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39 stories by "Clarissa Sebag-Montefiore"

Adelaide fringe 2016: five acts that prove in theatre, bigger isn't always better by Clarissa Sebag-montefiore

Adelaide's fringe festival impresses with the mind-reading Colin Cloud and a relationship drama in which total number of audience members max out at two Related: Everything happens in Adelai…

SOURCE: The Guardian at 10:24pm on March 2, 2016

CounterMove review " Sydney Dance Company double bill brings laughs and light by Clarissa Sebag-montefiore

Roslyn Packer Theatre, SydneyA lively satire of the pomposity of the dance world is well paired with a new work that buys into all the cliches of modern dance " to mesmerising effectIn Cacti…

SOURCE: The Guardian at 6:18pm on March 1, 2016

The Secret River review " a masterful portrayal of Australia's dark past by Clarissa Sebag-montefiore

Roslyn Packer Theatre, STC, SydneyNeil Armfield's inventive, evocative and cinematic adaptation exudes a painful political resonance that never feels didacticAt the heart of The Secret River…

SOURCE: The Guardian at 9:16pm on February 9, 2016

Shibari: pushing boundaries in the ancient Japanese practice of knot tying by Clarissa Sebag-montefiore

Daniel Kok and Luke George explore the delicate rules of submission and domination in shibari while binding each other, and audience members, in ropeDark lighting combines with booming music…

SOURCE: The Guardian at 8:56pm on January 20, 2016

The Sleeping Beauty review " as sweet and indulgent as a chocolate box by Clarissa Sebag-montefiore

His choreography does not stray so far from Petipa but with unapologetic attention to detail, David McAllister's seasonal update is hard to resist ' The Sleeping Beauty: a lavish baroque fai…

SOURCE: The Guardian at 10:56pm on November 29, 2015

Xavier Le Roy on performing naked: 'Everybody is the same but is different' by Clarissa Sebag-montefiore

The French biologist turned choreographer on media fascination with his 'story' and his new work, a six-hour 'art exhibition' performed in the nudeNaked bodies are heaped in a mound. Faces p…

SOURCE: The Guardian at 12:33am on November 18, 2015

Australian Ballet 20:21 review " electrifying triptych of dance fantasy by Clarissa Sebag-montefiore

A symphony, a dream and the world premiere of Tim Harbour's Filigree and Shadow, a macabre vision set to the beat of Munich musicians 48nordFor the world premiere of Filigree and Shadow, Tim…

SOURCE: The Guardian at 12:46am on November 6, 2015

Beautiful One Day review " stage documentary dissects Palm Island death by Clarissa Sebag-montefiore

Re-enactments, witness interviews, court transcripts and autopsy reports are given life on stage in a close examination of the death of Cameron DoomadgeeOn 19 November, 2004, an Indigenous A…

SOURCE: The Guardian at 5:22am on September 27, 2015

Prize Fighter review: story of a child soldier is harrowing but lacks punch by Clarissa Sebag-montefiore

La Boite, Brisbane festivalPlaywright Future D Fidel draws on his past as a Congolese refugee in an energetic production let down by less-than-convincing performances As the audience files s…

SOURCE: The Guardian at 11:50pm on September 26, 2015

Flexn review " angry and electrifying commentary on black lives in America by Clarissa Sebag-montefiore

Queensland Performing Arts Centre, Brisbane festivalThe twisting limbs, jerking bodies and illusion of breaking bones that is Flex dancing is used to create a disturbing portrait of racial d…

SOURCE: The Guardian at 5:07am on September 26, 2015

Australian Ballet: The Dream review " a trio of Ashton works true to his heart by Clarissa Sebag-montefiore

Madeleine Eastoe and Joseph Chapman's mix of grace and pantomime make The Dream a wonder, while Monotones II offers eight minutes of other-worldly bliss Continue reading...

SOURCE: The Guardian at 5:27am on April 30, 2015

Australian Ballet: Swan Lake review " savage and beautiful to watch by Clarissa Sebag-montefiore

Capitol theatre, SydneyInspired by another royal love story, Graeme Murphy's bold and daring update of the Russian classic tells a deeply human story, swans or no swans Continue reading...

SOURCE: The Guardian at 2:56am on February 23, 2015

Meet Mira Calix, who puts wasps on stage and her audience in a maze by Clarissa Sebag-montefiore

The artist and composer on getting music out of stones, building palaces out of paper, training insects as a string quartet and why art is 49% problem-solving Continue reading...

SOURCE: The Guardian at 10:00pm on January 14, 2015

Tabac Rouge review " Thierrée show physically brilliant, emotionally cold by Clarissa Sebag-montefiore

Sydney festival 2015James Thierrée returns with a dark piece of physical theatre about corrupting power and a Lear-like king obsessed with his image " shame the show is too' James Thierrée…

SOURCE: The Guardian at 10:36pm on January 8, 2015
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