28 stories by "Dovydas Laurinaitis"
Review: Mortgage, Tristan Bates Theatre3.0starsI enter the space to the sound of screams as a beam of light tries to escape beyond sheets of plastic hanging at the back. Sugar cubes are line…
Review: FEAST (a play in one cooking), Romanian Cultural Insitute 2.0Overall Score FEAST (a play in one cooking) sets out looking to answer its own question of 'what it means to be a woman i…
Opening with a series of videos from individuals reflecting on our current societal placement in Trans discourse, Transpose: The Future immediately sets the tone of its exploration. It is on…
Entering a room resembling a forgotten community library, from exposed wires hanging beyond a missing ceiling panel in that all too familiar shade of cement, to bare shelves lined with odd b…
Opening on a foldable bed, topped with the barest of mattresses, Jessie (Sarah Carton) adorned in greyness, lays impatiently before beginning to recount her love for Callum " the reason she …
Just as its title would indicate, Imagined Touch is uncertain and fleeting. Over 20 minutes, Heather Lawson and Michelle Stevens seek to reframe disability, specifically deaf blindness, by b…
Within cushioned walls that at once both recall an American sports centre and a psychiatric padded cell, a girls' soccer team on the cusp of adulthood gather in episodes of pre-game warm-ups…
Cordoned off by a square perimeter of pale blue light, siblings Michelle (Louise Waller) and Michael (Jamie Anthony-Rose) try to entertain themselves amongst the dust of barren ground, broke…
An empty calendar. Body without instruction. Subsequent restlessness. Questions and exclamations for help travel via phone-call to a Bangladeshi, twelve-year-old, customer service advisor. R…
"Welcome to my therapy," Bryony Kimmings states at the beginning of her new 80- minute work, I'm a Phoenix, Bitch. Inhabiting the vastness of the recently re-opened Great Hall of the Batters…
The outer shell of the stage recedes to reveal a different kind of artifice. Film crew and stage-hands in black tend to final preparations, as the actors linger patiently, meeting each other…
Dionysus descends from Olympia to manage a chicken shop in Penge. Here, as Dennis (Jorell Coiffic-Kamall), he faces Wendy (Annie Siddons) across the counter. Childhood friends, adult saviour…
Chronicling the relationship of two men as they navigate the complexities of being gay in the US of A, Homos,
The post Feature: Jordan Seavey: “Queer people should have equal access…
Facing a multitude of environments, Cockpit Theatre's tier seating encases the thrust stage. Lights rise upon hints of a bedroom;
The post Review: Camden Fringe Festival, Pomegranate Season,…
Lit by a sequence of flush ceiling lights, the audience sit traverse in a pseudo-conference room. A table marks one
The post Review: Camden Fringe, One Last Look, London Irish Centre appeare…
A dollhouse sits alone atop a stool, held by muted white light encasing the perimeter of the Donmar Warehouse's thrust
The post Review: Aristocrats, Donmar Warehouse appeared first on A Youn…
Making its European debut at the Finborough Theatre, Jordan Seavey's 2016 play is an examination of the ideological conflicts that
The post Review: Homos, Or Everyone in America, Finborough …
The Caucasian Chalk Circle by Bertolt Brecht is a play chronicling the fall and restoration of society. A web of
The post Review: The Caucasian Chalk Circle, Embassy Theatre appeared first o…
Presented under the Barbican's new season, The Art of Change, in tandem with LiFT Festival and Back to Back Theatre,
The post Review: Lady Eats Apple, Barbican Theatre appeared first on A Yo…
Sophie Treadwell's Machinal, written in 1928, explores the entrapment of women in the societal systems they have (short of killing)
The post Review: Machinal, Almeida Theatre appeared first …
The curtain parts to reveal a business lounge. Chairs upholstered in that specific off-white shade centre around a table atop
The post Review: The Grönholm Method, Menier Chocolate Factory …
A heptagon of light-up tables forms the thrust stage of The Pit Theatre at the Barbican. Interrupting the formality of
The post Review: Unexploded Ordnances (UXO), Barbican appeared first on…
Sarah Kane's Crave is a stylistic turning point in an oeuvre of brutal physical violence that up until its release
The post Review: Crave, Barbican appeared first on A Younger Theatre.
A band enters on stage to informally welcome its audience. After taking their places, and a moment to hold the
The post Review: Fragment, Battersea Arts Centre appeared first on A Younger Th…
Written and performed by Sarah Milton at King's Head Theatre, Tumble Tuck is a voyage into the mind of Daisy,
The post Review: Tumble Tuck, King's Head Theatre appeared first on A Younger Th…
