Cliff Cardinal's As You Like It, A Radical Retelling
This is not a review. At least any kind of review that you're used to seeing. And "As You Like It, A Radical Retelling by Cliff Cardinal" now playing at NYU's Skirball Theater for two nights…
This is not a review. At least any kind of review that you're used to seeing. And "As You Like It, A Radical Retelling by Cliff Cardinal" now playing at NYU's Skirball Theater for two nights…
A prime example of theater as a collaborative art form.
I went to the Kraine Theater last night to experience something that I didn't know existed; I thought was pretty cool, and something that is unlike anything else you'll probably come across.…
By David Walters Spain is a technically precise, tightly constructed, and a sharply designed vision for the eyes. The scenes pop along, spinning in and fading out as if you were looking thro…
Two parallel stories, one placed in a fictional bronze-age era and the other modern-day, both focus on the roles that society fosters upon women.
"Sometimes life is what life costs" is a heartwrenching theme of these two stories
I wouldn't call Ryan McCartan's characterization in the role of Cletis a scene-stealer. I would call it a play-stealer extraordinare.
Suzanne's storytelling is uniquely her which makes it enthralling, educational, a personally revealing window into herself, and rather fun.
What it so succinctly sets up is a clash between a country's comfortable projected self-image and its greedier self-serving actions.
This is historical, musical storytelling that will leave you informed, more knowledgable, and completely entertained.
Do you remember who Susan Cabot, George Reeves, Carl Switzer, or Barbara Payton were and what they were known for? Probably not. But here's a chance to spend their last 48 hours on this e…
Known as the play where nothing happens, twice, Samuel Beckett's Waiting for Godot is back with us starring Michael Shannon and Paul Sparks, and is currently playing in Brooklyn at Theatre f…
The only reason I would suggest going is to see Danny DeVito live on stage.
The play is built on a foundation of improv and movement, a technique that director Masha Kotlova is exploring in her work, so no two performances will be alike
I promise you, if you need a good laugh at someone else's expense, if you need to be reminded of our shared humanity in living and dying, if you want to find out the truth of the "Irish Good…
By David Walters Birthed in the isolation of Covid, and first presented in 2022 at the Gate Theater in Dublin, How to be a Dancer in Seventy-Two Thousand Easy Lessons by Michael Keegan-Dolan…
Instead of being stolen (as most of the myths about her imply), Helen goes on a journey of self-discovery leaving behind motherhood and the role it forces women into as a "delivery system" f…
"Happiness is not something you can chase. You let it find you. And if and when it does, never look back, never look forward, just stay in the moment and pray it stays a while."
I urge you to stay past the slower expository first interval. Acts two and three give this play value for today, showcases a writing talent that should not be relegated to the warehouse of …
To call this show magical seems a bit redundant. It goes way beyond magic. You will be awed, mystified, and delighted by both Asi and his skill as a performer. You'll laugh as he plays w…
In three acts, that give the title its plural, the story is told by a dynamite ensemble cast helmed by Nicole Ari Parker as she ages backward 70 years assembling a family and home out of tho…
An enchanting and wonderful gift to all who attend.
"How can you talk about the beauty of Russian culture?" an actor screams while throwing a tomato at the storyteller. "It's disgusting!" I clutch my child puppet with the missing limb closer …
The fun this terrific ensemble is having presenting this 10th century story is infectious and the silliness of it all is a joy to be part of.
What makes this play intriguing is the space between, the quiet of mind in its many forms juxtaposed with the noise of forced intention that is so poignant in its playing.Â