Time Stands Still
Laura Linney and company provide ample reason for another viewing of Donald Margulies' play, but are there enough theatergoers for a second engagement of a serious American drama that has al…
Laura Linney and company provide ample reason for another viewing of Donald Margulies' play, but are there enough theatergoers for a second engagement of a serious American drama that has al…
"Finally, a 'bromance' for the stage," reads the press release describing "Fucking Girls," as if the idiotic genre that has invaded feature films was a desirable element for the theater.
Two realities clash in Lucy Thurber's uneven comedy-drama about a young woman in mourning for her sister and the "fictional" world of the late sibling's last novel.
A return engagement of this 70-minute satire is a rollicking romp through the works of Charles Dickens and a compact parody of the RSC's famous staging of "Nicholas Nickleby."
Michael Frayn has established himself as a master of both slapstick farce and complex drama, but this 1975 play, which contains elements of both, fails to satisfy as either.
As we enter the second decade of the 21st century, William S. Gilbert and Arthur Sullivan's "The Mikado" is as fresh and funny as the night it premiered at London's Savoyard Theatre in 1885.SOURCE: Backstage at 5:58pm on May 25, 2015☆⚑
This wild history lesson and political cartoon blasts onto Broadway with an adrenaline shot of satire and a sexypants star turn from Benjamin Walker.
For this National Theatre production, broadcast to cinemas worldwide, Nicholas Hytner finds a new interpretation of the most famous play in Western history and creates an Elsinore based on c…
The veteran singer-pianist and the Broadway legend team up for a terrific evening of Great American Songbook standards delivered with unexpected twists and consummate skill.
Reality and fantasy are seamlessly blended in this fascinatingly bizarre new play about an Argentinean family haunted by the horrors of a military dictatorship.
Marcia Lewis, a Tony Award nominee for her performances in the Broadway revivals of "Grease" and "Chicago," died in the early hours of Dec. 21. She was 72.
More than 20 years after its premiere, this examination of contemporary politics, media, and clashing cultures makes a vital case for the relevancy of modern opera.
Hoping to cash in on the "Twilight" craze, the producers of this inept Off-Broadway revival of a horror classic have cast a hunky Italian heartthrob as the king of the vampires. The results …
Like a batch of oversugared Christmas cookies, this adaptation of the 2003 film hit is too sweet. The professional cast does its best to overcome the deficiencies of this flimsy holiday card…
Pablo Schreiber and Jennifer Carpenter fill in the blanks in Rajiv Joseph's skimpy two-hander about two mismatched almost-lovers who seem to connect only in times of crisis.
This poem for three voices should have remained on the page rather than being put on the stage.
Manhattan Theatre Club fumbles with this hybrid of a "Twilight Zone" episode and a Hallmark Channel TV movie. It's a mundane thriller/soap opera.
Brian Bedford stages a near-perfect rendition of Oscar Wilde's whimsical classic and gives a pitch-perfect performance as Lady Bracknell without stooping to drag-queen excesses or even raisi…
Henrik Ibsen's penultimate play suffers from a surfeit of melodrama, but Alan Rickman, Lindsay Duncan, and especially the fiery Fiona Shaw save it from its plotty excesses.
Ellen Stewart, founder of La MaMa Experimental Theatre Club and one of the pioneers of the Off-Off-Broadway theater movement, died on Jan. 12. She was 91.
The residents of Will Eno's allegorical Everytown spout fortune-cookie philosophy and act like overtranquilized mental patients in this pretentious play about life, death, and all the Big Is…
Two shirtless hunks, four fabulous drag queens, and 90 minutes of high-camp comedy. What more could you want?
While this unique combination frat party and musical history lesson is sometimes entertaining and informative, it's way too loosey-goosey to be ultimately satisfying. Plenty of free booze, though.SOURCE: Backstage at 5:58pm on May 25, 2015☆⚑
Director Charlotte Moore's staging of Dylan Thomas' classic yuletide memoir is like unspiked eggnog—sweet but not very strong.
Patrick Stewart and T.R. Knight are hilarious and touching as actors engaged in a series of onstage mishaps, but the real power of David Mamet's 1977 two-hander is in their changing mentor-p…