I Found My Horn, Trafalgar Studios, review
I Found My Horn at the Trafalgar Studios was a funny and poignant solo adaptation of Jasper Rees's best-selling 2008 book, says Dominic Cavendish
I Found My Horn at the Trafalgar Studios was a funny and poignant solo adaptation of Jasper Rees's best-selling 2008 book, says Dominic Cavendish
King Charles III raises the question of whether the Royals should be a target for humour, says Dominic Cavendish
Anya Reiss's shoddy adaptation of Chekhov's Three Sisters is proof she should stick to writing her own plays, says Dominic Cavendish
The Almeida's new boss on his show about Prince Charles taking the throne
Vivienne Franzmann's play Pests is an indisputably worthwhile venture but fails to convince as a piece of drama, says Dominic Cavendish
This is a flawed but macho and enjoyable production, says Dominic Cavendish
Dominic Cavendish reports on how Norwegians reacted
David Sedaris's immaculate sense of timing turns an informal book reading into a thoroughly enjoyable evening, says Dominic Cavendish
Actor Timothy West tells Dominic Cavendish about his wife Prunella Scales's illness and why he's proud to be starring in EastEnders.
Taken together, do Simon Gray's late plays represent a long-form experimental masterpiece? Dominic Cavendish investigates
This moving, magnificent play about - and performed by - servicemen wounded in Afghanistan deserves to be seen at the National Theatre, says Dominic Cavendish
Child actors will attempt to tackle sex, power and infidelity in John Marston's 'The Malcontent' at The Globe
Michael Boyd has moved on from the RSC with a wholly satisfying, new play called The Big Meal, says Dominic Cavendish
As a new musical verison of Thérèse Raquin comes to the London fringe, Dominic Cavendish reflects on the history of the dark musical
This Twelfth Night has a winning mixture of sincerity and frivolity at the much improved Liverpool Everyman, but feels underrehearsed
Dominic Cavendish on the three actors battling for Best Actor at the Oliviers
As this year's nominations are announced, Dominic Cavendish explains why three belligerent Shakespeare performances are vying for the best actor prize
Arthur Miller's great play has been revived more powerfully than this, says Dominic Cavendish
This play about early 20th-century genocide is an insult to our intelligence and to the dead, says Dominic Cavendish
Following the re-opening of the Everyman in Liverpool, Dominic Cavendish suggests which other regional theatres to visit
A lean, punchy adaptation of Charles Dickens' classic tale of revolutionary France impresses Dominic Cavendish
Harry Hill has written a musical that sends up The X Factor - with Simon Cowell's help.
Daniel Kitson uses old-fashioned recording technology to piece together a reflective, witty and wondrous performance all about making connections
Max Webster's production of Orlando is a glorious and giddy confusion of the sexes, says Dominic Cavendish
Francis Beaumont's comedy The Knight of the Burning Pestle is in expert hands at the Sam Wanamaker Playhouse, says Dominic Cavendish