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216 stories by "Christopher Henley"

Learning from August Wilson. Todd Kreidler remembers his friend and mentor by Christopher Henley

Move Over, Chris Rock. This might not lead you to expect something about the coming of age of August Wilson. However, I learned during a conversation with Todd Kreidler, a close associate of…

SOURCE: DC Theatre Scene at 11:42am on December 17, 2013

Todd Kreidler on re-writing Guess Who's Coming to Dinner? for the stage by Christopher Henley

“I’m discovering something new.” Todd Kreidler was referring to his temporary DC digs. He had just arrived and was exploring them during our phone interview. Earlier in the…

SOURCE: DC Theatre Scene at 9:49am on December 11, 2013

Meeting Misha . A talk with Mikhail Baryshnikov by Christopher Henley

What could possibly be more exciting for a DC theatre-lover than this? Mikhail Baryshnikov, indisputably the best-known classical dancer in the world, has arrived in town. And it’s not…

SOURCE: DC Theatre Scene at 11:06am on December 5, 2013

South African actors Hilda Cronje and Bongile Mantsai on playing the intense intimacy of Mies Julie by Christopher Henley

“I walked out of the audition feeling as if I had just had sex with a stranger.” Was this said to me by someone remembering the heyday of the 60s avant-garde; an audition for Dio…

SOURCE: DC Theatre Scene at 3:00pm on November 13, 2013

Backstage with Anthony Rapp of If/Then by Christopher Henley

Anthony Rapp is ready. On a recent evening, he was at the National Theatre. Along with the rest of the If/Then company, he was rehearsing that show’s finale. He told me about looking o…

SOURCE: DC Theatre Scene at 12:02pm on November 6, 2013

Generous theatre supporter, Pete Miller, adds mayor of Beertown to his credits by Christopher Henley

Check out the latest run of dog and pony dc’s Beertown, at Round House Silver Spring through Oct. 19th. Read the actor bios in the program. When you do, you will read one that might be…

SOURCE: DC Theatre Scene at 2:38pm on October 11, 2013

From Groucho to Mark Rothko . Baltimore's giving Bruce Nelson some juicy roles by Christopher Henley

How's this for an actor demonstrating stunning range: Bruce Randolph Nelson's next project is playing the driven, intense (eventually suicidal) artist Mark Rothko in John Logan's Tony-winnin…

SOURCE: DC Theatre Scene at 11:22am on September 27, 2013

Director Michael Kahn and actor Brandon Uranowitz on Torch Song Trilogy by Christopher Henley

Trivia question: what Tony Award was Michael Kahn nominated for in 1983? Second trivia question: who was sitting in front of him at the awards ceremony? I’ll reveal the answer to the f…

SOURCE: DC Theatre Scene at 11:59am on September 23, 2013

For Faction's biggest Fool, Matthew R. Wilson, all life's a comedy by Christopher Henley

Here’s a job that you might not expect to be the sort that will prepare you to run a theatre company later in life: usher. On the other hand, maybe it’s the perfect sort of on-th…

SOURCE: DC Theatre Scene at 1:07pm on September 20, 2013

The Helen Hayes Awards: why I've changed my mind by Christopher Henley

I attended the theatreWashington summit a few weeks ago. I read the recent Nelson Pressley article in The Washington Post on one of the topics addressed at the meeting, whether to split e…

SOURCE: DC Theatre Scene at 9:49am on August 27, 2013

Forum's unclear future leads to a high risk decision " nearly free theatre by Christopher Henley

“It’s about trust…like a stage dive.” Most Artistic Directors of local theatre companies would probably not compare a change in ticketing policy to taking a flying ju…

SOURCE: DC Theatre Scene at 12:12pm on August 23, 2013

Theatre for nearly nothing. Who's tried it? by Christopher Henley

In Minneapolis, a company called Mixed Blood garnered national attention when it introduced its policy of “radical hospitality,” essentially shifting to a “free entry”…

SOURCE: DC Theatre Scene at 12:03pm on August 23, 2013

DC's Anacostia Playhouse sets down roots in its new neighborhood by Christopher Henley

– Christopher Henley, former Artistic Director of WSC Avant Bard, knows first hand what it takes to lure theatregoers to unfamiliar places. – It’s a sad, sad story, as old …

SOURCE: DC Theatre Scene at 12:42pm on August 14, 2013

The Welders: 5 local playwrights create a new way to perfect and produce work by Christopher Henley

“Three years, five plays, pass it on.” -Renee Calarco This is a thumbnail portrait of The Welders, one of the newest, and most unique, organizations to pop up on the DC theatrica…

SOURCE: DC Theatre Scene at 11:12am on August 5, 2013

Go-Go dolphins, vocables and gender transformation: a look in on the rehearsal of The T Party by Christopher Henley

I’m in a rehearsal room a few weeks ago. I’ve just seen a sequence about same-sex activity among dolphins. The sequence is extremely informative. Statistics and other data are fo…

SOURCE: DC Theatre Scene at 10:37am on July 23, 2013

Trust Me, in development, takes notes from the audience by Christopher Henley

“Find an ending, please.” No, this is not what was asked of the audience on Saturday night at Shear Madness, one of those (otherwise quite conventional) plays at which the ending…

SOURCE: DC Theatre Scene at 9:22am on June 18, 2013
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