Lost Moon Radio Finally "Gets a Job"
A Bitter Lemons’ favorite, Lost Moon Radio, is setting up shop again in a new episode/show entitled: Lost Moon Radio Gets a Job. If you’ve never seen these guys do yourself a fav…
A Bitter Lemons’ favorite, Lost Moon Radio, is setting up shop again in a new episode/show entitled: Lost Moon Radio Gets a Job. If you’ve never seen these guys do yourself a fav…
I know I’m just repeating myself, I realize that, but I just don’t understand how the supposed “Los Angeles Critical Body of Note”, the Los Angeles Drama Critics Circ…
This is either going to be incredibly boring or incredibly interesting. Here’s hoping for the latter. They are calling it The Perfect Game. As a tryout for their Fringe Project, David …
This is – as always – a top notch review from Ernest, but what I like most about it is this sort of “side bar” he takes in the middle of it to basically “dress …
“In the performing arts, there’s no such thing as a “definitive” interpretation. Even an interpretation that deliberately departs from the express directions of the c…
This is pretty interesting. Was guided to this through George Hunka’s online journal Superfluities Redux. I couldn’t really locate the original post on Critical Stages, but this …
Though the show has now closed, Wooster Group’s production of Cry, Trojans! at REDCAT continues to be provoking anger and ire for their use of “red face” in the producti…
With fireworks I’m sure. Here’s the link to the still in-construction site. Looks pretty cool. Here’s the obligatory mission statement currently on the site: Using multimed…
Not according to playwright Mike Lew as described in this fascinating post he wrote last month entitled Arts Education Won’t Save Us from Boring, Inaccessible Theater. Mike’s …
This was a very cool idea last year which makes it even cooler this year, mostly because there are some $$$$’s attached to this year’s winner. $799 smackaroonies to be exact plus…
I have to say Paul Birchall has been flourishing – in my humble opinion – since he’s been writing for Stage and Cinema. He’s been a longtime critic in this town, writ…
“Rather than 3½ weeks, Five Small Fires has been in gestation for three full years. In terms of its process and artistic ambition, the distance from the Bootleg to the Mark Taper Fo…
Well it’s not because the show appears to be decidedly mediocre according to our LemonMeter Rating. Nope. It’s because a whole bunch of folks find this production’s use of …
For the most part, theater remains an ephemeral art form, the show is there and if you miss it, it’s gone. You snooze you lose and that’s the end of that. But the beauty of Zombi…
Aha. I knew it. You all thought I was mad. About the death of the intermission. Well Mark Lawson of The Guardian makes my point in explaining the growing trend of “early exits” i…
The prettiest mind in theater, our own (one time) AdvoK@ and now the sultriest voice in pop, Kat Primeau, and her dude Chris Sousa have a new album out under the name Sumeau. Got a chance to…
One year ago today my father Major General John Henderson Mitchell shook of his mortal coil and took up command of the Armies of Angels in Heaven. To honor his memory I republish the eulogy …
Joel Beers is quickly becoming one of my favorite SoCal theater critics. Here’s another example why. Joel, you wanna write for the Lemon? Hit me up! LYSISTRATA JONES Joel Beers –…
“But even with the talent, hard work and sincerity, nothing can save the laughably awful story, generic music or emaciated characters. This is a developmentally disabled Hoosiers meets…
Ernest really likes Firemen currently playing at the Atwater Village Theatre. So did I. But as usual – especially when he’s feeling good about something – he lays it all do…
Just read what is BY FAR the best – and perhaps the ONLY work – on the crisis of criticism that Chuck has ever written. And you should too. The article is entitled:Â A ‘g…
Wondering why my Alma Mater Seattle University’s state-of-the-art Lee Center for the Performing Arts ain’t on the list. Recount! Some nice ones on here though. This one at Bard C…
Here they be, LemonHeads, the 2014 LA Weekly Award Nominees. A special shout out to Myron Meisel of the Hollywood Reporter for his Excellence in Criticism Award. We should probably do someth…
The Giddy Roar. THE UGLY ONE Jason Rohrer – Stage and Cinema RICH AND BEAUTIFUL I like a play that vacuums the audience in the wake of its rocket so that we tumble after, happy travele…
There’s no doubt my personal penchant for theater resides with the minimalist school. My favorite show so far this year – until last night – was Barry McGovern’s phen…