40 stories by "Eve Bromberg"
Former editor Eve Bromberg in conversation with dance critic Marina Harss, a transcription of CULTUREBOT's January live event.
I learned of David Henry Hwang’s plans to revisit his 2002 musical Flower Drum Song from Mark Harris’ October 2025 profile in New York Times Magazine. Hwang, in addition to […]
Editor Eve Bromberg in conversation with Ayun Halliday and Greg Kotis, founders of Theater of the Apes whose new musical I AM NOBODY premiered April 6th at Magnet Theater.
Henry Darger was a janitor and dishwasher by day, and in the confines of his home, a writer and artist by night. His landlord discovered his oeuvre after Darger, in […]
A profile on Dasha Schwartz, founder and creative director of Cardboard Stage, and former ballerina with The Dutch National Ballet and Alberta Ballet.
Editor Eve Bromberg in conversation with director Anne Kaufman about the revival of YOU GOT OLDER currently playing at The Cherry Lane Theater.
Editor Eve Bromberg in conversation with multi genre artist Danielle Durchslag on her upcoming exhibit JEWESS, opening March 13th at La Mama Galleria.
Editor Eve Bromberg in conversation with actor and playwright David Greenspan about Jerry Lieblich's WITHOUT MIRRORS opening at The Brick Theater on February 12th.
Editor Eve Bromberg in conversation with Emily Coates, Ain Gordon, and Derek Lucci about their piece "Tell Me Where It Comes From" performed at Guggenheim's Works & Process in late Novem…
Editor Eve Bromberg in conversation with writer Candance Bushnell about her upcoming performance of her one woman show "Candace Bushnell: True Tales of Sex, Success, and Sex and the City".
Editor Eve Bromberg in conversation with Playwright Kanika Asavari Vaish and Director Frankie DiCiaccio on 2nd Murderer at The Flea Theater.
Editor Eve Bromberg in conversation with choreographer and dance scholar Richard Move on their BAM debut of Martha@BAM, part of the 2025 Next Wave Festival.
Claudia Hilda is a dancer, choreographer, and creator of visual narratives from Cuba. Creating highly gestural scores, Hilda relies on the body to bring narratives. The body becomes storytel…
 In Family (2013), a group of three half-siblings live together in their childhood home awashed with the traces of abuse withstood by their mothers at the hands of their father. One …
In mid May, I sat down with choreographer Emily Johnson and scholar Kai Recollet to discuss their ongoing "kinstillatory fires" project"gatherings that bridge dance, decolonial practices…
Site specific work is notoriously hard to justify. Dramaturgically, the decision to stage a play any location other than a stage can often collapse into a gimmick: a sparkly choice without m…
 Sitting down to work this afternoon, I selected to play my "On Repeat" playlist on Spotify: a selection of songs, continuously played, curated both by and for me. As I started this …
There's a special type of actor who dwells in New York. Perhaps they've done film work" they're most likely still receiving residuals from Law and Order" but their primary dedication is to t…
When Deep Blue Sound announced its residence at The Public Theater, the playwrights in my MFA program were thrilled. Their response gave me an inkling as to what kind of playwright Abe Koogl…
The musical Rent plays an important role not only in the history of American musical theatre, but also in the lives, hearts, and minds of that special class of earnest young people: The Thea…
I first heard Isabel Monk Cade read her essay My Way"which has since become, through a collaboration with director Joy Donze, a fully-staged solo show" as part of The Dogtown Reading Series …
When I scheduled my interview with Jerry Lieblich and Paul Lazar"in preparation for the latest run of The Barbarians, Jerry Lieblich's unfurling meditation on rhetoric and power (and the pow…
"It couldn't happen here" was the reaction most theater-goers had to the news of the closing of the East Village's The Connelly Theater by the building's landlord: The Roman Catholic Archdio…
Trump's second presidency will change our lives, though the details of how are not yet clear. This was on playwright Jonathan Spector's mind the morning of November 8th ahead of the Broadway…
One of the miraculous things about New York City is how much goes on without your ever knowing about it. Every day a piece of art is made, a performance is rehearsed and mounted, or a writer…
