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39 stories by "Clarissa Sebag-Montefiore"

Avalanche: A Love Story review " Maxine Peake traverses the rocky terrain of IVF by Clarissa Sebag-montefiore

Roslyn Packer Theatre, SydneyPeake skilfully navigates the painful, raw experience of struggling to conceive in this stage adaptation of Julia Leigh's memoir In Avalanche: A Love Story, Juli…

SOURCE: The Guardian at 1:03am on September 2, 2019

Yael Stone Is Identified as 'Witness X' in Geoffrey Rush Defamation Case by Clarissa Sebag-montefiore

Evidence from Ms. Stone, who has accused Mr. Rush, the actor, of inappropriate behavior, was kept out of the trial of his defamation suit against an Australian news outlet.

SOURCE: The New York Times Subscription at 3:54am on May 10, 2019

Geoffrey Rush Wins Defamation Case Against Australian Newspaper Publisher by Clarissa Sebag-montefiore

The actor said two front-page articles in 2017 wrongly accused him of sexually harassing a female co-star during a Sydney theater production.

SOURCE: The New York Times Subscription at 3:17am on April 11, 2019

Is the Way Australia Funds the Arts a Recipe for Mediocrity? by Clarissa Sebag-montefiore

The country's performing arts funding model favors a group of established organizations at the expense of newcomers. Critics say this stifles innovation.

SOURCE: The New York Times Subscription at 11:18am on September 3, 2018

Dark Emu the dance show: a chance to 'look at Australia with fresh eyes' by Clarissa Sebag-montefiore

Bruce Pascoe and Stephen Page tell how a joking remark led to Bangarra's latest productionFifteen thousand years before the Egyptians, Aboriginal Australians were grinding grain " making the…

SOURCE: The Guardian at 3:36pm on June 12, 2018

What musical theatre can teach us about how we respond to cancer by Clarissa Sebag-montefiore

The female experience of disease is at the heart of an extraordinary and moving showWhen Lara Veitch walks on stage in A Pacifist's Guide to the War on Cancer " until then, a giddy, scatterb…

SOURCE: The Guardian at 8:26pm on March 26, 2018

Tim Minchin's homecoming show: 'I will make you cry' by Clarissa Sebag-montefiore

Hota, Gold CoastAustralia's funniest national treasure utterly unafraid to take the piss out of everyoneFor his first proper concert on home soil in three years, Tim Minchin had two running …

SOURCE: The Guardian at 11:00pm on March 19, 2018

The Nose review " Shostakovich's outrageous opera will divide opinion by Clarissa Sebag-montefiore

Director Barrie Kosky's wild, grotesque, frenzied production resembles a cross between Mr Bean and the Hunger Games dystopiaEarly on in The Nose, two men in the audience stand up and stride …

SOURCE: The Guardian at 1:00pm on February 22, 2018

The Nutcracker review " Mao's last dancer returns in ballet close to his heart by Clarissa Sebag-montefiore

Lyric Theatre, QPACQueensland Ballet artistic director Li Cunxin takes the stage for first time in 18 years in pleasing yet predictable balletWhen Li Cunxin " better known as Mao's Last Danc…

SOURCE: The Guardian at 1:33am on December 11, 2017

Muriel's Wedding: the Musical review " gutsy and brash sendup of all things Australiana by Clarissa Sebag-montefiore

Abba is everywhere in PJ Hogan's musical adaptation, which pulsates with high-spirited fun but eschews the film's feminist endingWhen PJ Hogan first approached Abba in the 1990s to ask if he…

SOURCE: The Guardian at 12:18am on November 19, 2017

Bangarra's Bennelong review " Aboriginal warrior's conflict portrayed in dramatic suspense by Clarissa Sebag-montefiore

Sydney Opera HouseIt's a dance that hits hard, and offers a whirlwind tour of Bennelong's troubled life and deathIn 1793, the Aboriginal warrior Bennelong " taken to London to be shown off a…

SOURCE: The Guardian at 9:48pm on June 30, 2017

Orb review " Sydney Dance Company's double bill a turbulent, otherworldly journey by Clarissa Sebag-montefiore

Roslyn Packer Theatre, SydneyThe world premiere of Taiwanese choreographer Cheng Tsung-lung's Full Moon opens an uneven but ultimately uplifting showIn folklore, a full moon can lead to madn…

SOURCE: The Guardian at 3:54am on May 3, 2017

The Bodyguard review " a shallow, shaky love story with all the thrills of a wet sock by Clarissa Sebag-montefiore

Sydney Lyric Theatre, SydneyEven Australian Idol Paulini's stellar voice can't rescue this musical, which turns the Whitney Houston film into a glitzy but baffling spectacle for the stageThe…

SOURCE: The Guardian at 7:18pm on April 28, 2017

Chimerica review " electrifying thriller traverses Tiananmen Square and modern New York by Clarissa Sebag-montefiore

Roslyn Packer Theatre, Sydney Theatre Company People power drives new energy into Australian premiere of Lucy Kirkwood's drama exploring US-China relations and the famous 'Tank Man' photogra…

SOURCE: The Guardian at 9:42pm on March 6, 2017

Mark Colvin's Kidney review " despite strong performances, play never quite satisfies by Clarissa Sebag-montefiore

Though it has a storyline you couldn't make up, this play about a transplant and friendship has a jumpy and unfocused frameworkOn opening night of Mark Colvin's Kidney " in a tense, funny sc…

SOURCE: The Guardian at 2:42pm on March 2, 2017

The Season review " family comedy gives wing to some spirited performances by Clarissa Sebag-montefiore

Pakana writer Nathan Maynard's impressive debut play is about moonbird people but is rooted in the everyday, with an ability to laugh about itself - hard Once a year in Tasmania, Aboriginal …

SOURCE: The Guardian at 12:42am on January 13, 2017

A lukewarm Romeo and Juliet and a tedious Othello " can Bell Shakespeare still deliver? by Clarissa Sebag-montefiore

Theatre companies have no reason to be jealous of Bell Shakespeare's Othello, but artistic director Peter Evans may just be finding his feetWatching Othello once again in Sydney, my first th…

SOURCE: The Guardian at 2:31pm on November 14, 2016

Viewers become participants as theatre " and sex " take over Gold Coast hotels by Clarissa Sebag-montefiore

When performers take over a five-star hotel, how much is authentic and how much is PR? And does it matter?Sprawled on the immaculate, crisp white sheets of room 1107 is a man. He lies spread…

SOURCE: The Guardian at 6:18pm on November 9, 2016

Faith Healer review " Judy Davis directs Colin Friels in near-perfect production by Clarissa Sebag-montefiore

Belvoir St theatre, SydneyIn a series of equally impressive and moving monologues, Brian Friel's play asks the audience whether anyone's memory can ever truly be trustedOn a small intimate s…

SOURCE: The Guardian at 9:42pm on October 27, 2016

E-baby review " an endearing but haphazard romp into the complex world of surrogacy by Clarissa Sebag-montefiore

Ensemble theatre, SydneyWritten by a former Fairfax journalist, Jane Cafarella, the play mixes laugh-out-loud one-liners with flashes of true grief " but it only skims the surfaceE-baby prot…

SOURCE: The Guardian at 12:18am on October 27, 2016

Jump First, Ask Later review: parkour stage show fails to get airborne by Clarissa Sebag-montefiore

Western Sydney street acrobatics troupe Dauntless Movement Crew delivers an earnest but underwhelming productionJump first, ask later. That's the motto of the Fairfield-based Dauntless Movem…

SOURCE: The Guardian at 3:56am on September 26, 2016

My Fair Lady review " Julie Andrews re-creates classic original with a show that truly sings by Clarissa Sebag-montefiore

Joan Sutherland theatre, Sydney Opera HouseOpera Australia puts on a 60th anniversary crowd-pleaser with a risky attempt to re-create a bygone golden era that succeeds with verveWhenever I f…

SOURCE: The Guardian at 3:44am on September 9, 2016

Australian Ballet: Swan Lake review " savage and beautiful to watch by Clarissa Sebag-montefiore

Capitol theatre, SydneyInspired by another royal love story, Graeme Murphy's bold and daring update of the Russian classic tells a deeply human story, swans or no swans"There were three of u…

SOURCE: The Guardian at 9:18pm on July 13, 2016

OUR land people stories review " triple bill delivers powerful messages in dance form by Clarissa Sebag-montefiore

Near operatic storytelling and inspiring music take Bangarra's brilliant effort on a journey from loss and pain to more hopeful themes such as kinship and artOUR land people stories " Bangar…

SOURCE: The Guardian at 11:44pm on June 17, 2016

Indigenous dancer Damian Smith returns to Australia for final pas de deux by Clarissa Sebag-montefiore

He was bullied as a teen, trained until he bled, and triumphed. Now Smith bids farewell to his globally acclaimed career on the stage that launched itIn 1989 Damian Smith, then a 16-year-old…

SOURCE: The Guardian at 1:16am on May 4, 2016
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