Michael Riedel, "Razzle Dazzle" and the Battle for Broadway
Surprising for this author, he keeps self-aggrandizement off its pages.
Surprising for this author, he keeps self-aggrandizement off its pages.
The tic I find annoying in the work of very busy director Ivo van Hove is happily suppressed for his revival of A View From the Bridge, birthday-boy Arthur Miller's unrelenting, as usual, pl…
Director Phyllida Lloyd's inspiration for her all-women Shakespeare productions -- first Julius Caesar and now Henry IV, both at St. Ann's Warehouse -- wasn't simply to have her actors perfo…
In contemporary writing for the theater it can sometimes seem as if there's an undeclared competition to determine...
We all know about the importance of being earnest, but it's likely we all underestimate the importance of not being earnest. That importance struck me while watching Allegiance, the new mus…
Let it immediately be said, audiences will certainly get their money's worth at On Your Feet! if they're enamored of the hot-hot music spread around the globe in tandem by Gloria Estefan and…
Where this all leads is too thought-provoking, too explosive and too outright entertaining.
Apparently, director Evan Cabnet believes the difference between comedy and tragedy is that the former is played fast and...
The comedy winks at a particular instance of a dog being man's best friend -- but not, as Gurney writes it, a woman's best friend. What the prolific playwright has here is the study of one g…
Michael Mayer's updating Giuseppe Verdi's Rigoletto in a more or less contemporary Las Vegas setting of Christine Jones's devising lends the histrionic drama an alluring air of 21st-century …
In a Trip of Love program note, creator-director-choreographer James Walski asserts that his expensive-looking...
Topher Payne sets Perfect Arrangement, directed by Michael Barakiva at the Duke, in 1950 Washington, D. C. when Commie baiting and routing out supposed deviants of any stripe were becoming f…
If you think you're about to hear anything critical of the two old pros James Earl Jones and Cicely Tyson in director...
When Joe DiPietro's Clever Little Lies gets going at the Westside Theatre, it almost immediately gives the impression that...
The first act of Robert (Bootycandy) O'Hara's Barbecue consists of four scenes, two each in alternation, depicting a...
Even before William Shakespeare's so-called "problem play" Measure for Measure gets properly underway at the Globe, director Dominic Dromgoole has loosed on the audience what looks…
LONDON--Though Samuel Foote is not remembered today and therefore another instance in the annals of the millions once famous and...
LONDON--By now it's well known to theatergoers that Nicole Kidman is back on stage and in Anna Ziegler's Photograph...
About that embroidered handkerchief so crucial to Othello's undoing in the William Shakespeare tragedy that takes his name: When it's...
Mint Theater Company producing artistic director Jonathan Bank continues apace his compulsive rooting around for overlooked playwrights.
Give playwright MJ Kaufman and director Adrienne Campbell-Holt abundant credit for writing a compact and understanding study of isolation in How to Live on Earth, at HERE.
Although Matthew-Lee Erlbach appears to have written myriad plays and tele-whatevers, I've only seen his one-man Handbook for...
It was Margot Harley, just leaving her lengthy tenure as The Acting Company producer, who came up with the...
A thriller about corruption in Ireland and Nigeria involving a large cast of characters isn't the sort of thing you'd expect to turn up as the 80-minute two-hander Little Thing, Big Thing.
In the English theater there's a term for it: jobbing actor. It's used to indicate actors who are regularly employed but infrequently achieve star status. They're typically extremely talente…