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1,794 stories by "Elisabeth Vincentelli"

The life of the party by Elisabeth Vincentelli

Jo sure knows how to play party games. "I am your wife, and I am dying," she snaps at her husband, Sam, during a round of 20 Questions, while their guests look elsewhere. That's one way to p…

SOURCE: The New York Post Subscription at 10:22pm on March 5, 2012

All signs point to 'Tribes' by Elisabeth Vincentelli

There's so much going on in the new off-Broadway show "Tribes" that it's almost overwhelming: intellect and sentiment, love and cruelty, witty zingers and biting put-downs. But in Nina Raine…

SOURCE: The New York Post Subscription at 10:38pm on March 4, 2012

'Carrie': blood lite & boring by Elisabeth Vincentelli

There are two ways to bring back a flop. The first is to believe the show was good but badly staged, and to have a visionary set things right. The "Carrie" revival that opened off-Broadway l…

SOURCE: The New York Post Subscription at 10:43pm on March 1, 2012

Parenthood musical's a bit too Rated G by Elisabeth Vincentelli

Despite what Paula Deen says, there is such a thing as too sweet. But the creators of "Rated P for Parenthood" didn't get the memo, and their musical could send unsuspecting audiences into a…

SOURCE: The New York Post Subscription at 11:24pm on February 29, 2012

You should help yourself to expert 'Assistance' by Elisabeth Vincentelli

Fun fact: After graduating from NYU, playwright Leslye Headland ("Bachelorette") briefly worked as Harvey Weinstein's personal assistant. Now, a tyrannical tycoon looms over her blistering n…

SOURCE: The New York Post Subscription at 10:41am on February 29, 2012

Takes a 'Village' to mar a kid by Elisabeth Vincentelli

The best part of Katori Hall's Broadway debut, "The Mountaintop," was the very end, when the show really took flight. Most of the time, the 30-year-old playwright seemed constricted by her s…

SOURCE: The New York Post Subscription at 10:44pm on February 27, 2012

Fatherly pain in the glass by Elisabeth Vincentelli

'life in this house is intolerable," someone moans in the terrific British family drama "Rutherford & Son," now at the Mint. But while the home's gloomy, Githa Sowerby's 1912 play is a theat…

SOURCE: The New York Post Subscription at 10:41pm on February 27, 2012

Weak atmosphere eclipses astronomer's tale by Elisabeth Vincentelli

If the skies had looked the way they do in Bertolt Brecht's "Galileo," which just opened at Classic Stage Company, the famous Italian astronomer may never have looked up a telescope. It's as…

SOURCE: The New York Post Subscription at 11:49pm on February 23, 2012

'Early' O'Neill at sea by Elisabeth Vincentelli

Don't let the author's name throw you: Though these "Early Plays" are by Eugene O'Neill, these aren't your grandmother's classics. To begin with, you can't really call the three one-act piec…

SOURCE: The New York Post Subscription at 12:42am on February 23, 2012

Enterprising Shatner Kirks up one-man show by Elisabeth Vincentelli

William Shatner makes most screen actors look like puppets with too many media-training classes. It's not as if he's a great thespian like, say, Christopher Plummer " for whom Shatner under…

SOURCE: The New York Post Subscription at 11:08pm on February 16, 2012

Fugard's slow-starting 'Knot' ties up nicely by Elisabeth Vincentelli

Athol Fugard's 1961 drama "Blood Knot" does the exact opposite of what writing manuals advise. Forget about setting the tone and the plot early on to capture the audience's attention: The ho…

SOURCE: The New York Post Subscription at 11:04pm on February 16, 2012

Not the best of 'Times' by Elisabeth Vincentelli

It had all the elements of a great thriller. A con man abuses the trust of his friends and colleagues at a big newspaper, lies about everything from his upbringing to his résumé to his sou…

SOURCE: The New York Post Subscription at 12:20am on February 16, 2012

'Ugly' truth: Play's pretty good by Elisabeth Vincentelli

'the Ugly One" may be a new play, but it has the familiar vibe of a classic "Twilight Zone" episode. Translated from the German, Marius von Mayenburg's black-humored fable about appearances …

SOURCE: The New York Post Subscription at 12:56am on February 10, 2012

Just what doctor ordered by Elisabeth Vincentelli

Poor Meena. The harried heroine of Kate Fodor's new play, "Rx," is in a funk, and no wonder: A published poet, she works in a soulless gray office as the managing editor for piggeries at Ame…

SOURCE: The New York Post Subscription at 12:46am on February 9, 2012

No escape from this absurd French caper by Elisabeth Vincentelli

The three-piece orchestra in "Ionescopade" has barely started the overture " zany percussion, wacky noisemakers " and already the whimsy-meter is in the red. You'd think you were at the Big …

SOURCE: The New York Post Subscription at 12:26am on February 6, 2012

A look at good 'Anger' management by Elisabeth Vincentelli

John Osborne's "Look Back in Anger" opened in London with a huge bang in 1956, upending staid British theater and helping usher the era of "angry young men" " smart, educated, working- or mi…

SOURCE: The New York Post Subscription at 12:38am on February 3, 2012

A transporting tale by Elisabeth Vincentelli

The new family drama "Russian Transport" isn't edgy or groundbreaking. Rather, it's a good old-fashioned delicacy: a solid yarn, well told. Playwright Erika Sheffer can be guilty of using br…

SOURCE: The New York Post Subscription at 10:39pm on January 30, 2012

Sophomoric Sophocles by Elisabeth Vincentelli

Even before Oedipus asks his daughter to identify a stranger and she calls him "some jerk-off," you know you're in for a wink-wink take on Sophocles. And so it goes, more or less, for five h…

SOURCE: The New York Post Subscription at 10:43pm on January 29, 2012

Cancer drama stays 'Wit' you by Elisabeth Vincentelli

Margaret Edson's Pulitzer Prize-winning drama "Wit" offers a lucky " and brave " actress a complex, finely detailed role that's as demanding as it is rewarding. When the play first opened of…

SOURCE: The New York Post Subscription at 10:25pm on January 26, 2012

Aimless 'Yosemite' digs tunnel to nowhere by Elisabeth Vincentelli

Daniel Talbott's new off-Broadway play, "Yosemite," starts off great. We're in the woods, among leafless trees coated with a dusting of snow. A young man " he could be in his late teens " is…

SOURCE: The New York Post Subscription at 10:23pm on January 26, 2012

Warhol, dish du jour by Elisabeth Vincentelli

A lot of off-Broadway theater makes extensive use of video nowadays. In January, the Gob Squad company offered the stunt-like "Super Night Shot," in which the actors screened footage of them…

SOURCE: The New York Post Subscription at 12:01am on January 24, 2012

He's no great Shakes by Elisabeth Vincentelli

Few actors play villains as expertly as Kevin Spacey. His gallery of memorable bad guys includes a sadistic movie producer in "Swimming With Sharks," a serial killer in "Seven" and a bullyin…

SOURCE: The New York Post Subscription at 12:03am on January 19, 2012

Luminous performers brighten 1984 'Road' by Elisabeth Vincentelli

It's pretty clear the Roundabout company is in the theater business, because its latest Broadway show, "The Road to Mecca," would have a hard time getting made in Hollywood. Forget about mu…

SOURCE: The New York Post Subscription at 10:25pm on January 17, 2012

Live, nude, funny women by Elisabeth Vincentelli

Over the past decade, Young Jean Lee has emerged as one of the most fascinating, unpredictable voices on the downtown scene. The Korean-American playwright mercilessly poked fun at Asian ste…

SOURCE: The New York Post Subscription at 10:26pm on January 16, 2012

'LEO' soars till it bores by Elisabeth Vincentelli

Video is used a lot in theater nowadays, but it's rarely as crucial to a show as it is to "LEO." In this new solo piece, we see two simultaneous versions of author/performer Tobias Wegner: …

SOURCE: The New York Post Subscription at 1:40am on January 16, 2012
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