44 stories by "Duska Radosavljevic"
New and unique and fascinating: Duška Radosavljević on Rachel Mars's exploration of envy and desire.
The post Edinburgh Fringe Review: Our Carnal Hearts at Summerhall appeared first …
Assured, accomplished and frighteningly fierce: Duška Radosavljević reviews the return of Seiriol Davies's delightful musical extravaganza.
The post Edinburgh Fringe Review: How to Wi…
Defying Gravity: Duška Radosavljević reviews Kneehigh's adaption of the life and love of Marc Chagall and Bella Rosenfeld.
The post Edinburgh Fringe Review: The Flying Lovers of Viteb…
Like a nice cup of cocoa: Duška Radosavljević reviews Theatre Fideri Fidera's heart-warming family tale.
The post Edinburgh Fringe Review: Oskar's Amazing Adventure at Gilded Balloon …
Translation and transcultural communication: Duška Radosavljević reviews the world premiere of a new work by Nassim Soleimanpour.
The post Edinburgh Fringe Review: Nassim at Traverse…
Duška Radosavljević reviews Louis Pearl's bubble-blowing family spectacle.
The post Edinburgh Fringe Review: The Amazing Bubble Man at Underbelly appeared first on Exeunt Magazine.
"The best theatre ideas are often remarkably simple": Duska Radosavljevic watches some toddlers crawl about on a giant, animation-filled screen at Imaginart's Sensacional.
The post Review: S…
Existentialism and farts: Duška Radosavljević reviews Made in China's slime-filled show.
The post Review: Double Double Act at the Unicorn Theatre appeared first on Exeunt Magazine.
Given the squishy props of the title, impressive costumes, disco music and two smiley dancers, accompanied by a promise of audience participation,
Over the last eight years, Little Bulb Theatre has excelled at making genuinely surprising, innovative and delightfully quirky theatre for all ages.
Much children’s theatre seems to be based on successful books, so it’s really refreshing when a piece comes along without accompanying merchandise.
Unicorn, London: Baby shows are few and far between, but good Christmas baby shows must be a real rarity indeed. The main challenge theatremakers will have faced in this category is that six…
Trafalgar Studios, London: It is not often that the complexities and historical problems of another culture find their way to the British stage courtesy of a writer without obvious links to …
Blue Elephant Theatre: Generally perceived as a direct precursor to Hamlet, The Spanish Tragedy is far less frequently performed than Shakespeare's revenge drama. One reason might be an…
Linbury Studio Theatre, Royal Opera House, London: Anyone who has coped with depression - their own or somebody else's - will find much to identify with in this desolate, difficult and …
Purcell Room, London: Imagine this. One day, as you are killing time in some mysterious waiting room, moment by moment, step by step, you simply discover that the centre of gravity has shift…
The Pit, Barbican Centre, London: Siblings - who needs them! Especially if yours are at war with each other over your mother's sick bed, your family home has been sold, and you happen t…
Barbican, London: Characteristically precise, and illuminating in its clarity, Yukio Ninagawa's approach to Shakespeare on this occasion appears to highlight the power of pardon as one …
Marlowe Theatre, Canterbury: Richard Alston makes you wait for his latest piece - A Ceremony of Carols - based on Britten's 1942 score and performed by Canterbury Cathedral Choir. It cr…
