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1,783 stories by "ELISABETH VINCENTELLI"

An era-neous take on 1950s by Elisabeth Vincentelli

Jordan Harrison's "Maple and Vine" has one of the most intriguing premises of the year. Katha (the quicksilver Marin Ireland) and Ryu (Peter Kim, stiff and bland) are a 30-something New York…

SOURCE: The New York Post Subscription at 10:13pm on December 7, 2011

Brit Ayckbourn gives us crime and fun-ishment by Elisabeth Vincentelli

To call Alan Ayckbourn prolific is an understatement. "Neighbourhood Watch," which just opened at 59E59 Theaters, is his 75th play. And since the British master is a mere 72 and spry " he of…

SOURCE: The New York Post Subscription at 10:12pm on December 7, 2011

'Once' more than enough for Dublin your pleasure by Elisabeth Vincentelli

In 2006, the intimate Irish movie "Once" conquered millions of hearts with its sincere romance between two young musicians in Dublin. The film earned back 100 times its $200,000 budget, and …

SOURCE: The New York Post Subscription at 10:45pm on December 6, 2011

You'll need a drink after this 'Happy Hour' by Elisabeth Vincentelli

Ethan Coen's new show may be titled "Happy Hour," but by the time it finally ends, you may have renamed it "Two Miserable Hours I'll Never Get Back." The movies Coen and his brother, Joel, m…

SOURCE: The New York Post Subscription at 12:20am on December 6, 2011

Show's not the sane old story by Elisabeth Vincentelli

There's an intense, otherworldly quality to Cillian Murphy. Maybe it's the Irish star's memorable, piercing-blue eyes. Maybe it's the way in which he disappears into his roles, whether it's …

SOURCE: The New York Post Subscription at 12:20am on December 6, 2011

A perfectly sweet 'Cherry' by Elisabeth Vincentelli

Anton Chekhov's "The Cherry Orchard" is one of the funniest dramas ever written. Or maybe it's one of the saddest comedies. That makes it tough to pull off, and shows often fall into a bland…

SOURCE: The New York Post Subscription at 10:11pm on December 4, 2011

An 'Elective' worth taking by Elisabeth Vincentelli

Alice Hauptmann lives in a fancy Fifth Avenue townhouse, and she couldn't be more welcoming. Visitors parked in her parlor while waiting to meet her are served tea in dainty cups, along with…

SOURCE: The New York Post Subscription at 10:24pm on December 2, 2011

Wanted: edgier 'Bonnie' by Elisabeth Vincentelli

Going by numbers alone, Frank Wildhorn is Broadway's most successful composer, with six new shows in 14 years. We're talking quantity here. The quality is debatable. Wildhorn's best known fo…

SOURCE: The New York Post Subscription at 10:59pm on December 1, 2011

Be prepared: It's a narcissistic-teen jungle by Elisabeth Vincentelli

Teenagers tend to be self-centered, but Matthew, the blond hunk in "Wild Animals You Should Know," is a grade-A narcissist. In the first scene of Thomas Higgins' new play, he recites the Boy…

SOURCE: The New York Post Subscription at 12:27am on November 23, 2011

Some enchanted 'Evening' by Elisabeth Vincentelli

You may have heard about the Australian star currently setting Broadway on fire. The heat that emanates from "An Evening With Patti LuPone and Mandy Patinkin," three blocks away from Hugh Ja…

SOURCE: The New York Post Subscription at 11:25pm on November 21, 2011

Rickman, 'Seminar' so write by Elisabeth Vincentelli

There are teachers who gently coax their charges. And then there's Leonard, the brilliant editor who runs the titular fiction workshop in Theresa Rebeck's new Broadway comedy "Seminar." His …

SOURCE: The New York Post Subscription at 10:17pm on November 20, 2011

On Santa's 'nice' list by Elisabeth Vincentelli

Upon hearing that there were changes in the new edition of the "Radio City Christmas Spectacular," a friend shrieked, "They'd better not have cut the ice rink!" No worries: The ice rink and …

SOURCE: The New York Post Subscription at 10:59pm on November 18, 2011

Cattrall sexes up dull 'Lives' by Elisabeth Vincentelli

Those critical of star-casting on Broadway should catch Kim Cattrall " the single best thing in the humdrum new revival of Noël Coward's "Private Lives" that opened last night. Best known…

SOURCE: The New York Post Subscription at 10:42pm on November 17, 2011

No 'Standing' ovation, but it's worth a sitting by Elisabeth Vincentelli

Following in the feel-good footsteps of "Love, Loss, and What I Wore," here comes "Standing on Ceremony: The Gay Marriage Plays." The basic presentation is the same. Likable actors " in thi…

SOURCE: The New York Post Subscription at 10:19pm on November 15, 2011

Play's provocative matches don't light up by Elisabeth Vincentelli

The brave cast in "Burning" should get combat pay. You have to wonder what's harder to pull off: the nudity and graphic sex scenes, or the sincere, overwrought dialogue. Oh, to be a fly on t…

SOURCE: The New York Post Subscription at 12:29am on November 15, 2011

Onstage debate has issues by Elisabeth Vincentelli

For its latest piece, "How Much Is Enough?," the Foundry Theatre reconfigured St. Ann's Warehouse. A new space has been set up in what is usually the bar and hangout area, and the audience s…

SOURCE: The New York Post Subscription at 11:15pm on November 13, 2011

Oh, boy: It has to be 'Hugh' by Elisabeth Vincentelli

Hugh Jackman, the Wolverine of the "X-Men" franchise, turns out to have real-life superpowers: In "Back on Broadway," which opened last night, he turns his entire audience into a bunch of 12…

SOURCE: The New York Post Subscription at 10:39pm on November 10, 2011

Doesn't bloom by Elisabeth Vincentelli

'The Blue Flower" takes place in the first third of the 20th century, mostly in Germany, against a backdrop of WWI, Weimar and the rise of Nazism. Three of the main characters are visual art…

SOURCE: The New York Post Subscription at 10:13pm on November 9, 2011

Lukewarm 'Lear' by Elisabeth Vincentelli

Having your eyeballs pulled out -- an act infamously featured in "King Lear" -- is horrific. Yet in the Public Theater production that opened last night, the scene barely registers. It's not…

SOURCE: The New York Post Subscription at 10:48pm on November 8, 2011

'Venus,' if you will, 'fur' a dominant force by Elisabeth Vincentelli

There's a divan in "Venus in Fur," and it's pretty versatile. At first it's a potential casting couch -- after all, the play takes place during an audition in which an actress, Vanda (Nina A…

SOURCE: The New York Post Subscription at 10:46pm on November 8, 2011

A bit Bible campy by Elisabeth Vincentelli

Way before "Wicked," composer-lyricist Stephen Schwartz had a blockbuster under his belt: 1971's "Godspell," which ran for 2,700 performances, 500 on Broadway. Not bad for a score Schwartz w…

SOURCE: The New York Post Subscription at 11:03pm on November 7, 2011

Dry wit & slick acting in 'Desert' dramedy by Elisabeth Vincentelli

There are a few plays within Jon Robin Baitz's drama "Other Desert Cities," which reopened on Broadway last night, after a successful run earlier this year at Lincoln Center. The show starts…

SOURCE: The New York Post Subscription at 10:50pm on November 3, 2011

More giddy than witty by Elisabeth Vincentelli

In his zany comedy "Love's Labour's Lost," Shakespeare quadrupled the romance factor: There's not one, not two, but four young couples, and they engage in four times the amount of word play,…

SOURCE: The New York Post Subscription at 10:55pm on October 31, 2011

'Claws' is up to scratch by Elisabeth Vincentelli

A show doesn't have to be first-class to make a memorable impression. Exhibit A: "Now the Cats with Jewelled Claws," an obscure Tennessee Williams one-act at La MaMa. The production is ramsh…

SOURCE: The New York Post Subscription at 10:25pm on October 31, 2011

'Memory' worth holding onto by Elisabeth Vincentelli

The tiny Bank Street Theatre is a freakishly appropriate place to watch the excellent new dark comedy "The Atmosphere of Memory." There's no stage to speak of; if you're sitting in the first…

SOURCE: The New York Post Subscription at 11:08pm on October 30, 2011
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