DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
302 stories by "Dominic Cavendish"

I Found My Horn, Trafalgar Studios, review by Dominic Cavendish

I Found My Horn at the Trafalgar Studios was a funny and poignant solo adaptation of Jasper Rees's best-selling 2008 book, says Dominic Cavendish

SOURCE: The Telegraph at 11:51am on April 12, 2014

Charles III: Do theatre audiences have the right to laugh at the Royal Family? by Dominic Cavendish

King Charles III raises the question of whether the Royals should be a target for humour, says Dominic Cavendish

SOURCE: The Telegraph at 6:04am on April 12, 2014

Three Sisters, Southwark Playhouse, review by Dominic Cavendish

Anya Reiss's shoddy adaptation of Chekhov's Three Sisters is proof she should stick to writing her own plays, says Dominic Cavendish

SOURCE: The Telegraph at 8:13am on April 10, 2014

Rupert Goold, interview: 'I've set the controls for the sun' by Dominic Cavendish

The Almeida's new boss on his show about Prince Charles taking the throne

SOURCE: The Telegraph at 6:30am on April 9, 2014

Pests, Royal Court Upstairs: review by Dominic Cavendish

Vivienne Franzmann's play Pests is an indisputably worthwhile venture but fails to convince as a piece of drama, says Dominic Cavendish

SOURCE: The Telegraph at 8:56am on April 8, 2014

Kingston 14, Theatre Royal Stratford East, review by Dominic Cavendish

This is a flawed but macho and enjoyable production, says Dominic Cavendish    

SOURCE: The Telegraph at 9:16am on April 5, 2014

David Greig: 'I always knew I'd put The Events in front of a Norwegian audience' by Dominic Cavendish

Dominic Cavendish reports on how Norwegians reacted    

SOURCE: The Telegraph at 7:15am on April 5, 2014

David Sedaris, Cheltenham Town Hall, review by Dominic Cavendish

David Sedaris's immaculate sense of timing turns an informal book reading into a thoroughly enjoyable evening, says Dominic Cavendish    

SOURCE: The Telegraph at 8:19am on April 3, 2014

Timothy West: why I swapped King Lear for Albert Square by Dominic Cavendish

Actor Timothy West tells Dominic Cavendish about his wife Prunella Scales's illness and why he's proud to be starring in EastEnders.    

SOURCE: The Telegraph at 6:00am on April 1, 2014

In the Vale of Health , Hampstead Theatre Downstairs, review by Dominic Cavendish

Taken together, do Simon Gray's late plays represent a long-form experimental masterpiece? Dominic Cavendish investigates    

SOURCE: The Telegraph at 8:26am on March 27, 2014

The Two Worlds of Charlie F, Richmond Theatre, review by Dominic Cavendish

This moving, magnificent play about - and performed by - servicemen wounded in Afghanistan deserves to be seen at the National Theatre, says Dominic Cavendish    

SOURCE: The Telegraph at 11:23am on March 21, 2014

A hardboiled Jacobean drama - with children by Dominic Cavendish

Child actors will attempt to tackle sex, power and infidelity in John Marston's 'The Malcontent' at The Globe    

SOURCE: The Telegraph at 6:00am on March 20, 2014

The Big Meal, Ustinov Studio, Bath Theatre Royal, review by Dominic Cavendish

Michael Boyd has moved on from the RSC with a wholly satisfying, new play called The Big Meal, says Dominic Cavendish    

SOURCE: The Telegraph at 12:15pm on March 14, 2014

Thérèse Raquin: Why bleak is better when it comes to musicals by Dominic Cavendish

As a new musical verison of Thérèse Raquin comes to the London fringe, Dominic Cavendish reflects on the history of the dark musical    

SOURCE: The Telegraph at 8:00am on March 14, 2014

Twelfth Night, Liverpool Everyman, review by Dominic Cavendish

This Twelfth Night has a winning mixture of sincerity and frivolity at the much improved Liverpool Everyman, but feels underrehearsed    

SOURCE: The Telegraph at 8:24am on March 13, 2014

Olivier Awards: Shakespeare, Britain's cutting-edge playwright by Dominic Cavendish

Dominic Cavendish on the three actors battling for Best Actor at the Oliviers    

SOURCE: The Telegraph at 8:59am on March 10, 2014

Olivier Awards, comment: Shakespeare, Britain's cutting-edge playwright by Dominic Cavendish

As this year's nominations are announced, Dominic Cavendish explains why three belligerent Shakespeare performances are vying for the best actor prize    

SOURCE: The Telegraph at 8:59am on March 10, 2014

All My Sons, Watermill Theatre, Newbury, review by Dominic Cavendish

Arthur Miller's great play has been revived more powerfully than this, says Dominic Cavendish    

SOURCE: The Telegraph at 8:27am on March 10, 2014

We Are Proud to Present, Bush Theatre, review by Dominic Cavendish

This play about early 20th-century genocide is an insult to our intelligence and to the dead, says Dominic Cavendish    

SOURCE: The Telegraph at 9:52am on March 9, 2014

Britain's best regional theatres by Dominic Cavendish

Following the re-opening of the Everyman in Liverpool, Dominic Cavendish suggests which other regional theatres to visit    

SOURCE: The Telegraph at 5:17am on March 6, 2014

A Tale of Two Cities, Royal & Derngate, Northampton, review by Dominic Cavendish

A lean, punchy adaptation of Charles Dickens' classic tale of revolutionary France impresses Dominic Cavendish    

SOURCE: The Telegraph at 8:25am on March 5, 2014

I Can't Sing!: a musical with the X Factor? by Dominic Cavendish

Harry Hill has written a musical that sends up The X Factor - with Simon Cowell's help.    

SOURCE: The Telegraph at 6:00am on March 1, 2014

Daniel Kitson: Analog.Ue, National Theatre, review by Dominic Cavendish

Daniel Kitson uses old-fashioned recording technology to piece together a reflective, witty and wondrous performance all about making connections    

SOURCE: The Telegraph at 9:19am on February 28, 2014

Orlando, Royal Exchange, review by Dominic Cavendish

Max Webster's production of Orlando is a glorious and giddy confusion of the sexes, says Dominic Cavendish    

SOURCE: The Telegraph at 5:30am on February 28, 2014

The Knight of the Burning Pestle, Sam Wanamaker Playhouse, review by Dominic Cavendish

Francis Beaumont's comedy The Knight of the Burning Pestle is in expert hands at the Sam Wanamaker Playhouse, says Dominic Cavendish    

SOURCE: The Telegraph at 2:31pm on February 27, 2014
« Previous 25   Page 11 of 13   Next 25 »