First Nighter: A Gotta-See Alan Ayckbourn Festival
The big fact about 75-year-old Alan Ayckbourn is that he's written 78--count 'em, 78--plays during his long career,...
The big fact about 75-year-old Alan Ayckbourn is that he's written 78--count 'em, 78--plays during his long career,...
Alan Ayckbourn is the chronicler of the middle class. Up in Scarborough, England, where he turns his plays out and puts...
The cast members -- despite their now-you-hear-them-now-you-don't accents -- are up to their character's challenges.
Jackman hopped, men kissed men, and McDonald made history.
The Scottish play turns ticket buyers into clan members.
If you like great songs -- not necessarily great songs you already know -- and you like women delivering them, here are CDs that you'd be extremely foolish to think you can live without:
Guess it's blowin' in the zeitgeist, but two adaptations involving rhymed classics are available in Manhattan this weekend only...
Turns out that AJ Taudevin, who wrote Chalk Farm with Kieran Hurley, and Julia Taudevin, who appears in the 55-minute...
When Chandra (Dawn-Lyen Gardner) slips happily through an upstage door to smell the trellis roses at the start of A Fable, David Van Asselt's new play at the Cherry Lane, it's the extremely …
Usually the devil gets the best lines, but since there's no devil in Under My Skin, the comedy (?) by Robert Sternin and Prudence Fraser at the Little Shubert, it's the angel (charismatic Di…
What about recognizing artisans in wig making and video projections?
It seems to me there's more than one reason for staging a revival. The first one that springs to mind, because it's the most obvious, is that a well-written and successful play is always a …
What Irma La Douce really is is rampant idiocy, for which there may be no excuse but for which there may be a wacky rationale having to do with national tastes.
In Samuel D. Hunter's outstanding play, The Whale, presented at Playwrights Horizons in the 2012-13 season, obese and...
When you look over the plays Noel Coward trumpeted during his fabulous career, few give the impression of being in any direct way autobiographical.
When Forbidden Broadway comes out swinging, not everything receives a knockout punch, which is more or less Alessandrini's usual result. Enough does, however, and after the kind of season we…
It's not too often that great passion doomed--make that Great Passion Doomed--hits the boards. There's Romeo and Juliet and Antony and Cleopatra and Cyrano de Bergerac and West Side Story wi…
Before Red-Eye to Havre de Grace supposedly begins, a pleasant fellow in a Philadelphia Park Ranger's uniform...
It would be folly to claim this is the greatest Lear yet seen, but it's surely no exaggeration to declare it's right up there with the best of them.
Is there a worthy production in the 2013-2014 tuner carload?
Somehow it should seem appropriate that Inventing Mary Martin is as corny as Kansas in August. But the kind of corniness prevalent in conceiver-writer Stephen Cole's revue, at the York, trib…
It's taken for granted that any superior drama depends on its stakes being high. If that's the case, then The Great
Throughout Ebb's well-wrought lyrics and Kander incessantly rousing melody, Williams presents Sally as angry, as finally and thoroughly disillusioned at her situation, as practically a ghost…
When you hear that Casa Valentina, Harvey Fierstein's new play, at Manhattan Theatre Club's Samuel J. Friedman, takes...
By fadeout, the actor has given an indelible portrayal of someone mustering the courage not only to drop his gaudy garments but to drop his guard as well.