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695 stories by "David Cote"

Marjorie Prime: Theater review by David Cote

Despite the built-in obsession with gadgets, science fiction always orbits back to a familiar subject: human psychology. All those robots, rockets and aliens are just shiny metaphors for our…

SOURCE: Time Out at 9:50pm on December 14, 2015

Lazarus: Theater review by David Cote

New York Theatre Workshop's sold-out, buzzy Lazarus is hard to describe. Blame the holiday season, but I feel it's like one of those old-timey TV Christmas specials, in which an isolated cel…

SOURCE: Time Out at 8:07pm on December 7, 2015

School of Rock: Theater review by David Cote

Ever see the pitch-perfect 2003 Jack Black comedy School of Rock? Then you know what to expect from the musical version: fake substitute teacher Dewey Finn frenetically inspiring his charges…

SOURCE: Time Out at 5:47pm on December 6, 2015

Invisible Thread: Theater review by David Cote

At-risk, education-deprived teens in one of Africa's poorest nations. Frustrated musical-theater creators living in Queens. You wouldn't expect these demographics to meet, much less improve …

SOURCE: Time Out at 7:45pm on December 2, 2015

Misery: Theater review by David Cote

Early in Misery, ex-nurse Annie Wilkes (Laurie Metcalf) informs novelist Paul Sheldon (Bruce Willis) that after a horrible car accident, he's been in a coma for four days. Make that four day…

SOURCE: Time Out at 9:19pm on November 15, 2015

A View from the Bridge: Theater review by David Cote

Shatteringly tough revivals such as A View from the Bridge can inspire dueling emotions. First, obviously, there's immense satisfaction and gratitude that Belgian director Ivo van Hove digs …

SOURCE: Time Out at 7:10am on November 13, 2015

Allegiance: Theater review by David Cote

Sweetly traditional grandfather Ojii-chan (George Takei) practices Japanese customs, such as hanging wind chimes, tending his garden and origami. As an example of the last, he folds a page f…

SOURCE: Time Out at 6:27am on November 9, 2015

ROYAL FLUSH by David Cote

Mike Bartlett s audacious verse drama appropriates the style of Shakespeare.

SOURCE: Theater News Online at 9:39pm on November 3, 2015

King Charles III: Theater review by David Cote

For the living playwright working in English, William Shakespeare vexes. Whether you think his global stature oppressive or admire the works as antique phenomena with little bearing on today…

SOURCE: Time Out at 9:43am on November 2, 2015

Sylvia: Theater review by David Cote

"Never work with animals or children," W.C. Fields famously warned, but no one told Matthew Broderick. As midlife-crisis-stricken Greg in the urban fable Sylvia, the actor must keep a straig…

SOURCE: Time Out at 10:59pm on October 27, 2015

Time Out's David Cote "Translates" Shakespeare by David Cote

Inspired by Oregon Shakespeare Festival's radical Shakespeare translation project, a theater critic updates classic passages of the Bard

SOURCE: Time Out at 9:17am on October 27, 2015

Futurity: Theater review by David Cote

In this retro-utopian concert turned musical, Civil War solider Julian (César Alvarez) and British mathematician Ada (Sammmy Tunis)­ muse rapturously on brain mechanics and consciousness…

SOURCE: Time Out at 8:13pm on October 20, 2015

Fool for Love: Theater review by David Cote

Since her star-making turn in 2010's Venus in Fur, Nina Arianda has established a reputation for being irresistibly sexy on stage. Emotional intensity and comic agility only burnish her palp…

SOURCE: Time Out at 10:56pm on October 8, 2015

BATTLE AGAINST MEMORY by David Cote

Harold Pinter’s gripping 1971 drama still cuts with force, drawing new blood.

SOURCE: Theater News Online at 2:33am on October 8, 2015

Old Times: Theater review by David Cote

The first word spoken in Harold Pinter's gripping 1971 drama about a man, his wife and the wife's visiting friend is "dark." Deeley (Clive Owen) was presumably curious about the hair of soon…

SOURCE: Time Out at 10:10pm on October 6, 2015

Fulfillment: Theater review by David Cote

If we handed out stars based solely on scenes that were probably awkward to stage in rehearsal, Thomas Bradshaw's new play might rate four (lots of ultra-realistic sexy time). Alas, there's …

SOURCE: Time Out at 7:39am on September 22, 2015

The Christians: Theater review by David Cote

A segment of the American population seems to believe that Christianity is under attack from godless socialists, gay-marriage supporters and rival creeds trying to impose theocracy on our fa…

SOURCE: Time Out at 7:14am on September 18, 2015

KINDNESS OF STRANGERS by David Cote

The Acting Company’s evening of adaptations is satisfying in small, intense doses.

SOURCE: Theater News Online at 10:37pm on September 16, 2015

Why Americans beat the British at musicals | David Cote by David Cote

Andrew Lloyd Webber v Stephen Sondheim, We Will Rock You v American Idiot " the West End's offerings pale beside Broadway's glorious historyBroadway habitués are looking ahead to a bu…

SOURCE: The Guardian at 10:20am on September 10, 2015

THE RAP ON COLONIAL HISTORY by David Cote

Lin-Manuel Miranda has built a monument by combing hip-hop with American history.

SOURCE: Theater News Online at 12:32am on August 24, 2015

John: Theater review by David Cote

Annie Baker's follow-up to her Pulitzer Prize-winning The Flick (also now playing) is built on a similar scale: John runs three hours and 15 minutes over three acts and two intermissions. I …

SOURCE: Time Out at 9:48pm on August 11, 2015

Hamilton: Theater review by David Cote

What is left to say? After Founding Father Alexander Hamilton's prodigious quill scratched out 12 volumes of nation-building fiscal and military policy; after Lin-Manuel Miranda turned that …

SOURCE: Time Out at 7:24pm on August 6, 2015

Colin Quinn The New York Story by David Cote

It's not exactly a golden age for ethnic jokes: gags about how black people are like this or Jewish folks always do that…and don't get me started on Asians! With homicidal cops and white s…

SOURCE: Time Out at 10:03am on July 24, 2015

Amazing Grace: Theater review by David Cote

In 18th-century England, the scion of a slave-trading family works in the business for years, then has a crisis of conscience, repudiates the evil practice and becomes a man of God and an ar…

SOURCE: Time Out at 10:34pm on July 16, 2015

Penn & Teller on Broadway: Theater review by David Cote

Master illusionists Penn and Teller (whose act turns 40 this week!) do better than pull a rabbit out of a hat: They reach deep into our collective need to believe and extract skepticism. It'…

SOURCE: Time Out at 8:40pm on July 12, 2015
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