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295 stories by "Cindy Marcolina"

BWW Review: RINGMASTER, VAULT Festival by Cindy Marcolina

Part of VAULT Festival and performed at the Network Theatre, Ringmaster is introduced as being vaguely based on La Ronde. Schintzler's subversive 1900 play, banned and censored by his contem…

SOURCE: BroadwayWorld at 7:38am on February 1, 2019[SHARE]

BWW Review: VELVET, VAULT Festival by Cindy Marcolina

Tom dreams of being a famous actor. But it's hard to break into the industry and a day-job waiting tables takes its toll. Then, while cast in a fringe play he's met with a huge opportunity t…

SOURCE: BroadwayWorld at 7:34am on January 31, 2019[SHARE]

BWW Review: A SUPER HAPPY STORY (ABOUT FEELING SUPER SAD), VAULT Festival by Cindy Marcolina

Sally Madeleine MacMahon is celebrating her 16th birthday seeing her favourite band playing live. Everything seems to be going well in her life and she looks happy as she can be, especially …

SOURCE: BroadwayWorld at 7:29am on January 31, 2019[SHARE]

BWW Review: COUNTING SHEEP, VAULT Festival by Cindy Marcolina

Mark and Marichka Marczyk fought in the Kiev Uprising in 2014. They witnessed life and death, injustice and dictatorship first hand before they decided to tell their story.

SOURCE: BroadwayWorld at 5:48am on January 30, 2019[SHARE]

BWW Review: OPEN, VAULT Festival by Cindy Marcolina

Christopher Adams and Timothy Allsop draw on their real-life experience to paint a vivid picture of an open couple. They tell their tale aided by the audience, who are called on multiple tim…

SOURCE: BroadwayWorld at 5:36am on January 28, 2019[SHARE]

BWW Review: DANGEROUS LENSES, VAULT Festival by Cindy Marcolina

A man and his daughter move into Ann's block of flats, except that he says there's no little girl with him. The woman, addicted to watching people's lives through her window, grows an obsess…

SOURCE: BroadwayWorld at 5:30am on January 27, 2019[SHARE]

BWW Review: KOMPROMAT, VAULT Festival by Cindy Marcolina

Written by David Thame, Kompromat was inspired by the still-unsolved murder of a GCHQ agent and sees young Zac Max Rinehart coming to terms with his action. Arriving to London from a sex-tra…

SOURCE: BroadwayWorld at 7:58am on January 26, 2019[SHARE]

BWW Review: BLUE DEPARTED, VAULT Festival by Cindy Marcolina

Anima Theatre Company present Blue Departed, a show marketed as a re-imagination of Dante's Inferno. On paper, it sounds interesting but on stage it becomes a vague exploration of love and d…

SOURCE: BroadwayWorld at 7:31am on January 26, 2019[SHARE]

BWW Review: DEAR ELIZABETH, Gate Theatre by Cindy Marcolina

Elizabeth Bishop and Robert Lowell, two of America's most brilliant poets, wrote over 800 pages of letters to each other. They were best friends, platonic soulmates who rarely met but exchan…

SOURCE: BroadwayWorld at 7:15am on January 23, 2019[SHARE]

BWW Review: TWELFTH NIGHT, Southwark Playhouse by Cindy Marcolina

Following Macbeth in 2016 and The Tempest in 2017, Southwark Playhouse presents Twelfth Night as part of their Shakespeare For Schools programme. The aim of their annual project is to bring …

SOURCE: BroadwayWorld at 5:00am on January 19, 2019[SHARE]

BWW Review: ORIGINAL DEATH RABBIT, Jermyn Street Theatre by Cindy Marcolina

Jermyn Street Theatre opens 2019 with a bang dressing the mental health discourse in a pink fluffy bunny suit. Original Death Rabbit is Rose Heiney's new play which details the downfall and …

SOURCE: BroadwayWorld at 4:40am on January 12, 2019[SHARE]

BWW Review: ASPECTS OF LOVE, Southwark Playhouse by Cindy Marcolina

Written between The Phantom of the Opera and Sunset Boulevard, Aspects of Love belongs to the pool of Andrew Lloyd Webber's neglected musical. Back in 1989 it launched the career of none oth…

SOURCE: BroadwayWorld at 5:36am on January 11, 2019[SHARE]

BWW Review: PARADISE, Hampstead Theatre by Cindy Marcolina

Dusty Hughes' new play sees Hampstead Theatre putting together veterans of the venue. From Alice Hamilton at the direction previously at the helm of Every Day I Make Greatness Happen earlier…

SOURCE: BroadwayWorld at 5:39am on January 8, 2019[SHARE]

BWW Interview: Katy Lipson Talks ASPECTS OF LOVE at Southwark Playhouse by Cindy Marcolina

Theatre producer Katy Lipson - who was recently appointed as co-artistic director of the Hope Mill Theatre in Manchester and who has recently taken on the road shows such as The Addams Famil…

SOURCE: BroadwayWorld at 3:01am on December 31, 2018[SHARE]

BWW Interview: Adam Spreadbury-Maher Talks COMING CLEAN at Trafalgar Studios by Cindy Marcolina

Adam Spreadbury-Maher - artistic director of the King's Head Theatre and director of theatre and opera - is transferring his critically acclaimed production of Kevin Elyot's Coming Clean to …

SOURCE: BroadwayWorld at 10:22am on December 28, 2018[SHARE]

BWW Review: HOME ALONE IN CONCERT, Royal Albert Hall by Cindy Marcolina

The Royal Albert Hall rang in the festive season with a screening of one of the most-beloved Christmas classics from the 90s. The venue, appropriately decked in fairy lights and Christmas tr…

SOURCE: BroadwayWorld at 5:43pm on December 22, 2018[SHARE]

BWW Interview: Natalie Ibu Talks GOOD DOG by Cindy Marcolina

Natalie Ibu, artistic director of Tiata Fahodzi, is taking Arinze Kene's good dog back on the road after a stellar success in 2017. Here, she discusses her journey into theatre, directing th…

SOURCE: BroadwayWorld at 8:31am on December 21, 2018[SHARE]

BWW Review: MURDER FOR TWO, The Other Palace by Cindy Marcolina

After starting out Off-Broadway in 2011 and collecting nominations from the Drama League, Outer Critics Circle, and Drama Desk Awards, Kellen Blair and Joe Kinosian's Murder for Two landed i…

SOURCE: BroadwayWorld at 6:33am on December 14, 2018[SHARE]

2018 Year in Review: Cindy Marcolina's Best of Theatre by Cindy Marcolina

As we're ready to draw the curtain on a busy 2018, it's time to look back on my eclectic year of theatre in a consciously unmethodical collection of highlights.

SOURCE: BroadwayWorld at 3:01am on December 12, 2018[SHARE]

BWW Review: AISHA, Old Red Lion Theatre by Cindy Marcolina

Brand new arts organisation AILA debuts Aisha, written and directed by the founder, AJ. A harrowing story about child marriage, the play follows a 17-year-old's struggle as she endures the l…

SOURCE: BroadwayWorld at 6:33am on December 9, 2018[SHARE]

BWW Review: UNCLE VANYA, Hampstead Theatre by Cindy Marcolina

Hampstead Theatre presents Uncle Vanya in a new translation by Terry Johnson, who also directs. Chekhov's well-known piece follows Sonia and her uncle Vanya as they receive a visit from her …

SOURCE: BroadwayWorld at 6:49am on December 7, 2018[SHARE]

BWW Review: BURKE AND HARE, Jermyn Street Theatre by Cindy Marcolina

It's 1828 in Edinburgh and medical advances are running as fast as the number of cadavers are low. Spurred by their stack of debts and with a penchant for enterprise, William Burke Hayden Wo…

SOURCE: BroadwayWorld at 7:44am on December 1, 2018[SHARE]

BWW Review: HEAD-ROT HOLIDAY, The Hope Theatre by Cindy Marcolina

It's December 1991 and in a 'special hospital' Ruth Emily Tucker, Claudia Evlyne Oyedokun, and Dee Amy McAllister are gearing up to celebrate the holidays by demonstrating how well-adjusted …

SOURCE: BroadwayWorld at 7:49am on November 30, 2018[SHARE]

BWW Review: ANNA KARENINA, The Actors' Church by Cindy Marcolina

After a sold-out run at Oxford University, composer Maria Shepard took her musical based on Lev Tolstoy's Anna Karenina for a one-night engagement at The Actors' Church in London as part of …

SOURCE: BroadwayWorld at 7:04am on November 25, 2018[SHARE]

BWW Review: THE GREATEST SNOWMAN, Pedley Street Station by Cindy Marcolina

After The Murder Express and Journey To The Underworld, Funicular invite their audience to Pedley Street Station to embark on a silly Christmas journey whilst savouring a sublime feast. When…

SOURCE: BroadwayWorld at 6:40am on November 22, 2018[SHARE]
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