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1,809 stories by "ELISABETH VINCENTELLI"

'Memory' worth holding onto by Elisabeth Vincentelli

The tiny Bank Street Theatre is a freakishly appropriate place to watch the excellent new dark comedy "The Atmosphere of Memory." There's no stage to speak of; if you're sitting in the first…

SOURCE: The New York Post Subscription at 11:08pm on October 30, 2011☆⚑

Lost in translation, hilariously, amid Chinese by Elisabeth Vincentelli

If miscommunication is comedy gold, David Henry Hwang has set his new Broadway show, "Chinglish," in a veritable mine. Though he doesn't tap the vein to its full potential, there are still p…

SOURCE: The New York Post Subscription at 10:25pm on October 27, 2011☆⚑

Pot, but not a lot of plot by Elisabeth Vincentelli

If you want to score easy laughs, put a wacky dance in your play. Having characters trip on acid is another time-tested recipe. "Better safe than sorry," Jesse Eisenberg must have thought, s…

SOURCE: The New York Post Subscription at 10:24pm on October 27, 2011☆⚑

Artsy 'Cries' lacks Bergman's Swede stuff by Elisabeth Vincentelli

Imagine the exact opposite of a joy ride: That would be "Cries and Whispers," the stage adaptation of Ingmar Bergman's 1972 movie. Set in a literal house of pain, the show tracks the final …

SOURCE: The New York Post Subscription at 11:07pm on October 26, 2011☆⚑

Tent-up creativity jest right for Big Apple Circus by Elisabeth Vincentelli

There are two big circus trends nowadays. You can hit people over the head with a loud, garish, pseudo-poetic extravaganza such as Cirque du Soleil's recent "Zarkana" at Radio City Music Hal…

SOURCE: The New York Post Subscription at 11:50pm on October 24, 2011☆⚑

'Tis a far, far greater play by Elisabeth Vincentelli

A big shadow looms over Stephen Karam's lovely, surprisingly funny new play, "Sons of the Prophet." It's that of Kahlil Gibran and his best-selling collection of vague, inspirational prose p…

SOURCE: The New York Post Subscription at 11:01pm on October 23, 2011☆⚑

Honestly speaking, it's 'Relatively' unfunny by Elisabeth Vincentelli

The new Broadway anthology "Relatively Speaking" is subtitled "3 One-Act Comedies," and there's some truth to that: It is indeed made up of a trio of short plays -- by heavy-hitters Woody Al…

SOURCE: The New York Post Subscription at 10:43pm on October 20, 2011☆⚑

Fruit of the poisoned Mac by Elisabeth Vincentelli

Hell hath no fury like a geek disappointed. Example No. 3,854: "The Agony and the Ecstasy of Steve Jobs," the new solo piece by Mike Daisey. With shows such as "The Last Cargo Cult" (about m…

SOURCE: The New York Post Subscription at 10:37pm on October 17, 2011☆⚑

It's a long night's journey into King's life by Elisabeth Vincentelli

It's a stormy night in Memphis on April 3, 1968, and Martin Luther King Jr. has only a few hours left to live. Earlier that evening, he delivered his famous "I've been to the mountaintop" sp…

SOURCE: The New York Post Subscription at 10:04pm on October 13, 2011☆⚑

Tainted in broad strokes by Elisabeth Vincentelli

For her off-Broadway debut as a playwright, omnipresent actress Zoe Kazan ("Angels in America," "A Behanding in Spokane") has gone out on a limb with an extravaganza in which a telepathic ni…

SOURCE: The New York Post Subscription at 11:00pm on October 12, 2011☆⚑

Deathbed comedy generous with last laughs by Elisabeth Vincentelli

In his new play, "The Lyons," Nicky Silver pulls off a neat trick: He's written a comedy fueled almost exclusively by letdowns. An old married couple endures despite decades of encrusted res…

SOURCE: The New York Post Subscription at 10:42pm on October 11, 2011☆⚑

Frankly, Langella's co-star can't keep up by Elisabeth Vincentelli

No wonder Frank Langella makes off with the Roundabout's new revival of "Man and Boy": He's playing a crook, after all. As Gregor Antonescu -- a silver-haired, silver-tongued speculator who…

SOURCE: The New York Post Subscription at 11:09pm on October 9, 2011☆⚑

Ground-Brecht-ing by Elisabeth Vincentelli

Imagine you're a rock fan and the Rolling Stones are just making their New York debut after decades of playing Europe. Big deal, right? That's what the Berliner Ensemble's belated bow is for…

SOURCE: The New York Post Subscription at 10:58pm on October 5, 2011☆⚑

There is a lot of womb for improvement by Elisabeth Vincentelli

Here's an alternative title for the new show "Motherhood Out Loud": "Love, Loss, and What I Gave Birth To." It's OK, marketers, you don't have to thank me. Conceived by Susan R. Rose and Joa…

SOURCE: The New York Post Subscription at 12:06am on October 5, 2011☆⚑

Off-kilter play right-on by Elisabeth Vincentelli

Not only is Adam Rapp prolific, but you never know what he's going to come up with next. In the past 18 months alone, he delivered the censorship drama "The Metal Children"; combined three p…

SOURCE: The New York Post Subscription at 11:27pm on October 3, 2011☆⚑

'Lidless' logic evaporates mid-performance by Elisabeth Vincentelli

During the first 45 minutes of "Lidless," it's hard not to feel little tremors of excitement: It really seems as if playwright Frances Ya-Chu Cowhig is on to something. And then she goes out…

SOURCE: The New York Post Subscription at 11:18pm on October 2, 2011☆⚑

Family drama, minus the drama by Elisabeth Vincentelli

Time plays a big part in Lanford Wilson's "Lemon Sky" -- but it also hasn't been kind to the show. When the largely autobiographical piece opened in 1970, it must have felt fresh and daring.…

SOURCE: The New York Post Subscription at 12:44am on September 29, 2011☆⚑

Hot topics, but characters leave you cold by Elisabeth Vincentelli

If there were an award for Most Unpleasant Character in a Play, the male lead of Jeff Talbott's willfully provocative "The Submission" would win in a landslide. It's not often you see a show…

SOURCE: The New York Post Subscription at 12:43am on September 29, 2011☆⚑

Synch or swim on B'way by Elisabeth Vincentelli

Fans of musical theater love to bicker, but there's one thing they agree on: A live orchestra, preferably a big one, is key to the experience. Driving the point home, a commercial attacki…

SOURCE: The New York Post Subscription at 11:23pm on September 25, 2011☆⚑

No high notes to baldfaced banality by Elisabeth Vincentelli

Let's say you discovered Eugene Ion esco a couple of years ago, via the Geoffrey Rush-starring revival of "Exit the King." You got a taste of Ionesco's absurdist world, and you're curious to…

SOURCE: The New York Post Subscription at 11:15pm on September 25, 2011☆⚑

Leaves nice 'After'-glow by Elisabeth Vincentelli

When it comes to life skills, Monty has his work cut out for him. He's baffled by the sheer number of toothbrushes and deodorants to choose from. Necktie knots bedevil him. A movie date ends…

SOURCE: The New York Post Subscription at 11:56pm on September 21, 2011☆⚑

ET farce will cure what's alien you by Elisabeth Vincentelli

It's only fitting that "Arias With a Twist" starts with its headliner abducted by aliens: This is a jaw-dropping UFO of a show. A hallucinatory hybrid of performance art, cabaret and thea…

SOURCE: The New York Post Subscription at 12:16am on September 19, 2011☆⚑

Cirque du veggies by Elisabeth Vincentelli

AN entire circus extravaganza is crammed on one itty-bitty stage, where a trained dog and a magician dazzle the audience with their tricks. Sharp knives are thrown and caught -- through clen…

SOURCE: The New York Post Subscription at 9:13pm on September 16, 2011☆⚑

'The Wood' reduces columnist's tale to pulp by Elisabeth Vincentelli

As far as subjects for a play go, Mike McAlary is a pretty great choice. In the 1990s, the big-mouthed, big-hearted tabloid journalist embodied both tough-guy reporting and the gritty Gotham…

SOURCE: The New York Post Subscription at 10:39pm on September 15, 2011☆⚑

Sing out, people! by Elisabeth Vincentelli

Some Broadway stars are so big, they don't have to wait for the right musical to come along: They can strike out on their own. And that's just what Hugh Jackman, Patti LuPone and Mandy Patin…

SOURCE: The New York Post Subscription at 11:49pm on September 13, 2011☆⚑
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