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70 stories by "Daniel Harrison"

Review: Bugsy Malone, Lyric Hammersmith by Daniel Harrison

You'd have to be some Victor Meldrew-Ebenezer Scrooge hybrid (or perhaps The Guardian's prominent theatre critic) not to absolutely adore Bugsy Malone at the Lyric Hammersmith. Sean Holmes's…

SOURCE: A Younger Theatre at 2:53pm on April 30, 2015[SHARE]

Review: American Buffalo, Wyndham's Theatre by Daniel Harrison

The collective echoes of King Charles III and A View from the Bridge still reverberate strongly around the walls of Wyndham's Theatre: American Buffalo certainly has a big stage to fil…

SOURCE: A Younger Theatre at 6:01pm on April 29, 2015[SHARE]

Review: The Chair, Unicorn Theatre by Daniel Harrison

I love the Unicorn Theatre. It is a space that has finely mastered a skill. A skill that theatre for young people does not mean theatre dumbed down. It is a venue that assumes a prior knowle…

SOURCE: A Younger Theatre at 4:03pm on March 26, 2015[SHARE]

Review: Harvey, Theatre Royal Haymarket by Daniel Harrison

I'm a little puzzled as to just why Harvey has been revived at the Theatre Royal Haymarket. It's a sweet and gentle story, but it is also notable in its total lack of relevance or significan…

SOURCE: A Younger Theatre at 5:34pm on March 25, 2015[SHARE]

Review: Walking the Tightrope: The tension between art and politics, Theatre Delicatessen by Daniel Harrison

As was possibly inevitably the case, a hell of a lot of questions were thrown at the audience at Walking the Tightrope: The tension between art and politics, questions that we may have heard…

SOURCE: A Younger Theatre at 8:42am on January 27, 2015[SHARE]

Review: Bette and Joan: The Final Curtain, St James Theatre by Daniel Harrison

“You should never say bad things about the dead, you should only say good. Joan Crawford is dead. Good.” The tumultuous relationship between screen icons Bette Davis and Joan Cra…

SOURCE: A Younger Theatre at 1:51pm on January 9, 2015[SHARE]

Review: Sleeping Booty!, Leicester Square Theatre by Daniel Harrison

What's Cheryl Cole's new name? Cheryl Verwotsit? Fillisomething? You can always judge a panto on its pop culture references. And there's plenty shoehorned into Sleeping Booty! at the Leicest…

SOURCE: A Younger Theatre at 1:31pm on December 1, 2014[SHARE]

Review: Accolade, St James Theatre by Daniel Harrison

I’ve got to be honest – I’ve never heard of Emlyn Williams. I’m not quite sure whether that’s embarrassing or not. He’s described in the programme as R…

SOURCE: A Younger Theatre at 6:17am on November 27, 2014[SHARE]

Review: The Trials of Oscar Wilde, Trafalgar Studios by Daniel Harrison

Just a hop, skip and a jump away from his bust on Adelaide Street, The Trials of Oscar Wilde at Trafalgar Studios is just that: an avid and vivid telling of one of London's most famous and n…

SOURCE: A Younger Theatre at 6:16pm on October 16, 2014[SHARE]

Review: Evita, Dominion Theatre by Daniel Harrison

Apart from last fortnight's excellent outing to King Charles III, I rarely venture into the West End. I kind of know what I'm going to get. And if I was trying to convert a theatre newbie to…

SOURCE: A Younger Theatre at 2:28pm on September 24, 2014[SHARE]

Review: King Charles III, Wyndham's Theatre by Daniel Harrison

What a time to be the Almeida Theatre. Under Rupert Goold, the north London powerhouse is impressively and consistently solid, either at its base in Islington or in its West End transfer. Mo…

SOURCE: A Younger Theatre at 4:01pm on September 12, 2014[SHARE]

Review: Spoiling, Theatre Royal Stratford East by Daniel Harrison

How much do people in England know about Scotland and the impending independence referendum? And how much do they actually care? Some questions for the marketing team at Theatre Royal Stratf…

SOURCE: A Younger Theatre at 4:58pm on September 4, 2014[SHARE]

Review: Drag King Richard III, Riverside Studios by Daniel Harrison

Credit where credit's due: we are told director Roz Hopkinson had only three days of rehearsal with Anne Zander and Bonnie Adair. And so sets the scene. We become a friendly and forgiving pr…

SOURCE: A Younger Theatre at 2:32pm on August 1, 2014[SHARE]

Review: Wedding, Shoreditch Town Hall by Daniel Harrison

To enter Shoreditch Town Hall for Wedding is to enter the set of a Wes Anderson film. Its kitsch aesthetic (grand surroundings up-lit in soft pink) and kooky charm work to let in only a glim…

SOURCE: A Younger Theatre at 6:32am on June 27, 2014[SHARE]

Review: Fashion Victim: The Musical, Cinema Museum by Daniel Harrison

Fashion Victim: The Musical is puerile, vacuous and tacky. The plot is wafer thin and there is no discernible meaning or message to speak of. The characters are two-dimensional and the scrip…

SOURCE: A Younger Theatre at 7:26am on June 24, 2014[SHARE]

Review: Café Society Swing, Leicester Square Theatre by Daniel Harrison

One of the fears around jazz music is that it will just go on and on. And on and on. And on. One of Café Society Swing's few saving graces is that it manages to avoid this. Despite its nume…

SOURCE: A Younger Theatre at 5:41pm on June 19, 2014[SHARE]

Review: Fings Ain't Wot They Used T'Be, Theatre Royal Stratford East by Daniel Harrison

Nostalgia is firmly 'in' at Theatre Royal Stratford East. We had its important Oh, What A Lovely War! lambasted by the Education Secretary in February (remember?), the concept of 'Fun Pal…

SOURCE: A Younger Theatre at 9:17am on May 22, 2014[SHARE]

Review: Good People, Noel Coward Theatre by Daniel Harrison

It would be possible for an audience to leave content enough with having experienced the fizzling layer of warmth and humour that pins together Good People. Yet dig a little deeper, and you …

SOURCE: A Younger Theatre at 3:24pm on April 16, 2014[SHARE]

Review: The Velveteen Rabbit, Unicorn Theatre by Daniel Harrison

I think what I love most about the Unicorn Theatre is that it is a venue that never patronises or mollycoddles its audience. It makes shows for children and young people, yes, but they alway…

SOURCE: A Younger Theatre at 5:31pm on March 26, 2014[SHARE]

Review: Blithe Spirit, Gielgud Theatre by Daniel Harrison

There was a tangible prickle of excitement and expectation that filtered through the audience before Dame Angela Lansbury took to the stage " an audible murmur of the imminent and tantali…

SOURCE: A Younger Theatre at 7:47pm on March 21, 2014[SHARE]

Review: Away From Home, Jermyn Street Theatre by Daniel Harrison

Equality within football is in a sorry state. The ‘Kick Racism Out of Football’ campaign deserves plaudits for its work in dragging the game out of its shameful escapades in t…

SOURCE: A Younger Theatre at 7:40am on March 16, 2014[SHARE]

Review: Brand New Ancients, Royal Opera House by Daniel Harrison

I was meant to see Brand New Ancients when it was at the Young Vic in January. In the end I went to see a panto instead. The next day my friends were glowing in their praise of Kate Tempest'…

SOURCE: A Younger Theatre at 10:00am on March 11, 2014[SHARE]

Review: We Are Proud To Present…, Bush Theatre by Daniel Harrison

I left the Bush Theatre tonight quite convinced that I hadn't enjoyed what I'd seen. It wasn't just We Are Proud To Present A Presentation About The Herero Of Namibia, Formerly Known As Sout…

SOURCE: A Younger Theatre at 6:50am on March 6, 2014[SHARE]

Review: The Hard Man, Finborough Theatre by Daniel Harrison

“There is so much that none of you will understand about me or where I come from”, Johnny Byrne sneers. And he is absolutely right. I am so grateful that the unremittingly bleak …

SOURCE: A Younger Theatre at 1:38pm on March 4, 2014[SHARE]

Review: The Act, Trafalgar Studios by Daniel Harrison

All being well, the first equal marriages in Britain are due to take place on 29 March, the date of The Act's final performance at Trafalgar Studios.  I'm quite convinced that the pioneer…

SOURCE: A Younger Theatre at 6:00am on March 3, 2014[SHARE]
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