new show at Feinstein's at Loews Regency shows off her vibrancy, youthfulness, and emotional range.

SOURCE: TheaterMania at 10:00am on May 25, 2011

Not a 'shore' thing by Frank Scheck

Like the naughty activ ity for which it's named, "Sex on the Beach" can be fun, but can also cause irritation. That's certainly true of this one-man show depicting the lives of three sex …

SOURCE: The New York Post Subscription at 11:07pm on May 24, 2011

Hard one-acts to follow (not in a good way) by Frank Scheck

It's a depressing sign of the times that the only affecting work in the Ensemble Studio Theatre's "Marathon 2011: Series A" was written more than three decades ago. In a fitting tribute t…

SOURCE: The New York Post Subscription at 10:49pm on May 23, 2011

Review: By the Way, Meet Vera Stark by Frank Scheck

Lynn Nottage’s new comedy couldn’t be more different from her last effort, the Pulitzer Prize winning, Rwanda-set Ruined. A satirical portrait of the subservient roles assigned t…

SOURCE: Scheck on the Arts at 5:56am on May 23, 2011

Review: A Minister's Wife by Frank Scheck

A little show called My Fair Lady provides ample demonstration that the works of George Bernard Shaw are certainly ripe for musical treatment. But the latest attempt, A Minister’s Wife…

SOURCE: Scheck on the Arts at 3:15am on May 20, 2011

11th plague of Egypt by Frank Scheck

'Prepare yourself for a modern classic," says a soothsayer at the start of "The Sphinx Winx," before adding: "Eat your heart out, Shakespeare." The Bard has nothing to worry about. Neithe…

SOURCE: The New York Post Subscription at 12:33am on May 19, 2011

Play grounds by Frank Scheck

Even if you're not usually moved by Shakespeare, you will be this summer " literally. From July 6 to 24, the New York Classical Theatre will shuttle theatergoers between England and France …

SOURCE: The New York Post Subscription at 1:30am on May 17, 2011

Melodramatic script goes over the top by Frank Scheck

'Tearing Down the Walls" is the latest work from Daniel Beaty, who has enjoyed considerable success with such solo plays as "Emergence-See!" and "Through the Night." But this musical about t…

SOURCE: The New York Post Subscription at 12:45am on May 17, 2011

The chance he's been 'weight'-ing for by Frank Scheck

Ryan O'Connor eats his feelings. And judging by his size, he has a lot of feelings, as he is the first to admit. The 29-year-old performer has used his lifelong addiction to food to launc…

SOURCE: The New York Post Subscription at 11:00pm on May 15, 2011

Study in media-crity by Frank Scheck

You feel as if you've stumbled onto a rave when you enter the theater for the Irondale Ensemble's "Murrow's Boys." The young cast members are dancing happily to techno music, and invite you …

SOURCE: The New York Post Subscription at 11:32pm on May 13, 2011

Fails to go forth and Prospero by Frank Scheck

One of the most pow erful moments in all of Shakespeare's plays occurs at the conclusion of "The Tempest," when the aging magician Prospero renounces his otherworldly powers. But it only wor…

SOURCE: The New York Post Subscription at 10:50pm on May 11, 2011

Review: Lena: A Lovesome Thing by Frank Scheck

Nnenna Frelon's new tribute show at Feinstein's at Loews Regency showcase her goregous voice and emotional expressiveness.

SOURCE: TheaterMania at 10:30am on May 11, 2011

Puppets take Neverland by Frank Scheck

We're so used to sunny versions of "Peter Pan" that the darkness of "Peter and Wendy" comes as a shock. Based on J.M. Barrie's 1911 novelization of his play, this is a richer, deeper telling…

SOURCE: The New York Post Subscription at 1:36am on May 11, 2011

Review: King Lear by Frank Scheck

Most actors play King Lear as an imperial monarch, the better to contrast with the character’s subsequent descent into madness. But in the new production of the play at the Brooklyn Ac…

SOURCE: Scheck on the Arts at 5:40am on May 10, 2011

Unfocused tribute a bit Vega by Frank Scheck

Ever since she saw her photo on a book jacket as a teen, Suzanne Vega's been obsessed with Carson McCullers. Sadly, that passion surfaces only occasionally in "Carson McCullers Talks About L…

SOURCE: The New York Post Subscription at 11:34pm on May 9, 2011

Review: Julia by Frank Scheck

That life doesn’t always offer the opportunity to neatly right past wrongs is a promising theme for a drama. Too bad, then, that Julia squanders it.       The centr…

SOURCE: Scheck on the Arts at 6:08am on May 9, 2011

Review: The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures by Frank Scheck

If the title of Tony Kushner’s new play premiere puts you off, wait until you actually sit through it. The overlong and overstuffed The Intelligent Homosexual’s Guide to Capitali…

SOURCE: Scheck on the Arts at 5:56am on May 6, 2011
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