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48 stories by "Emily May"

Review: Ballet Black: Triple Bill, Theatre Royal Stratford East by Emily May

Ballet Black, founded by Cassa Pancho in 2001, aims to provide dancers of Black and Asian descent with inspiring opportunities in Classical Ballet. It is an unfortunate fact that classical b…

SOURCE: A Younger Theatre at 11:16am on October 8, 2016

Review: Carlos Acosta: The Classical Farewell, Royal Albert Hall by Emily May

Carlos Acosta, world famous Cuban ballet prodigy is hanging up his ballet shoes and bidding farewell to the demands of Classical performance. It feels as if he's been saying goodbye forever,…

SOURCE: A Younger Theatre at 11:05am on October 6, 2016

Review: Natalia Osipova Triple Bill, Sadler's Wells by Emily May

Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commissioned programme. Supported by…

SOURCE: A Younger Theatre at 2:15pm on October 3, 2016

Review: The Dream Factory, The Little Angel Theatre by Emily May

"In a land where anything is possible, no imagination is too big for our dream factory.  Not even yours." This is the claim made by House of Stray Cats in the description of their latest …

SOURCE: A Younger Theatre at 9:21am on September 19, 2016

Review: Gallows Rope, Bread and Roses Theatre by Emily May

Gallows Rope seeks to explore issues peculiar to twenty-first century London. Solitary existence, overpopulation, and Londoner's inability to communicate with people sat opposite them are…

SOURCE: A Younger Theatre at 4:12pm on September 18, 2016

Review: punkplay, Southwark Playhouse by Emily May

Upon entry I'm handed a badge. "Dreams are free motherfuckers" it says, setting the tone for the evening's proceedings. The UK premiere of punkplay at the Southwark Playhouse aims – as…

SOURCE: A Younger Theatre at 2:21pm on September 11, 2016

Review: How to Date a Feminist, Arcola Theatre by Emily May

As I walk into the Arcola Theatre for my latest review, I jokingly contemplate that How to Date a Feminist would be the perfect first date for proud gender egalitarians such as myself. What …

SOURCE: A Younger Theatre at 7:28am on September 10, 2016

Review: Hindle Wakes, Upstairs at the Gatehouse by Emily May

Stanley Houghton's Hindle Wakes is a microcosmic play that explores macrocosmic issues. The setting of two domestic locations in a provincial Lancashire mill town provides an anachronistic p…

SOURCE: A Younger Theatre at 1:22pm on June 29, 2016

Review: Macbeth, Shakespeare's Globe by Emily May

Many of us seated (and indeed standing) could not have predicted the significance of watching Macbeth in the Globe on the eve of 23 June 2016. Shakespeare's play exploring political turbulen…

SOURCE: A Younger Theatre at 3:00am on June 28, 2016

Review: The Burning Gadulka, The Drayton Arms Theatre by Emily May

The gadulka. What is a gadulka? I'm still not sure even as I leave The Drayton Arms Theatre after having watching an hour long monologue that intends to explore the traditional Bulgarian fol…

SOURCE: A Younger Theatre at 5:15pm on June 16, 2016

Review: WATCH OUT festival, Cambridge Junction by Emily May

When one sees an advert for an experimental theatre festival, it is always uncertain how "experimental" the pieces presented will be. Will they merely explore new possibilities within the re…

SOURCE: A Younger Theatre at 4:31pm on May 31, 2016

Review: Devilish! , The Landor Theatre by Emily May

Devilish!'s writer and lyricist Chris Burgess claims that his most recent work takes inspiration from a John Ruskin quotation, HG Wells' The Wonderful Visit, and Bruegel's famous depiction o…

SOURCE: A Younger Theatre at 2:45pm on May 11, 2016

Review: A Midsummer Night's Dream, The Globe Theatre by Emily May

I defy anyone to enter Shakespeare's Globe and not experience a sense of wonder, tradition and dramatic energy. As I sit down on my wooden bench in the middle gallery and gaze around the cir…

SOURCE: A Younger Theatre at 4:37am on May 7, 2016

Review: The Lovers of Viorne, The Theatre Room by Emily May

Frontier Productions is a recently founded theatre company with a unique mission statement. It aims to open doors for actors in their sixties and seventies, and provide creative theatre role…

SOURCE: A Younger Theatre at 7:45pm on May 6, 2016

Review: Tannhäuser, Royal Opera House by Emily May

Opera. A genre that in contemporary society many view as restricted for musical experts and the elite upper classes. However, The Royal Opera's current reimagining of Wagner's Tannhäuser (1…

SOURCE: A Younger Theatre at 4:13pm on April 27, 2016

Review: Bards Without Borders, Rich Mix Theatre by Emily May

As I enter the main space at the Rich Mix Theatre, Shoreditch, loud Balkan music permeates the auditorium. There's an open bar in the theatre space, and an infamous portrait of Shakespeare i…

SOURCE: A Younger Theatre at 4:08pm on April 24, 2016

Review: She Said, Sadler's Wells by Emily May

In a recent, controversial statement, contemporary choreographer Akram Khan declared that we should not encourage rising numbers of female choreographers "for the sake of it." Many people ha…

SOURCE: A Younger Theatre at 6:28am on April 17, 2016

Review: Gatsby, Union Theatre by Emily May

I'm sitting in the Union Theatre bar with a glass of Merlot, and within a matter of seconds I am transported back to the Roaring Twenties. Members of the ensemble cast burst into the foyer, …

SOURCE: A Younger Theatre at 6:26pm on April 13, 2016

Review: Snow White, Sadler's Wells by Emily May

Whether it's the traditional fairytale by the Brothers Grimm, or Disney's 1937 film adaptation, we are all familiar with the classic narrative of Snow White and the Seven Dwarves. What many …

SOURCE: A Younger Theatre at 6:56pm on March 26, 2016

Review: Women Redressed, Arcola Theatre by Emily May

Women Redressed is a festival of theatrical brainstorming, combining the work of up-and coming-playwrights with that of more established writers. It is a programme of nine works, qualifying …

SOURCE: A Younger Theatre at 8:01pm on March 21, 2016

Review: Dissonance, Camden People's Theatre by Emily May

As the lights dim in the intimate venue of Camden People's Theatre, three actors enter the space and stare at the audience. Faint smirks are visible on their faces as they subsequently revea…

SOURCE: A Younger Theatre at 4:46pm on March 21, 2016

Review: Golgota, Sadler's Wells by Emily May

As we enter the theatre, a performer dressed in chorister's robes repetitively enters and exits the performance space, on each entry lighting a candle placed on a centre-stage lectern. He co…

SOURCE: A Younger Theatre at 4:14pm on March 16, 2016

Review: The Box, The London Palladium by Emily May

There can be certain scepticism amongst theatre goers surrounding companies or acts that arise as a product of popular television talent competitions, a snobbery that I myself am often guilt…

SOURCE: A Younger Theatre at 3:03pm on March 13, 2016
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