1,545 stories by "David Finkle"
Throughout Samuel D. Hunter's play The Whale, at Playwrights Horizons in 2012, the main character is a gay man isolating himself by virtue of his obesity. Now back at PH with Pocatello, Hunt…
Even before Every Brilliant Thing began I realized the spunky, balding fellow racing about the in-the-round Barrow Street Theatre to hand out sheets of paper and chat with audience members w…
By dint of calling his play The Elephant Man, Pomerance irrevocably establishes that Merrick is his focal figure and for much of the two acts deftly presents the character study of an unforg…
Since perfect things come along infrequently, it's absolutely required that when they do, a whole lot of carrying on attends them. The perfect thing about which I'm now holding forth is the …
The 90-minute undertaking is a call for justice when it's become shockingly clear that injustice looks to be a national scourge no less potent now than it was nine decades ago.
Mary Testa and Michael Starobin offer "Have Faith," a superlative concept album.
Come Christmas every year, new offerings are presented with the hope they'll become holiday perennials.
Throughout The Seagull, the characters talk about happiness and of what it's constituted. They all want to be happy. Not one of them is. At this revival, I was in their unhappy number.
The blood in Kneehigh's Tristan & Yseult is less than what's in Tamburlaine Parts I and II and is stylized. Emma Rice, the company founder and adapter here of the Cornish myth has someth…
More specifically, these five are all psychologically and physically damaged. What Smart is up to is constructing a play -- it's another intermissionless 90-minuter -- in which the impaired …
Endless reasons to mourn the superb director-actor-comedian.
Sam Shepard and Stephen Rea have collaborated on projects for 40 years, ever since Shepard directed Rea in a Royal...
Scrutinized closely, which it's easy to do during director Pam McKinnon's Delicate Balance revival, at the Golden, Tobias and Agnes are very much a George-Martha do-over.
As they used to say in the '20s and '30s and often on the midway, "Nice try, but no cigar."
Not that this'll ease those still suffering the devastating Hurricane Sandy effects, but it turns out the monstrously...
Without an excessive amount of ballyhoo, Simon Stephens has become one of the most important contemporary English
What Heidi Schreck's Grand Concourse, at Playwrights Horizons, is really about is only revealed in the final minute. So be assured the wonderfully eye-widening revelation won't be described …
Logan (John Hawkes) and Veronica (Tracie Thoms) don't exactly meet cute. They meet awkward. They meet uncertain. They...
When in 1934 Dmitri Shostakovich, not yet 30, composed Lady Macbeth of Mtsensk, he provided music for all sorts of special occasions.
The list of delightful ingredients in the Encores! Series revival of The Band Wagon with its Arthur Schwartz-Howard...
You can't beat a combination of romance, humor, music and charm, and that's what Lee Hall has marvelously whipped together from the Marc Norman-Tom Stoppard Shakespeare in Love screenplay.
"On the Town" and "The Last Ship" start a hot tuner season.
London--In all my theater-going days, I don't remember seeing a production that would likely give me nightmares. ...
This week we get the revivals of Tom Stoppard's somewhat autobiographical The Real Thing (1982), at the American Airlines Theatre, and Terrence McNally's Lips Together, Teeth Apart (1991), a…
Not to be foolishly subtle about it: If a better new musical than The Last Ship appears on the horizon this Broadway season, tuner lovers best consider themselves extravagantly lucky.