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1,797 stories by "ELISABETH VINCENTELLI"

Onstage riches from poor folks in 'People' by Elisabeth Vincentelli

Gritty, tough-talking, blue- collar characters are hardly a rarity onstage. But most of the time their low cash balance is part of the background: It provides color and gives set designers a…

SOURCE: The New York Post Subscription at 11:19pm on March 3, 2011

Captivating boxing drama a ringside feat by Elisabeth Vincentelli

Boxing moves are often compared to ballet. "Beautiful Burnout" -- a high-octane show set in a boxing gym -- takes this analogy literally. The training and bouts explode on the elevated ring-…

SOURCE: The New York Post Subscription at 11:25pm on March 2, 2011

An entertaining way to get Bard by Elisabeth Vincentelli

Let's face it: You don't go to "Timon of Ath ens" expecting much -- if you go at all. Widely assumed to be co-written by Shakespeare and fellow playwright Thomas Middleton, this uneven tr…

SOURCE: The New York Post Subscription at 12:45am on March 2, 2011

Location, location, location: enter 'Hallway' by Elisabeth Vincentelli

Shared space plays a big part in Adam Rapp's new "Hall way Trilogy." It even extends to the Rattlestick Theatre itself, where the stage now runs along the entire side of the house. Hallways …

SOURCE: The New York Post Subscription at 12:19am on February 25, 2011

French Quarter tale only half-good by Elisabeth Vincentelli

Tennessee Williams would have turned 100 on March 26, and the past months have been jammed with revivals. Except we're not seeing his hits but late-period curios like "The Milk Train Doesn't…

SOURCE: The New York Post Subscription at 12:49am on February 23, 2011

Get a rush from star's insanely good turn by Elisabeth Vincentelli

There are star vehicles, and then there's "The Diary of a Madman," which is like a gold-plated, diamond-encrusted Ferrari for Geoffrey Rush. And the Australian actor -- a leading contende…

SOURCE: The New York Post Subscription at 12:30am on February 18, 2011

Staged Q&A session is a Gray area by Elisabeth Vincentelli

In the early '80s, the late mono loguist Spalding Gray created a show called "Interviewing the Audience" in which he did just that. He brought random theatergoers onstage and got them to ope…

SOURCE: The New York Post Subscription at 11:26pm on February 10, 2011

WASP-y 'Black Tie' doesn't have much sting by Elisabeth Vincentelli

The prolific A.R. Gurney has made a specialty of docu menting a certain slice of America: Northeast-based, white, middle-class families bound by a strong sense of kinship and precisely delin…

SOURCE: The New York Post Subscription at 11:56pm on February 8, 2011

Can 'Spidey' fly by Elisabeth Vincentelli

EDITOR'S NOTE: After nearly 70 previews and five delayed openings, "Spider-Man: Turn Off the Dark" has moved its official opening to March 15. Given the flurry of celebrity endorsements and …

SOURCE: The New York Post Subscription at 11:30pm on February 7, 2011

Apartheid tale a vital revival by Elisabeth Vincentelli

Although Encores! productions such as "Gypsy," "Chicago" and "Finian's Rainbow" have made it to Broadway, fans of the long-running City Center series know such transfers are beside the point…

SOURCE: The New York Post Subscription at 10:13pm on February 4, 2011

Civil War-era drama goes out on a limb by Elisabeth Vincentelli

An early scene in the new off- Broadway play "The Whip ping Man" demonstrates the devastating power of words. We're in April 1865 and the war has just ended. A young Confederate soldier, …

SOURCE: The New York Post Subscription at 12:48am on February 2, 2011

Pain brings limited gain by Elisabeth Vincentelli

Doug is a living night mare for health- insurance companies: He's more than accident-prone -- he's a lightning rod for calamities. In Rajiv Joseph's uneven play "Gruesome Playground Injur…

SOURCE: The New York Post Subscription at 11:00pm on February 1, 2011

It doesn't milk Williams' work for all it's worth by Elisabeth Vincentelli

While Tennessee Williams is acknowledged as a master, his later plays are theater's answer to the madwoman in the attic: Producers and directors either ignore them entirely, or tread gingerl…

SOURCE: The New York Post Subscription at 10:48pm on January 30, 2011

Tabloid tycoon's tale back by popular demand by Elisabeth Vincentelli

The key character in "What the Public Wants" is a driven media tycoon who reaches millions via dozens of publications. Through them, he seeks to entertain the many and influence the mighty. …

SOURCE: The New York Post Subscription at 10:55pm on January 27, 2011

Pairs: when it doesn't sizzle by Elisabeth Vincentelli

When you think about David Auburn, author of the math-and-madness hit "Proof," farce isn't the first thing that comes to mind. So his decision to overhaul "The New York Idea" -- an obscure 1…

SOURCE: The New York Post Subscription at 12:42am on January 27, 2011

Moliére timely, but defanged by Elisabeth Vincentelli

MoliÈre's dark com edy "The Misan thrope" is one of the most cynical and twisted works in the canon, and deserves to be better known in America. Maybe we need a Hollywood update to sho…

SOURCE: The New York Post Subscription at 11:36pm on January 23, 2011

One person's political journey is another's schlep by Elisabeth Vincentelli

After the critical success of his epic "The Lily's Revenge" last year, all eyes were on Taylor Mac. Amid a cast of 40, the strikingly made-up and costumed writer-performer blossomed in the r…

SOURCE: The New York Post Subscription at 12:45am on January 21, 2011

You won't want to leave 'Room' by Elisabeth Vincentelli

The new "Room 17B" is like an anthology of clown haikus -- a se ries of self-contained routines, each one brief, elegant and perfectly balanced. Presented by the physical-comedy company P…

SOURCE: The New York Post Subscription at 11:23pm on January 19, 2011

Star's not quite write by Elisabeth Vincentelli

A charismatic, seductive tycoon is key to Scott Brooks' new comedy, "ScreenPlay." Had a charismatic, seductive leading man been cast, this wan Hollywood satire might have gone somewhere. …

SOURCE: The New York Post Subscription at 1:27am on January 18, 2011

Swindler you can bank on by Elisabeth Vincentelli

Ibsen's "John Gabriel Bork man" is nowhere near as popu lar as his "Hedda Gabler" and "A Doll's House." Yet crowds are flocking to this obscure 1896 play at BAM. What gives? One reason is…

SOURCE: The New York Post Subscription at 11:37pm on January 16, 2011

'Desert' blooms by Elisabeth Vincentelli

Misery springs eternal. We've seen dozens of fictional families clash be cause of a Big Traumatic Past Event, but that didn't deter Jon Robin Baitz ("The Substance of Fire," TV's "Brothers a…

SOURCE: The New York Post Subscription at 12:36am on January 14, 2011

Heavy 'Stone' sinks by Elisabeth Vincentelli

A lot of energy is spent setting up an explo sive situation in the family drama "Blood From a Stone." But despite the efforts of a strong cast led by Ethan Hawke -- giving his best performan…

SOURCE: The New York Post Subscription at 11:45pm on January 12, 2011

Hotel-room stage a Williams wake-up call by Elisabeth Vincentelli

Location, location, location: That motto applies not only to real estate but to theater. Tennessee Williams' one-act play "Green Eyes" may be slight, but staging it in an actual hotel room -…

SOURCE: The New York Post Subscription at 12:39am on January 11, 2011

Losing her grip, in a semi-gripping drama by Elisabeth Vincentelli

When we first meet Emily Bridges in the new play "A Small Fire," she's wearing a hard hat and chewing up her second-in-command. The head of her own construction company, this no-nonsense …

SOURCE: The New York Post Subscription at 11:41pm on January 6, 2011

Fangs for nothing, 'Dracula' by Elisabeth Vincentelli

The woefully inept drama "Dracula," which opened off- Broadway last night, is as close as we get to dinner theater in New York. There's no prime rib, but plenty of grating cheese. While i…

SOURCE: The New York Post Subscription at 10:54pm on January 5, 2011
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