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67 stories by "Edward Bhesania"

The Siege of Calais, Hackney Empire, London by Edward Bhesania

Hackney Empire, London: It is a reflection of English Touring Opera's enterprising outlook that the last of its three spring tour operas, Donizetti's The Siege of Calais, is receiv…

SOURCE: The Stage Registration at 5:55am on March 11, 2013

Imago, Glyndebourne Theatre, Lewes by Edward Bhesania

Glyndebourne Theatre, Lewes: Ambitious, imaginative and well executed, Imago is Glyndebourne's latest community opera. Read the full review

SOURCE: The Stage Registration at 6:20am on March 8, 2013

Cosi fan Tutte, Hackney Empire, London by Edward Bhesania

Hackney Empire, London: With its light-hearted scenario touching on suspicion, infidelity and jealousy, Cosi fan Tutte is one of the most natural contenders for updating, but director Paul H…

SOURCE: The Stage Registration at 5:51am on March 4, 2013

The Barber of Seville, Coliseum, London by Edward Bhesania

Coliseum, London: Twenty-five years since its first appearance and marking the director's 35-year presence with ENO (if only, latterly, through revivals), Jonathan Miller's Barber …

SOURCE: The Stage Registration at 5:27am on February 26, 2013

L'elisir d'amore, King's Head Theatre, Islington by Edward Bhesania

King's Head Theatre, Islington: Although still of kindergarten age, OperaUpClose has created 11 new productions. Its latest is Donizetti's bel canto comedy L'elisir d'amore (T…

SOURCE: The Stage Registration at 6:02am on February 13, 2013

Don Giovanni, Coliseum, London by Edward Bhesania

Coliseum, London: With a revival of Rufus Norris's 2006 Cabaret playing at the Savoy - another tale of decadence and moral decline - you'd expect his Don Giovanni for ENO, receivin…

SOURCE: The Stage Registration at 6:10am on October 18, 2012

Rusalka, Glyndebourne Theatre by Edward Bhesania

Glyndebourne Theatre: There can be few operatic heroines who know suffering as well as Dvorak's water nymph Rusalka, whose desire to acquire human form in order to win the love of a mor…

SOURCE: The Stage Registration at 7:07am on October 8, 2012

Don Giovanni, John McIntosh Arts Centre, The London Oratory School by Edward Bhesania

John McIntosh Arts Centre, The London Oratory School: Co-Opera Co brings together a rich crop of experienced singers and directors who pass on their experience to young professionals. This D…

SOURCE: The Stage Registration at 1:24pm on August 29, 2012

Tete a Tete: The Opera Festival - Making Arrangements/Hela's List/The Daisy Chain, Riverside Studios, London by Edward Bhesania

Riverside Studios, London: Now in its sixth year, Tete a Tete's opera fringe festival brings a typically diverse array of boundary-dissolving new pieces ranging from the novel to the ex…

SOURCE: The Stage Registration at 6:35am on August 3, 2012

La boheme, Glyndebourne, Lewes by Edward Bhesania

Glyndebourne, Lewes: Having installed a wind turbine to generate its own renewable energy, Glyndebourne Festival Opera is also recycling David McVicar's La boheme - at 12 years old, the…

SOURCE: The Stage Registration at 6:09am on June 8, 2012

Don Giovanni, Wormsley Estate, Buckinghamshire by Edward Bhesania

Wormsley Estate, Buckinghamshire: Launching Garsington Opera's second season at its new home - the airy, Japanese-inspired pavilion set in the Getty family's 2,500-acre Chilterns e…

SOURCE: The Stage Registration at 7:33am on June 6, 2012

OperaShots - Home/Sevastopol, Linbury Studio, Royal Opera House, London by Edward Bhesania

Linbury Studio, Royal Opera House, London: ROH2's OperaShots showcases first operas from composers often working on the fringes of classical music. Read the full review

SOURCE: The Stage Registration at 6:24am on April 23, 2012

Don Giovanni, Heaven, London by Edward Bhesania

Heaven, London: Mozart's Don Giovanni has traditionally proved fertile ground for updating - what could be more contemporary than a promiscuous philanderer with a conscience bypass? Re…

SOURCE: The Stage Registration at 5:46am on April 17, 2012

Rigoletto, Royal Opera House, London by Edward Bhesania

Royal Opera House, London: The orgy that launches David McVicar's production of Rigoletto, new in 2001, may have lost some of its hedonistic edge but it at least raises more of an eyebr…

SOURCE: The Stage Registration at 5:47am on April 2, 2012

Circus Tricks, Riverside Studios, Hammersmith by Edward Bhesania

Riverside Studios, Hammersmith: Tete a Tete's willingness to experiment means you can't always rely on the quality of their work, but you can pretty well guarantee an operatic curv…

SOURCE: The Stage Registration at 10:34am on March 22, 2012

Aida, Royal Albert Hall, London by Edward Bhesania

Royal Albert Hall, London: It's easy to be wary of Raymond Gubbay's 'in the round' operas at the Royal Albert Hall. The singers are miked (as is the orchestra), each show…

SOURCE: The Stage Registration at 6:33am on February 24, 2012

La Boheme, Old Vic Tunnels, London by Edward Bhesania

Old Vic Tunnels, London: Here's a Boheme with a difference. Others have updated to the present, offered contemporary translations, even shifted the audience to the bar to lend an authen…

SOURCE: The Stage Registration at 6:08am on February 14, 2012
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