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148 stories by "David Nice"

The Merchant of Venice, Almeida Theatre by David Nice

All that glisters is not gold in the casino and television game-show world of Rupert Goold's American Shakespeare. Nor are all the accents, though working on them only seems to have made a s…

SOURCE: The Arts Desk at 3:52am on December 16, 2014☆⚑

Henry IV Parts One and Two, RSC, Barbican by David Nice

Heritage Shakespeare for the home counties and the tourists is just about alive but not very well at the Royal Shakespeare Company. If that sounds condescending, both audiences deserve bette…

SOURCE: The Arts Desk at 5:10am on December 14, 2014☆⚑

Cinderella, New Wimbledon Theatre by David Nice

Strange world, isn't it. Yesterday morning, buoyed up by the Royal Opera's impressive Tristan und Isolde, I was listening on CD to Linda Esther Gray, a Wagnerian soprano for the ages, singin…

SOURCE: The Arts Desk at 6:10am on December 10, 2014☆⚑

theartsdesk in Oslo: Two Peer Gynts and a Hamlet by David Nice

Not so much a national hero, more a national disgrace. That seems to be the current consensus as Norway moves forward from canonizing the loose-cannon wanderer of Ibsen's early epic Peer Gyn…

SOURCE: The Arts Desk at 6:42am on December 7, 2014☆⚑

A Midsummer Night's Dream (As You Like It), Dmitry Krymov Lab, Barbican by David Nice

Earlier this year two giant puppets, plus a bottom (lower case, human) on wheels, dominated Shakespeare's dream play at the Barbican. Replace the bottom with an ever-present little dog and y…

SOURCE: The Arts Desk at 3:32am on November 13, 2014☆⚑

The Wild Duck, Belvoir Sydney, Barbican Theatre by David Nice

Ibsen cast a cruel eye on the characters of his most relentlessly symbolic play, wild ducks wounded or domesticated by fate or character. They speak or act unsympathetically, for the most pa…

SOURCE: The Arts Desk at 4:14am on October 25, 2014☆⚑

Peer Gynt, Théâtre National de Nice, Barbican Theatre by David Nice

Like Ibsen's titanic character in search of a self, the Barbican's theatre programme globetrots to find the richest and rarest. Yet it certainly doesn't reach the conclusion of Peer Gynt tha…

SOURCE: The Arts Desk at 3:27am on October 11, 2014☆⚑

Forbidden Broadway, Vaudeville Theatre by David Nice

"It takes a star to parody one," wrote theartsdesk's Edward Seckerson, nailing the essence of this immortal spoof-fest's last incarnation at the Menier Chocolate Factory. Star quality was as…

SOURCE: The Arts Desk at 4:48am on September 16, 2014☆⚑

A Season at the Juilliard School, Sky Arts 2 by David Nice

"You feel like you're walking into Fame the movie," says one of three third-year drama students towards the beginning of this six part documentary. That's what we might have hoped of what, a…

SOURCE: The Arts Desk at 1:02am on September 7, 2014☆⚑

Porgy and Bess, Regent's Park Open Air Theatre by David Nice

It should work as pure musical theatre. Yet what precisely is Gershwin's - or rather "The Gershwins'", as this title frames it, though Ira wasn't quite Gilbert or Brecht - Porgy and Bess? An…

SOURCE: The Arts Desk at 2:51am on July 29, 2014☆⚑

The Importance of Being Earnest, Harold Pinter Theatre by David Nice

"Some might say we're getting too old for this sort of thing," declares Martin Jarvis's Jack " or should I say "Jack" " going off Wildean piste. Well, we had wondered whether the reunion of …

SOURCE: The Arts Desk at 8:13pm on July 17, 2014☆⚑

theartsdesk Q&A: Tenor Michael Fabiano by David Nice

You can usually trust the buzz around rehearsals. From Glyndebourne, five weeks into preparation for La traviata, which opens tomorrow, one of the team working on Tom Cairns' new production …

SOURCE: The Arts Desk at 5:51am on July 16, 2014☆⚑

The Testament of Mary, Barbican by David Nice

If you're tempted to see Fiona Shaw's impressive solo performance as Mary the mother of a son she can't bring herself to name " and see it you probably should " then bear two things in mind.…

SOURCE: The Arts Desk at 5:57am on May 8, 2014☆⚑

Uncle Vanya/Three Sisters, Wyndham's Theatre by David Nice

London has had its fair share recently of Chekhov productions from Russia, though none anywhere near as quietly truthful as these from Moscow's Mossovet State Academic Theatre. Veteran film …

SOURCE: The Arts Desk at 3:57am on April 25, 2014☆⚑

Inner Voices, Barbican by David Nice

We've now learned from the films of Paolo Sorrentino and honorary Roman Ferzan Ozpetek what great and nuanced ensemble acting the Italians can produce. Even so, the towering star of the curr…

SOURCE: The Arts Desk at 8:00am on March 28, 2014☆⚑

HMS Pinafore, Hackney Empire by David Nice

Showboys will be boys " gym-bunny sailors, in this instance " as well as sisters, cousins, aunts, captain's daughters and bumboat women. We know the ropes by now for Sasha Regan's all-male G…

SOURCE: The Arts Desk at 3:39am on February 17, 2014☆⚑

A Midsummer Night's Dream, Barbican by David Nice

An insider once told me that you get a grant for including puppets in a production. Which may account for the amount of crap puppetry haphazardly applied in the theatre. That's certainly can…

SOURCE: The Arts Desk at 3:53am on February 11, 2014☆⚑

Happy Days, Young Vic by David Nice

For those of us who never saw Samuel Beckett's favoured performer Billie Whitelaw on stage as indomitable, buried-alive Winnie, peculiarly happy days are here again with another once-in-a-ge…

SOURCE: The Arts Desk at 7:10pm on January 30, 2014☆⚑

Emil and the Detectives, National Theatre by David Nice

Read Erich Kästner's 1928 novel about young Emil Tischbein and the Berlin boys he enlists to catch a thief, and you'll come away feeling warm if slightly incredulous at the strong moral com…

SOURCE: The Arts Desk at 4:37am on December 5, 2013☆⚑

Eat Pray Laugh!: Barry Humphries' Farewell Tour, London Palladium by David Nice

Now here's a funny thing, possums. Back in 1990 when one great Australian Dame, Joan Sutherland, gave her farewell performance, another, a certain housewife superstar from the Melbourne subu…

SOURCE: The Arts Desk at 4:50am on November 16, 2013☆⚑

Patrice Chéreau, 1944-2013: a partial view by David Nice

It has be partial, because of the iconoclastic French actor-director's 10 opera productions, I've only seen two, on screen only " but a big two at that " and only three of his 11 films. Yet …

SOURCE: The Arts Desk at 6:15am on October 8, 2013☆⚑

The Resistible Rise of Arturo Ui, Duchess Theatre by David Nice

Arturo Ui, king of the Chicago cabbage trade, is Brecht's Richard III. Egad, he even speaks in iambic pentameters, with a fair few nods at Shakespeare, though a certain cowlick and moustache…

SOURCE: The Arts Desk at 4:30am on September 26, 2013☆⚑

Edward II, National Theatre by David Nice

Shallow in its cartoonish whizz through the tergiversations of a troubled reign, hugely energetic in its language and structure, Marlowe's horrible history is never less than compelling and …

SOURCE: The Arts Desk at 3:06am on September 5, 2013☆⚑

Liolà, National Theatre by David Nice

Sicilian location, Irish populace, Balkan Roma music: Richard Eyre's production of a Pirandello bagatelle could easily have turned into the kind of Europudding more common in cinema. That it…

SOURCE: The Arts Desk at 4:48am on August 8, 2013☆⚑

Pipe Dream, Union Theatre by David Nice

Rodgers and Steinbeck: sound unlikely? Well, self-proclaimed "family show" man Hammerstein may have baulked at words like 'whorehouse' when he created a play for music out of Steinbeck's Can…

SOURCE: The Arts Desk at 3:31am on August 4, 2013☆⚑
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