1,545 stories by "David Finkle"
Although you need to know that Casey Llewellyn's O, Earth, directed by Dustin Wills at HERE in a Foundry...
In Sojourners, the stimulating new Playwrights Realm production at Peter Sharp, the first-generation Nigerian-American author Mfoniso Udofia never directly explains the title, but implicitly…
When Rui Rita's lights go up--but not too brightly--on Skeleton Crew, Dominique Morisseau's excellent drama, at the...
Anyone these days even casually interested in theater news has to be aware of the recent developments with the Classic Stage...
Reading the script, the play's original director had to "go lie down at once."
The post Now on Broadway: The Funniest Second Act Ever Written appeared first on Clyde Fitch Report.
No sooner than the Broadway revival of A. R. Gurney's Sylvia closes, in which an actress plays a dog, than Mac Wellman's The Offending Gesture, opens, at the Connelly, in which not one but t…
As Americans, we're lucky to have an abundance of national treasures. Some treasures, however, are more prominent than others. One less regularly ballyhooed is The American Dance Machine.
The relatively new comedy -- it played the Sanford Meisner Theatre in 2005 and the New York Fringe Festival in 2010 -- tells the tale of an earnest, likable blue-collar Italian man advancing…
Since April 23, 2016 is the 400th anniversary of William Shakespeare's death, it shouldn't be surprising that homages to the great playwright will be popping up right, left and center.
Since opera is first and foremost about the music -- and that certainly applies to Gioachino Rossini as much as or more than many composers -- it frequently means that the quality of any giv…
Bah humbug! to anyone who goes to the Transport Group Theatre Company's Once Upon a Mattress, at the Abrons Arts Center,...
David Mamet has something here. But what?
Cynthia Erivo is the toast of the town.
Perhaps Thornton Wilder's chief glory is his belief in and conviction about the celestial mundane.
A logic that often crosses into the illogical.
The old theater saying that goes "If you have a great finish, you don't have to worry about anything else" comes close to working for the Andrew Lloyd Webber-Glenn Slater-Julian Fe…
They never stop coming: the Dysfunctional American Family plays. In the last few weeks, we've had The Humans, Lost Girls and...
Granted, Nick Jones's latest should probably be played in one act instead of two and goes a bit wilder than it needs to in the second half. None of that, however, detracts significantly fro…
Sometimes understatement is the best kind of statement. It's surely true of these six pieces, and it's also surely true that dramatist Yearley proves to be a master of understatement. Congra…
Stage thrillers come along once in a very blue moon--and good ones in even fewer extremely blue moons. In the last...
Shear Madness has just arrived in Manhattan for the first time after playing for decades(!) in Boston. How appealing does a seeming farce sound that's been fruitcaked with broad topical joke…
Surprising for this author, he keeps self-aggrandizement off its pages.
The tic I find annoying in the work of very busy director Ivo van Hove is happily suppressed for his revival of A View From the Bridge, birthday-boy Arthur Miller's unrelenting, as usual, pl…
Director Phyllida Lloyd's inspiration for her all-women Shakespeare productions -- first Julius Caesar and now Henry IV, both at St. Ann's Warehouse -- wasn't simply to have her actors perfo…
In contemporary writing for the theater it can sometimes seem as if there's an undeclared competition to determine...
