NY Review: 'The Hallway Trilogy'
Strong performances help this trilogy of plays set in the hallway of a Lower East Side tenement over 150 years, but playwright Adam Rapp takes on too many themes and characters.
Strong performances help this trilogy of plays set in the hallway of a Lower East Side tenement over 150 years, but playwright Adam Rapp takes on too many themes and characters.
Despite some eloquently expressed ideas, Lisa Kron's political drama drowns in a sea of words. Marin Ireland and Deirdre O'Connell do their best to bail it out, but their stimulus package is not enough.
Shakespeare proves an excellent sitcom writer in this elegantly simple and simply elegant production from Shakespeare's Globe Theatre of London.
The Irish Repertory Theatre provides the perfect intimate setting for this monologue play featuring a blazing performance from Geraldine Hughes.
Eric Simonson fails to score a touchdown with this lackluster bio-play. There are plenty of stats but little dramatic conflict.
Colin Quinn brings his low-key delivery and unique satiric perspective to a crash course on world civilization. It's pretty funny, but will audiences fork over Broadway prices for a 75-minute show? SOURCE: Backstage at 5:58pm on May 25, 2015☆⚑
Clichés and stale jokes pervade this sitcom of a play from Emmy-winning TV veteran Kenny Solms. Peter Scolari, Alice Playten, and Bob Ari valiantly attempt to add dimension to their…
In this prequel to "Peter Pan," directors Alex Timbers and Roger Rees and playwright Rick Elice create an imaginative and wildly entertaining Victorian-music-hall spoof.
There is both sexual and literary chemistry in this modest but effective Pearl Theatre Company production of Molière's classic.
Despite admirable attempts at CPR by a valiant cast, director, and creative team, novice playwright Tommy Nohilly's calamitous family drama does not pull through.
Donny and Marie Osmond both work hard for the holiday cheer in this Vegas-style entertainment; the trouble is that we can see them sweat. Kudos to Marie for a supple and versatile voice.
A flop in 1991, David Hirson's erudite comedy in verse gets a second chance to dazzle Broadway. Mark Rylance gives a spectacular tour de farce performance, while David Hyde Pierce and Joanna…
Playwright Sheila Callaghan examines America's lust for fame and indifference to violence in this on-target multimedia satire.
An interactive tour of the Times Square area offers harmless, silly fun as well as ample employment opportunities for actors.
Playwright Eliza Clark takes a seeming ordinary fast-food restaurant and three normal kids and turns out a taut and scary examination of the effects of terrorism.
Julia Cho's play has its funny and touching moments, but its central premise—a linguist unable to communicate with his wife—is too obvious.
Director Austin Pendleton makes more than a few odd staging choices but also elicits some heartbreaking performances in the CSC production of the Chekhov classic.
This shaggy-dog story about a musical written to premiere in a Middle Eastern soccer stadium is better suited for an anecdote than a full-fledged tuner.
Neil LaBute reverts to his formula of brutish protagonists and political incorrectness in this twisted morality tale. TV star David Duchovny lacks stage presence.
Songwriter, book writer, and lead actor Jonathan Spottiswoode displays a great deal of promise, but his storyline is tired and confused.
Two one-acts from different periods in his career display Harold Pinter's range and give a quintet of New York's finest actors the opportunity to explore the depths of his famous pauses.
FUN HOME, the musical based on Alison Bechdel's graphic novel which played at the Public Theater, continued its winning ways, taking the prize for Best Musical from the Off Broadway Alliance…
Nominees have been chosen for the fourth annual Off-Broadway Alliance Awards. Winners will be announced on May 27. The alliance is an organization of Off-Broadway producers, theaters, genera…
The sun will come out for two young actresses when Annie gets a pair of new leading ladies. Taylor Richardson and Sadie Sink, both 11, will share the title role of the scrappy orphan in the …
This two-dimensional work by veteran playwright Robert Patrick, presented by the Fresh Fruit Festival, feels like an old episode of "All in the Family."