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695 stories by "David Cote"

The 10 great Broadway songs that made me love musicals by David Cote

Growing up a straight white boy in small-town New Hampshire, I wasn't exactly destined to care about Broadway musicals, much less love them and write essays about how we may be living in a n…

SOURCE: Time Out at 8:01am on July 16, 2016

Small Mouth Sounds: Theater review by David Cote

Silence is golden in Bess Wohl's exquisite play set at an upstate meditation retreat where six strangers take (and mostly break) a vow not to speak. But baser metals also emerge from the vac…

SOURCE: Time Out at 12:37am on July 14, 2016

Shining City: Theater review by David Cote

Anyone who attends Conor McPherson's Shining City a second time won't be surprised by a certain coup de théâtre at the very end. Those who saw it at Manhattan Theatre Club in 2006 know w…

SOURCE: Time Out at 5:02am on June 10, 2016

The Purple Lights of Joppa Illinois: Theater review by David Cote

Drama cannot happen without a controlled release of information that keeps the characters in the room and the audience wanting more. It helps to have vivid dialogue, an unpredictable plot an…

SOURCE: Time Out at 7:17am on June 8, 2016

Paramour: Theater review by David Cote

The global neocircus giant Cirque du Soleil does things no else on Broadway can. Its acrobats execute quadruple backflips off a teeterboard, their heels seeming to brush the rigging high abo…

SOURCE: Time Out at 1:02pm on May 26, 2016

Incognito: Theater review by David Cote

British playwright Nick Payne excels at a subgenre let's call the Science Weepie. He deploys facts to frame or metaphorize the problems of his protagonists, and the collision of data and hum…

SOURCE: Time Out at 5:31am on May 25, 2016

Daphne's Dive: Theater review by David Cote

Bars are outstanding factories for human suffering"and deliverance. Everywhere from Eugene O'Neill's The Iceman Cometh to Louis C.K.'s hauntingly great web series Horace and Pete, watering h…

SOURCE: Time Out at 9:58am on May 16, 2016

A Streetcar Named Desire: Theater review by David Cote

There's a fiery revival of Tennessee Williams's great drama buried under the truckload of 1990s regietheater clichés that Benedict Andrews dumps all over St. Ann's Warehouse's playing space…

SOURCE: Time Out at 9:13pm on May 1, 2016

TALES OF THE RECONSTRUCTION by David Cote

George C. Wolfe s reimagining bursts with joy and style.

SOURCE: Theater News Online at 7:52pm on April 29, 2016

Shuffle Along: Theater review by David Cote

The full title of this extraordinary showbiz excavation-renovation masterminded by George C. Wolfe"Shuffle Along or The Making of the Musical Sensation of 1921 and All That Followed"is very …

SOURCE: Time Out at 7:30pm on April 28, 2016

Tuck Everlasting: Theater review by David Cote

At the dramatic crux of Tuck Everlasting, a 102-year-old man trapped in a 17-year-old body asks an 11-year-old girl to wait six years until she's legal, at which point she will drink from a …

SOURCE: Time Out at 12:15am on April 27, 2016

Waitress: Theater review by David Cote

One's sorely tempted to praise the delightful new musical Waitress using lots of bakery metaphors. After all, its hero is a pastry genius with relationship woes named Jenna (Jessie Mueller).…

SOURCE: Time Out at 6:38pm on April 24, 2016

Revolt. She Said. Revolt Again: Theater review by David Cote

SOURCE: Time Out at 6:09am on April 20, 2016

KING FOR A DAY by David Cote

The regicide and rebellion of the history plays are on full display in this fine feast of Shakespeare.

SOURCE: Theater News Online at 7:23pm on April 7, 2016

The Best Arthur Miller Plays by David Cote

From Death of a Salesman to his first show on Broadway, Time Out New York's David Cote ranks Arthur Miller's 10 best plays

SOURCE: Time Out at 4:33pm on April 5, 2016

AGE OF TERROR by David Cote

Arthur Miller’s penetrating study of the Salem witch trials is expertly adapted to resonate today.

SOURCE: Theater News Online at 8:47pm on April 3, 2016

The Crucible: Theater review by David Cote

There are two types of audience members attending Ivo van Hove's The Crucible: those who take their seats and, when the curtain rises, wonder, Why's it set in a classroom? and the other half…

SOURCE: Time Out at 10:27pm on March 31, 2016

The Effect: Theater review by David Cote

For a play about test subjects going through extremes of sadness, lust, joy and despair, The Effect leaves you slightly cold.

SOURCE: Time Out at 11:48pm on March 20, 2016

She Loves Me: Theater review by David Cote

Desire is chemical, or so the scientists say. When that special someone draws near, their scent can cause a fuss in the hypothalamus, prompting a rush of dopamine, adrenaline and oxytocin. P…

SOURCE: Time Out at 10:17am on March 18, 2016

WALKING GHOSTS by David Cote

David Harrower’s hellishly compelling play reaches deep into the psyches of two characters marked by a past experience.

SOURCE: Theater News Online at 9:51pm on March 11, 2016

Her Requiem: Theater review by David Cote

Contrived and gently pretentious, Greg Pierce's Her Requiem is the Off Broadway equivalent of a New Yorker short story (an improvement, I suppose, on all the new plays that seem like Netflix…

SOURCE: Time Out at 7:49pm on February 22, 2016

THE YEAR OF HAMILTON by David Cote

There was plenty on offer on Broadway this past year, but one musical took the cake.

SOURCE: Theater News Online at 7:36pm on January 22, 2016

Noises Off: Theater review by David Cote

Explaining why a thing is funny is hard enough. Trying to account for something you know is hilarious"but then isn't"is tougher still. Case in point: The Roundabout Theatre Company has reviv…

SOURCE: Time Out at 9:53pm on January 14, 2016

Fiddler on the Roof: Theater review by David Cote

Although the titans Zero Mostel, Jerome Robbins and Harold Prince are reflexively linked to this 1964 classic, there's another, uncredited, father of Fiddler on the Roof. It's Marc Chagall, …

SOURCE: Time Out at 7:47pm on December 20, 2015

RANTS WITHOUT RAVES by David Cote

Mamet and Pacino hand over an ungainly and pretentious monologue.

SOURCE: Theater News Online at 5:32pm on December 17, 2015
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