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59 stories by "Ellen Carr"

Brighton Fringe Review: Late Night Love, The Marlborough Theatre by Ellen Carr

Absurdity is not that abundant in British theatre, and so I applaud Eggs Collective for bringing it back with Late Night Love. The show is inspired by the confessional radio show of the same…

SOURCE: A Younger Theatre at 4:31pm on May 31, 2016

Brighton Fringe Review: The Book Binder, Sweet Dukebox by Ellen Carr

The first piece of theatre I ever saw was The Snowman and it was the magic of seeing someone flying on stage that drew me in to theatre. I still love the magic of theatre, but it isn't the t…

SOURCE: A Younger Theatre at 4:08pm on May 25, 2016

Brighton Festival Review: Our Ladies of Perpetual Succour, Theatre Royal Brighton by Ellen Carr

It is sad that it's still rare to see a stage dominated by women, so I'm pleased the cast of Our Ladies of Perpetual Succour dominated in the way they did. The six young women have an infect…

SOURCE: A Younger Theatre at 6:33am on May 22, 2016

Brighton Fringe Review: Leaving Home Party, Latest 7 Music Bar by Ellen Carr

Catherine Ireton has a disarming voice and in Leaving Home Party she uses it to tell the story of how she left home, returned, and left again. Her personal story is used to explore the notio…

SOURCE: A Younger Theatre at 6:33am on May 22, 2016

Brighton Festival Review: Can I Start Again Please, Brighton Dome by Ellen Carr

Can I Start Again Please is a challenging performance about the capacity of language to represent traumatic experience, particularly childhood sexual abuse. It is never going to be an easy w…

SOURCE: A Younger Theatre at 6:28pm on May 19, 2016

Brighton Fringe Review: Menkind, Rialto Theatre by Ellen Carr

Menkind by Embrace Theatre is about Barry, Alan and Martin's journey into deep space on a Starr Intergalactic Tour Capsule.  They are on a stag do, and the piece uses this to question the…

SOURCE: A Younger Theatre at 7:25pm on May 15, 2016

Brighton Festival Review: The Complete Deaths, Theatre Royal Brighton by Ellen Carr

The Complete Deaths by Spymonkey is an exercise in theatricality and endurance. To perform all of Shakespeare's 75 on-stage deaths is no mean feat, and not to be taken on lightly. That's wha…

SOURCE: A Younger Theatre at 2:08pm on May 15, 2016

Brighton Fringe Review: Echoes, The Rialto by Ellen Carr

Echoes is an evocatively written two-hander from Spitting Image writer Henry Naylor.  Interwoven monologues tell the stories of two women, separated by 175 years but united by parallels i…

SOURCE: A Younger Theatre at 5:28pm on May 10, 2016

Feature: Tackling climate change at Liverpool's Everyman Playhouse by Ellen Carr

In Liverpool a group of young people aged 16-22 are working on a play with a massive claim; The Environmentalists is the UK's first carbon neutral play. How this is possible is one of the fi…

SOURCE: A Younger Theatre at 12:03pm on February 23, 2016

Sponsored Feature: BA Performance and Creative Enterprise at Guildhall School of Music and Drama by Ellen Carr

Socially engaged, participatory work is a healthy part of any artistic practice. What is any art form without the community it serves? Even so, ArtWorks investigated the landscape for artist…

SOURCE: A Younger Theatre at 2:28pm on February 11, 2016

Review: Talking Posts, The Old Market by Ellen Carr

The art of storytelling is about as old as the human race, and ghost stories always have and always will prove popular. Digital-mapping experts Share Space & Light have cleverly tapped i…

SOURCE: A Younger Theatre at 3:59pm on September 19, 2015

Review: [data]Storm, The Old Market, Brighton Digital Festival by Ellen Carr

Ready Salted Code's [data]Storm is a technological ballet where programme notes tell me that "classical ballet and computing collide". The production's visuals and choreography "use Me…

SOURCE: A Younger Theatre at 4:09am on September 16, 2015

Review: The Cube, The Old Market by Ellen Carr

Remember the first time you got absorbed in a book and the whole world came to life in your head? That same awe and imaginative glee is to be found in Circa 69's The Cube. Blending Unity 3D …

SOURCE: A Younger Theatre at 10:04am on September 14, 2015

Feature: Re-wiring theatre for the digital age by Ellen Carr

As it becomes harder to remember a time when 'Google' wasn't a verb, questions are being asked about how our new technological landscape is changing the neuronal pathways in our brains. So w…

SOURCE: A Younger Theatre at 4:19pm on September 1, 2015

Review: SICK! Festival: Lippy, The Old Market by Ellen Carr

Dead Centre's acclaimed production Lippy is a nightmarish production that teeters on the brink of comprehension. 14 years ago four female relatives in a small Irish town decided to die. T…

SOURCE: A Younger Theatre at 3:56pm on March 23, 2015

Feature: Comedy in the horror of Theresienstadt by Ellen Carr

Comedy isn't a genre we tend to place alongside art about the Holocaust, but in Theatre in the Theresienstadt Ghetto the two go hand in hand. This collection of plays to be performed in Febr…

SOURCE: A Younger Theatre at 7:20am on January 27, 2015

Feature: Alex Brown " "There is no one route into directing" by Ellen Carr

Photo credit Helen Murray Alex Brown began directing plays whilst studying at the University of Sussex and since graduating his career has flourished. Currently he is Associate Director on G…

SOURCE: A Younger Theatre at 4:35pm on January 7, 2015

Feature: Circus Incognitus " everyday circus? by Ellen Carr

Jamie Adkins is a clown. Not the white-faced big-shoed kind that makes children cry, but just an "ordinary man". His show, Circus Incognitus, playing Edinburgh this month, is so called becau…

SOURCE: A Younger Theatre at 5:06am on August 8, 2014

Feature: Edinburgh preview " Molly Naylor by Ellen Carr

Imagine running into an old teenage friend in a sauna. How would you react? Hiding " as writer, performer and spoken word artist Molly Naylor did " is an option many of us would probably con…

SOURCE: A Younger Theatre at 7:18am on July 17, 2014

Brighton Fringe Review: Yes No Maybe, Marlborough Theatre by Ellen Carr

Paperfeet Theatre's Yes No Maybe at the Marlborough Theatre is one of the physical theatre offerings at Brighton Fringe. Described as "a compelling piece of physical theatre exploring our ev…

SOURCE: A Younger Theatre at 6:23am on June 1, 2014

Brighton Fringe Review: 366 Days of Kindness, Spiegeltent by Ellen Carr

(5/5 Stars) I've often come out of the theatre inspired to live life differently; but whether I've felt upset at the state of the world or spurred on to make a change I've never seen anythin…

SOURCE: A Younger Theatre at 4:30am on May 21, 2014

Brighton Fringe Review: Bitch Boxer, The Old Market by Ellen Carr

(3/5 Stars) Ever since Quentin Tarantino's Raging Bull we've known boxing stories can be about a lot more than just boxing. Snuff Box Theatre's Bitch Boxer sits somewhere between Tarantino's…

SOURCE: A Younger Theatre at 6:06am on May 17, 2014

Brighton Fringe Review: Quartet, Latest Music Bar by Ellen Carr

(1/5 Stars) Heiner Muller's works are not known to be the easiest to comprehend, watch and " I'm sure " work on. Muller is renowned for his complex, dense and poetic works and has often been…

SOURCE: A Younger Theatre at 2:57pm on May 15, 2014

Brighton Festival: Gym Party, Brighton Dome by Ellen Carr

(4/5 Stars) Made in China's Gym Party is about winning; it's about being the person everybody wants to dance with, the best kisser, the richest, the person with the best upbringing, and it's…

SOURCE: A Younger Theatre at 2:20pm on May 13, 2014

Brighton Fringe Review: Finding Joy, Vamos Theatre by Ellen Carr

(4/5 Stars) Vamos Theatre's Finding Joy is an endearing, tender and playful look at what happens when a life begins to end. This full-mask performance is extremely well performed by a cast w…

SOURCE: A Younger Theatre at 1:17pm on May 13, 2014
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