BWW Review: YOUNG FRANKENSTEIN, Garrick Theatre by Emma Watkins

Mel Brooks' Young Frankenstein has officially burst into the West End. Based firmly on the movie, also by Brooks, it's brilliantly kitsch, wholly unsubtle and very, very funny.

BWW Review: THE LIE, Menier Chocolate Factory by Emma Watkins

Following their production of The Truth, also by Florian Zeller, the Menier Chocolate Factory, director Lindsay Posner and translator Christopher Hampton have teamed up again for the English…

Meet The New West End Cast Of WICKED! by Emma Watkins

A major cast change in a long-running musical means it's time for a return visit The latest Wicked cast took over on 24 July, and BroadwayWorld chatted to several of them after a recent perf…

BWW Review: THE MAJORITY, National Theatre by Emma Watkins

BWW Review: GANGSTA GRANNY, Garrick Theatre by Emma Watkins

Gangsta Granny, Birmingham Stage Company's production of David Walliams' bestselling children's book, has arrived in the West End following a long-running UK tour. Suitable for kids aged 5 a…

BWW Review: BREXODUS! THE MUSICAL, The Other Palace (Studio) by Emma Watkins

Even if you're not in the UK you'd have to have been living under a rock for the past couple of years to have missed the headlines about Brexit. It was inevitable that it would eventually le…

BWW Review: iAm 4.0, Playground Theatre by Emma Watkins

Specialised in immersive and participatory community theatre, the award-winning charity SPID Theatre has developed iAm 4.0, a thought-provoking hour in which the audience take a certain amou…

BWW Review: TERROR, Lyric Hammersmith by Emma Watkins

With searingly topical timing, this summer sees the Lyric Hammersmith presenting the UK premiere of Terror, a tense courtroom drama by German lawyer and writer Ferdinand von Schirach which h…