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142 stories by "David Nice"

Peer Gynt, Théâtre National de Nice, Barbican Theatre by David Nice

Like Ibsen's titanic character in search of a self, the Barbican's theatre programme globetrots to find the richest and rarest. Yet it certainly doesn't reach the conclusion of Peer Gynt tha…

SOURCE: The Arts Desk at 3:27am on October 11, 2014

Forbidden Broadway, Vaudeville Theatre by David Nice

"It takes a star to parody one," wrote theartsdesk's Edward Seckerson, nailing the essence of this immortal spoof-fest's last incarnation at the Menier Chocolate Factory. Star quality was as…

SOURCE: The Arts Desk at 4:48am on September 16, 2014

A Season at the Juilliard School, Sky Arts 2 by David Nice

"You feel like you're walking into Fame the movie," says one of three third-year drama students towards the beginning of this six part documentary. That's what we might have hoped of what, a…

SOURCE: The Arts Desk at 1:02am on September 7, 2014

Porgy and Bess, Regent's Park Open Air Theatre by David Nice

It should work as pure musical theatre. Yet what precisely is Gershwin's - or rather "The Gershwins'", as this title frames it, though Ira wasn't quite Gilbert or Brecht - Porgy and Bess? An…

SOURCE: The Arts Desk at 2:51am on July 29, 2014

The Importance of Being Earnest, Harold Pinter Theatre by David Nice

"Some might say we're getting too old for this sort of thing," declares Martin Jarvis's Jack " or should I say "Jack" " going off Wildean piste. Well, we had wondered whether the reunion of …

SOURCE: The Arts Desk at 8:13pm on July 17, 2014

theartsdesk Q&A: Tenor Michael Fabiano by David Nice

You can usually trust the buzz around rehearsals. From Glyndebourne, five weeks into preparation for La traviata, which opens tomorrow, one of the team working on Tom Cairns' new production …

SOURCE: The Arts Desk at 5:51am on July 16, 2014

The Testament of Mary, Barbican by David Nice

If you're tempted to see Fiona Shaw's impressive solo performance as Mary the mother of a son she can't bring herself to name " and see it you probably should " then bear two things in mind.…

SOURCE: The Arts Desk at 5:57am on May 8, 2014

Uncle Vanya/Three Sisters, Wyndham's Theatre by David Nice

London has had its fair share recently of Chekhov productions from Russia, though none anywhere near as quietly truthful as these from Moscow's Mossovet State Academic Theatre. Veteran film …

SOURCE: The Arts Desk at 3:57am on April 25, 2014

Inner Voices, Barbican by David Nice

We've now learned from the films of Paolo Sorrentino and honorary Roman Ferzan Ozpetek what great and nuanced ensemble acting the Italians can produce. Even so, the towering star of the curr…

SOURCE: The Arts Desk at 8:00am on March 28, 2014

HMS Pinafore, Hackney Empire by David Nice

Showboys will be boys " gym-bunny sailors, in this instance " as well as sisters, cousins, aunts, captain's daughters and bumboat women. We know the ropes by now for Sasha Regan's all-male G…

SOURCE: The Arts Desk at 3:39am on February 17, 2014

A Midsummer Night's Dream, Barbican by David Nice

An insider once told me that you get a grant for including puppets in a production. Which may account for the amount of crap puppetry haphazardly applied in the theatre. That's certainly can…

SOURCE: The Arts Desk at 3:53am on February 11, 2014

Happy Days, Young Vic by David Nice

For those of us who never saw Samuel Beckett's favoured performer Billie Whitelaw on stage as indomitable, buried-alive Winnie, peculiarly happy days are here again with another once-in-a-ge…

SOURCE: The Arts Desk at 7:10pm on January 30, 2014

Emil and the Detectives, National Theatre by David Nice

Read Erich Kästner's 1928 novel about young Emil Tischbein and the Berlin boys he enlists to catch a thief, and you'll come away feeling warm if slightly incredulous at the strong moral com…

SOURCE: The Arts Desk at 4:37am on December 5, 2013

Eat Pray Laugh!: Barry Humphries' Farewell Tour, London Palladium by David Nice

Now here's a funny thing, possums. Back in 1990 when one great Australian Dame, Joan Sutherland, gave her farewell performance, another, a certain housewife superstar from the Melbourne subu…

SOURCE: The Arts Desk at 4:50am on November 16, 2013

Patrice Chéreau, 1944-2013: a partial view by David Nice

It has be partial, because of the iconoclastic French actor-director's 10 opera productions, I've only seen two, on screen only " but a big two at that " and only three of his 11 films. Yet …

SOURCE: The Arts Desk at 6:15am on October 8, 2013

The Resistible Rise of Arturo Ui, Duchess Theatre by David Nice

Arturo Ui, king of the Chicago cabbage trade, is Brecht's Richard III. Egad, he even speaks in iambic pentameters, with a fair few nods at Shakespeare, though a certain cowlick and moustache…

SOURCE: The Arts Desk at 4:30am on September 26, 2013

Edward II, National Theatre by David Nice

Shallow in its cartoonish whizz through the tergiversations of a troubled reign, hugely energetic in its language and structure, Marlowe's horrible history is never less than compelling and …

SOURCE: The Arts Desk at 3:06am on September 5, 2013

Liolà, National Theatre by David Nice

Sicilian location, Irish populace, Balkan Roma music: Richard Eyre's production of a Pirandello bagatelle could easily have turned into the kind of Europudding more common in cinema. That it…

SOURCE: The Arts Desk at 4:48am on August 8, 2013

Pipe Dream, Union Theatre by David Nice

Rodgers and Steinbeck: sound unlikely? Well, self-proclaimed "family show" man Hammerstein may have baulked at words like 'whorehouse' when he created a play for music out of Steinbeck's Can…

SOURCE: The Arts Desk at 3:31am on August 4, 2013

Gabriel, Shakespeare's Globe by David Nice

If there's a more thinly written, loosely structured and hammily acted play than Samuel Adamson's panorama of Purcell's London, then I have yet to endure it. Baffling, because this is the wr…

SOURCE: The Arts Desk at 7:04pm on July 20, 2013

A Season in the Congo, Young Vic by David Nice

No theatre in London, surely, has offered us more miracles of transformed space than the Young Vic. Small it may be, but its productions often feel big in every way, and none more so than Jo…

SOURCE: The Arts Desk at 4:03am on July 17, 2013

Dances of Death, Gate Theatre by David Nice

There are two dances to unheard music in Howard Brenton's pithy Strindberg reduction. One spells trouble for the interloper between the vampire couple who suck the blood of others to sustain…

SOURCE: The Arts Desk at 6:11am on June 7, 2013

Public Enemy, Young Vic by David Nice

Everything seems so free and easy, so do-as-you-darn-well-pleasey, in the Stockmanns' fjord-view model home. Cheery friends in bright 70s clothes drop in to chew the social cud as well as Mr…

SOURCE: The Arts Desk at 2:55am on May 14, 2013

Ubu Roi, Cheek by Jowl, Barbican Silk Street Theatre by David Nice

Or, The Lord and Lady Macbeth of the Seizième, as imagined by a bourgeois teenager who fancies himself to be Bougrelas, heir to the Polish throne. That's one way of looking at the concept s…

SOURCE: The Arts Desk at 3:49am on April 13, 2013

Mies Julie, Riverside Studios by David Nice

Snow flurries outside, steam heat within. Writer-director Yael Farber's transposition of Strindberg from a Swedish estate to a farm in South Africa's Karoo region on the eve of a storm is so…

SOURCE: The Arts Desk at 4:15am on March 12, 2013
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