100 stories by "Claudia La Rocco"
Toni Bentley's erotic memoir, "The Surrender," is now a one-woman play at the Clurman Theater.
"Feast," written and directed by Andrew Ondrejcak, re-enacts the final banquet of Babylon at the Public Theater as part of the Under the Radar festival.
"El Año en Que Nacà (The Year I Was Born)" examines Chile's tumultuous history through the eyes of artists born during Augusto Pinochet's rule.
"A Piece of Work," Annie Dorsen's "algorithmic" take on Shakespeare's Danish prince, is scrambled by computer codes and chatbots.
In Pamela Carter's "What We Know," a woman struggles to understand the meaning of her partner's death.
The Mobile Shakespeare Unit's production of "Much Ado About Nothing" gives life to a much-told tale and to its audience.
"Ballerina Swan" is a stage adaptation of Allegra Kent's children's book about a swan who wants to dance.
Zimmermann & de Perrot's "Hans was Heiri" is physical theater in a set that moves, too.
Two actors recreate the final scene of a film 23 times in "Eternal," a film by Daniel Fish.
Paul Cameron Hardy's "feeling" examines a woman in free fall after a relationship who strikes up a conversation with Jeffrey Dahmer.
"Shakespeare's Sister," performed by an accomplished quintet of women, is having its New York premiere at La MaMa.
"A Man's World," a 1910 drama by Rachel Crothers is about a novelist and single mother in New York who contends with gossip and stereotypes even within her bohemian circle. …
"The Life and Sort of Death of Eric Argyle," a play about a man's immediate afterlife, is having its American premiere at 59E59 Theaters.
"Sacred Elephant," at La MaMa, elevates the creature and despairs over its fate.
The director Godfrey L. Simmons Jr., has imposed a provocative twist on Eugene O'Neill's play "All God's Chillun Got Wings."
"The Tempest," at the Delacorte Theater in Central Park, was the first production from the Public Works initiative.
"Cuff Me! The Fifty Shades of Grey Unauthorized Musical Parody" joins a cottage industry devoted to E. L. James's wildly successful novel.
A young woman's outrage animates an updated Japanese parable of transformation in "Dojoji: The Man Inside the Bell" at the Clurman Theater.
Mando Alvarado's new drama, "Basilica," is bounded by home, church and bar in San Juan, Tex.
"The Hotel Colors," Eliza Bent's debut play about a day in the life of a group of bedraggled travelers in Italy, is at the Bushwick Starr.
A small group of men in contemporary Havana try to game the system, and one another, in Eduardo Machado's "Mariquitas," at Theater for the New City.
The audience members are all front-row, and many have a role in "Everyone Was Chanting Your Name."
Richard Nelson's new play, "Nikolai and the Others," dramatizes the artists behind the Balanchine-Stravinsky ballet classic "Orpheus."
The Epic Theater Ensemble makes several adjustments to "Richard III," giving it a contemporary setting and a new title: "Born With Teeth."
In the first event in a multipart performance installation, Nick Vaughan and Jake Margolin explore wedded life in the suburbs.
